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The Adventures of Rama With Illustrations from a Sixteenth-Century Mughal Manuscript by Milo Cleveland Beach ( 1983)
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The Art of India & Pakistan by Dixon Gallery and Gardens, Milo Cleveland Beach, Duke University, J.B. Speed Art Museum ( 1985)
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Art of the Persian Courts Selections from the Art and History Trust Collection by Milo Cleveland Beach, Abou Soudavar ( 1993)
Covers Persian manuscript illumination and calligraphy.
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Bagta and Choka Rajasthani Painters Master Artists at Devgarh by Milo Cleveland Beach, Rawat Nahar Singh ( 2005)
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A Basketmaker in Rural Japan by Nakamura Kenji, Louise Allison Cort ( 1994)
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Early Mughal Painting by Milo Cleveland Beach ( 1987)
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The Grand Mogul Imperial Painting in India, 1600-1660 by Glenn D. Lowry, Stuart Cary Welch, Sterling and Francine Clark Art Institute, Milo Cleveland Beach ( 1978)
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The Imperial Image Paintings for the Mughal Court by Milo Cleveland Beach ( 1982)
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Indian Paintings and Drawings from Collection of Howard Hodgkin by Andrew Topsfield, Milo Cleveland Beach ( 1991)
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The King of the World The Padshahnama An Imperial Mughal Manuscript from the Royal Library, Windsor Castle by Wheeler M. Thackston, Ebba Koch, Arthur M. Sackler Gallery (Smithsonian Institution), Milo Cleveland Beach, Windsor Castle Royal Library ( 1997)
Housed in England's Royal Library, THE PADSHAHNAMA ("King of the World") manuscript documents the first ten years of the reign of Shah-Jahan, builder of the Taj Mahal, and contains exquisite painting and illuminations. The manuscript will be exhibited in 1997 in celebration of India's 50 years of independence from British rule. This reproduction accompanies the exhibition. 200 illus. 100in color.
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Mughal and Rajput Painting by Milo Cleveland Beach ( 1993)
The Mughals seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated work, Dr. Milo Beach shows how Mughal patronage of the arts was radically innovative for the Indian context and profoundly altered the character of painting in the Rajput Hindu areas of north India. He reveals the different styles and subjects of Mughal and Rajput painting and the interplay of the two traditions. Beach also explores the tolerance each showed toward outside influence and change, demonstrating a uniquely Indian attitude towards the arts.
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The Silk Road and Beyond Travel, Trade, and Transformation by James Cuno, Milo Cleveland Beach ( 2007)
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