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Sight-Readings

American Fictions

by Elizabeth Hardwick


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A collection of essays by the distinguished American critic and woman of letters. Hardwick, a founder of the "New York Review of Books", considers the work and lives of American writers, such as Edith Wharton, Mary McCarthy, Gertrude Stein, and Katherine Anne Porter. A "New York Times" Notable Book for 1998.

Editions of Sight-Readings

9780375501272
ISBN

Binding/Format

Hardcover
Publisher

Random House Inc
Date

1998
Price

$1.00
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Very Good in Good dust jacket

Publisher Notes

It is only in a country where newness and change and brevity of tenure are the common substance of life," wrote Henry James, "that the fact of ones ancestors having lived for a hundred and seventy years in a single spot would become an element of ones morality." Newness and rootedness are the twin poles of Sight-Readings, Elizabeth Hardwicks brilliant new collection of essays. (Her first, Seduction and Betrayal, was nominated for the National Book Award.) Hardwick's focus here is on American writers, at home and abroad, and especially women, as writers and as characters: Edith Wharton, Djuna Barnes, Gertrude Stein, Mary McCarthy, Elizabeth Bishop, Katherine Anne Porter, and Joan Didion, among others.   In sections on Old New York, Americans Abroad, and Fictions of America, Hardwick considers writers and their landscapes, real and imagined. Her essays on Edith Wharton and Henry James illuminate aspects of their inventions of New York. From there she takes us to the Paris of Gertrude Stein and Djuna Barnes, into the hermetic world of Boston Transcendentalism, and on to the suburbs of John Cheever, the America of Philip Roth and John Updike, and the restless expanses of Richard Ford and the Prairie poets.   Elizabeth Hardwick has achieved a permanent place in American letters for her sharp and elegant criticism. Her essays on American writers are them-selves a work of literature.

Media Reviews

"A strong collection....[A] vivid reflection of American literary culture in the imagination of one of our most urbane critics."

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