Books by Ernest Hemingway
Born: 07/21/1889; Died: 07/02/1961Ernest Hemingway Biography & Notes
Ernest Miller Hemingway (July 21, 1899 - July 2, 1961) was an American author. He was born in Oak Park, Illinois, and committed suicide in Ketchum, Idaho.
Hemingway was one of the 20th century's most important and influential writers, and many details of his own life have become nearly as well-known as has his work. His image was of a stoic, macho, adventurous figure, and he often drew heavily on his own experiences for his writing.
He was a leading figure of the so-called Lost Generation. Hemingway's fiction, especially his early work, was dominated by two types of characters. The first type were people altered by their World War I experiences, people who'd become detached and cynical, yet emotionally needy. The second type of character--perhaps a response to the first type--is a simple, plainspoken individual of direct emotions, who finds fulfillment or even redemption in fishing, bullfighting or other physical activities.
Death and violence were constant themes in Hemingway's life and writing. He saw violence in both World Wars, and in the Spanish Civil War. Hunting was among his favorite interests. He was notoriously accident-prone, perhaps due to his adventurous life.
Hemingway created one myth after the other about himself: he claimed he had an affair with Mata Hari and that he joined the Arditi after his wounding in the first World War, among other accounts. Many people were perfectly willing to believe these tales, unlikely as they often were.
Hemingway was sometimes captured or challenged in his lies, and the discrepancy between himself and the idealized image he had created has been cited as a factor in his troubled life and eventual suicide. Hemingway probably suffered from depression, which was aggravated by his alcoholism.
Hemingway was born and raised in Oak Park, Illinois. His father was a physician, and the family lived a comfortable, protected life.
His mother, Grace Hall Hemingway, dressed and raised him as a girl for part of his life, calling him "Ernestine". Accounts vary from two years to six years to even his teens Some reports claim that, when Hemingway was born, his mother fantasized that he was a the twin of his older, 18-month-old sister, Marcelline. Some accounts hold that she dressed them both as girls and let their hair grown long, then later cut their hair and dressed them both as boys.
For two months each summer, Hemingway was allowed to attend a boys' camp, where he could dress and live as a boy. In his youth, Hemingway joined his father hunting; at ten, he got his first shotgun. He enjoyed a good fight, and boxing was a lifelong passion. (Some of his Nick stories seem partly based on his experiences at this time.) He lived his summers at Walloon Lake, Michigan, where he would later write The Nick Adams Stories. His cottage was in what is now known as Hemingway Cove. It is rumored that he had several Chippewa friends as a child.
After high school, Hemingway worked as a reporter for the Kansas City Star. He adopted as his personal standand the main directives of the newspaper's stylebook: "Brevity, a reconciliation of vigour with smoothness, the positive approach".
Hemingway left his reporting job after only a few months, and, against his father's wishes, tried to join the United States Army. He did not pass the medical examination.
Later, he enlisted in the Ambulance Corps and left for Italy, then mired in World War I. En route to the Italian front, he stopped in Paris. The city was under constant bombardment from German artillery.
Instead of staying in the relative safety of the Hotel Florida, Hemingway asked the cab driver to bring him to the place where the shells were falling. Hemingway wouldn't stop looking for enemy fire until one shell tore apart the facade of a church at the Place de la Madelaine nearby. (He later said: "I was an awful dope when I went to the last war...")
Not long after ariving in Italy, Hemingway saw the brutalities of war: On his first day of duty, an ammunition factory near Milan suffered an explosion. Hemingway had to pick up human remains, mostly of women who'd worked at the factory.
This first and extremely cruel encounter with human death left him shaken. The soldiers he met later didn't lighten this horror: Eric Dorman-Smith quoted Shakespeare's Henry IV Part Two: "By my troth, I care not; a man can die but once; we owe god a death . . . and let it go which way it will, he that dies this year is quit for the next" A 50-year-old soldier, to whom Hemingway said "You're troppo vecchio for this war, pop." replied "I can die as well as any man."
On July 8, 1918, at the Italian front Hemingway was wounded, ending his career as an ambulance driver.
The exact details of the July 8 attack remain mysterious but two facts are certain: A trench mortar shell hit him leaving fragments in both legs, and he was awarded the Silver Medal of Military Valor (medaglia d'argento) from the Italian government. He may have saved another soldier's life by carrying him on his back
Hemingway later transferred to the Italian infantry, and was seriously injured.
Convalescing in the Ospedale Croce Rossa Americana, Via Alessandro Manzoni in Milan, he met Sister Hannah Agnes von Kurowsky, a nurse from Washington, DC, and one of eighteen nurses looking after just four patients. He fell for her, but they never were together. Soon after his departure, she fell in love with another man.
(Hemingway once wrote F. Scott Fitzgerald: "We are all bitched from the start and you especially have to be hurt like hell before you can write seriously. But when you get a damned hurt use it - don't cheat with it. Be as faithful to it as a scientist". Some ten years after his painful World War I experiences, A Farewell To Arms was published. The work is heavily autobiographical.)
After being discharged from the Army, Hemingway returned home and in 1920 took a job in Toronto, Ontario, Canada at the Toronto Star newspaper as a freelancer, staff writer, and foreign correspondent.
About this time, Hemingway met Canada's young literary prodigy, Morley Callaghan who also was a cub reporter at the same paper. Callaghan, who respected Hemingway's work, showed his own stories to him and Hemingway praised it as fine work. (The two later joined up in the Montparnasse quarter of Paris, France with F. Scott Fitzgerald and the other expatriate writers of the day.)
In 1921 Hemingway married Hadley Richardson and moved to Paris as a correspondent for the Toronto Star covering the Greco-Turkish War.
In 1923, Hemingway's first book,
Three Stories and Ten Poems, was published in Paris by Robert McAlmon. In the same year, his first son, John, was born in Toronto. Busy supporting a family, he became bored with the Toronto Star, and on January 1, 1924, Hemingway resigned.
The Hemingways decided to live abroad for a while, and, following the advice of Sherwood Anderson, they settled in Paris. Anderson gave Hemingway a letter of introduction to Gertrude Stein. She became his mentor and introduced Hemingway to the "Parisian Modern Movement" then ongoing in Montparnasse Quarter. Hemingway's other mentor was Ezra Pound, the founder of imagism. He was so impressed with Pound that he considered giving him the Nobel Prize gold medal. Hemingway later said of them: "Ezra was right half the time, and when he was wrong, he was so wrong you were never in any doubt about it. Gertrude was always right."
At the same time, Hemingway became a close friend of James Joyce. These authors and many others met at Sylvia Beach's bookshop, Shakespeare & Co., at 18 Rue de l'Od�on, Paris.
In Montparnasse, Hemingway's favorite restaurant was La Closerie des Lilas. Here, in just over just six weeks, Hemingway wrote The Sun Also Rises.
A tragedy became an unexpected boon when Hemingway's manuscripts, including A Farewell to Arms were stolen at Gare de Lyon. In re-writing A Farewell..., Hemingway had time to reconsider it, thus improving the work. The second version was a great deal less ornate. Hemingway compressed his prose to its bare essentials, related in a nearly journalistic, matter-of-fact style. These features would become essential components of Hemingway's style.
The 1926 publication of
The Sun Also Rises was met with acclaim and success. Hemingway's style rocked the literary scene when it first appeared: It seemed simple on the surface, but was revolutionary in a time when Victorian writing with neo-Gothic decorations still governed the literary world.
He divorced Hadley and married Pauline. Because of his Roman Catholic faith, some conflicts of conscience arose, but these were eventually overcome. In the one hundred days Hadley ordered him to stay away from Pauline, Hemingway wrote much of Men Without Women.
1927 saw the publication of , a collection of short stories, containing "The Killers," one of Hemingways best-known and most-anthologized stories.
Hemingway's father committed suicide using an old Civil War era pistol. He couldn't bear the burden of his incurable illnesses. This suicide was doubtless a great pain to Hemingway, who may have been ashamed by the "cowardice" of the act. Another suicide was of Harry Crosby, the founder of the Black Sun Press: Crosby was a friend from Hemingway's Paris days.
Hemingway drew heavily on his own World War 1 experiences for his second major work,
A Farewell To Arms, published in 1929. The novel details the romance between Frederic Henry, an American soldier and Catherine, a British nurse, ending with her death in labor.
By this time, Hemingway was no longer in love with Sister von Kurowsky and had divorced Hadley. He had fathered a boy named Patrick who was, like Henry's son in A Farewell To Arms, delivered by Cesarean section. The intense labor pains of his second wife, Pauline, inspired Catherine's labor in the novel.
(A Farewell to Arms was published at a time when many other World War I books were prominent, including Frederic Manning Her Privates We, Erich Maria Remarque
All Quiet on the Western Front, Richard Aldington Death of a Hero, and Robert Graves Goodbye to All That.)
Having published the successful A Farewell to Arms, the years of financial struggle were ending. Ernest Hemingway was now an author of worldwide renown, happy with Pauline and financially independent.
Many of the novel's characters are based on real-life persons, like Helen Ferguson, who inspired Kitty Cannell, and the priest, who was based on Don Giuseppe Bianchi, the priest of the 69th and 70th regiments of the Brigata Ancona. A mystery is the character Rinaldi, who had already appeared in "In Our Time".
A Farewell to Arms has been criticised as a male fantasy through and through, a kind of ambulance driver's wet dream: Lieutenant Henry always seems to know what to do and say. Women are attracted to him. Men respect him. Italians embrace him as they would a native. Nurse Barkley falls for him so much she thinks of little else. Nobles want to play billiards with him. Henry is always in grave danger, yet he always escapes. The entire novel is built on this kind of fantasy. Still, it remains an important work.
His books sold very well and were approved by critics, but with Hemingway's success came bad behavior. He told F. Scott Fitzgerald how to write, and told Allen Tate that there was a fixed number of orgasms a man had. He also claimed Ford Madox Ford was sexually impotent . This was perhaps a hint of Hemingway's own sexual neurosis.
In return, Hemingway himself was criticized--and, some claim, bothered by the criticism. The journal Bookman attacked him as a dirty writer. McAlmon, the publisher of his first, non-commercial book said, according to Fitzgerald, Hemingway was "a fag and a wife-beater" and that Pauline was a lesbian. Gertrude Stein criticized him in her book [[The Autobiography of Alice B. Toklas]]. She claimed Hemingway had derived his prose style from her own and from Sherwood Anderson's, and that this shameful origin was "yellow".
Max Eastman was even more confrontational in his attacks, suggesting that Ernest "come out from behind that false hair on the chest". Eastman would go on to write an essay entitled Bull in the Afternoon, a parody and a satire of Death in the Afternoon, a book dear to Hemingway.
It is worth noting that these attacks on Hemingway's pride and talent were accompanied by the already-mentioned injuries which kept him almost constantly in poor physical shape.
Following the advice of John Dos Passos, Hemingway moved to Key West where he established his first American home. From his old wooden house--a wedding present from Pauline's uncle--Hemingway fished in the Dry Tortugas waters, went to Sloppy Joe's, Havana's famous bar, and traveled to Spain occasionally, gathering material for Death in the Afternoon and Winner Take Nothing.
A collection of pieces mostly about bullfighting, Death In The Afternoon, was published in 1932. bullfight, Spain's national sport. He became an aficionado after having seen the Pamplona fiesta of 1925, which was fictionalized in The Sun Also Rises. In Death... Hemingway extensively discussed the metaphysics of bullfighting, the ritualized, almost religious practice.
A safari led him to Mombasa in fall 1932, Nairobi and Machakos in the Mua Hills. The Snows of Kilimanjaro and The Short Happy Life of Francis Macomber were the literary results.
1935 saw the publication of Green Hills of Africa, another nonfiction work, this one based on Hemingway's big game hunting and safaris in Africa
But his good fortune in business, art and marriage was overshadowed by serious attacks on his health (anthrax infection, a cut eyeball, a gash in his forehead, grippe, toothache, hemorrhoids; kidney trouble from fishing in Spain, torn groin muscle, finger gashed to the bone in an accident with a punching ball, laceration of arms, legs and face from a ride on a runaway horse through a deep Wyoming forest, and a car accident resulting in a broken arm.)
Hemingway's leisurely way of life provoked some criticism: Max Eastman and others demanded greater commitment to the affairs of the people. A young left-winger begged Hemingway to give up his lonely, tight-lipped stoicism and write about truth and justice.
For a while, it seemed he would do so. His article Who Murdered the Vets? for New Masses, a leftist newspaper, and his novel To Have and Have Not showed a certain social awareness. Soon, he would take political sides more explicitly.
In spite of efforts to support the Spanish republicans, Francisco Franco won the Spanish civil war in the spring of 1939. Hemingway had lost his adopted homeland of Spain to Franco's nationalists, and would later lose his beloved Key West home as a result of his 1940 divorce. Furthermore, many of his literary peers were dead or would soon die.
For Whom The Bell Tolls was published in 1940. The novel, which concerns the Spanish Civil War, argued that a loss of liberty anywhere in the world was a loss to all freedoms.
The United States entered World War II on December 8, 1941 and for the first time in his life, Hemingway took an active part in a war.
Aboard the Pilar, now a Q-Ship, Hemingway was ready to fight and sink Nazi submarines threatening the coasts of Cuba and the United States.
It is worth noting that, according to Anthony Burgess, Hemingway never before shot nor would have shot another human being, and that he was a non-combatant in World War I, in the Sino-Japanese War (1937-1945) he was reporting on after having written For Whom the Bell Tolls and in the Spanish Civil War, where even the money he collected to support the Loyalists was used for non-belligerent purposes.
Perhaps his failure in preventing Fascists from taking Spain--for he was very possessive of this country--had led him to take more drastic actions.
As the FBI took over Caribbean counter-espionage, Hemingway went to Europe, first as war correspondent for Collier's magazine.
At Ville-dieu-les-Po�les, France, Hemingway threw three grenades into a cellar where SS men were hiding, a clear violation of the Geneva Convention. It was his first murder.
Seemingly encouraged, he declared he would be an unofficial intelligence unit. Later, he acted as an unofficial liaison officer at Chateau Rambouillet, and afterwards, he even formed his own partisan group which took part in the liberation of Paris. Some have argued Hemingway tried to emulate the characters he'd created in his fiction.
By firing his machine pistol at a portrait of Mary Welsh's husband after having placed it atop of the toilet bowl in his room in the Ritz, he proved he wouldn't any longer flinch from killing a man who stood face to face with him.
After the war, Hemingway started and abandoned a novel about the earth, the sea and the air.
He went to Italy where he gathered material for Across the River and Into the Trees, an homage to Venice. He derived the title from the last words of General Stonewall Jackson. In Across..., his now-divorced third wife appeared as the third wife of the protagonist, Adriana Ivancich as his lover Renata, which means "Reborn" in Latin.
The novel recieved poor reviews, many of which accused Hemingway of bad taste, stylistic ineptitude and sentimentality. Perhaps the last charge was most true, and fit an emerging pattern: Hemingway was growing old.
He started and, depressed by its mediocrity, abandoned a long sea novel to be published posthumously as Islands in the Stream. One section of it was published as The Old Man and the Sea in 1952. That novel's enormous success satisfied and fulfilled Hemingway, probably for the last time in his life. It earned him both the Pulitzer Prize in 1953 and the Nobel Prize in literature in 1954, and restored his international reputation.
Then, his legendary bad luck struck once again: On a safari he was the victim of two successive plane crashes.
Hemingway's injuries were serious: He sprained his right shoulder, arm, and left leg, had a grave overall concussion, temporarily lost his vision in the left eye, his hearing in the left ear, had a paralysis of the sphincter, crushed a vertebra, suffered from a ruptured liver, spleen and kidney and was marked by first degree burns on his face, arms and leg.
As if this was not enough, he was badly injured one month later in a bushfire accident which left him with second degree burns on his legs, front torso, lips, left hand and right forearm. The physical pain caused him to lose his mind. His strength was gone entirely, and so was his will to live. He couldn't even travel to Stockholm personally to accept his Nobel Prize for The Old Man and the Sea.
A glimpse of hope came with the discovery of some of his old manuscripts from 1928 in the Ritz cellars, which were transformed into A Moveable Feast. Although some of his energy seemed to be restored, severe drinking problems kept him down. His blood pressure and cholesterol count were perilously high, he suffered from aortal inflammation, and his depression, aggravated by alcoholism had probably already started.
He also lost his Finca Vig�a in San Francisco de Paula and was forced to "exile" to Ketchum, Idaho after the situation in Cuba had started to escalate.
The very last years, 1960 and 1961, were marked by severe paranoia. He feared FBI agents would be after him if Cuba turned to the Russians, that the "Feds" would be checking his bank account, and that they wanted to arrest him for gross immorality and carrying alcohol. (The FBI was in fact surveilling Hemingway due to his activities in Cuba.)
Hemingway was upset by perfectly normal photographs in his Dangerous Summer article. He was receiving treatment in Ketchum for high blood pressure and liver problems - and also electroconvulsive therapy for depression and his continued paranoia.
Hemingway attempted suicide in the spring of 1961, and received treatment again, but this was unable to prevent his suicide on July 2, 1961 - at 5:00 AM, he died as a result of a self-inflicted shotgun blast to the head.
He is interred in the Ketchum Cemetery in Ketchum, Idaho.
(In 1996, his granddaughter, actress Margaux Hemingway, would take her own life; she is interred in the same cemetery.)
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El 'jardin Del Eden / The Garden of Eden by Ernest Hemingway ( 2005) |
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88 Poems by Ernest Hemingway ( 1979)
Spanning a thirty-eight-year period, from Hemingway's first poem published when he was twelve to private verses sent to Mary Welsh Hemingway in 1950, these lyrics, parodies, and satires touch on themes that range from war and love to contemporary literature.
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Across the River And into the Trees by Ernest Hemingway ( 2006) |
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Across the River and into the Trees by Ernest Hemingway ( 2006) |
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Across the River and into the Trees by Ernest Hemingway ( 1996)
The last of Hemingway's full-length novels to be published during his lifetime. Across the River and into the Trees is a poignant love story set in Venice during World War II. Taking place over a period of only hours, this tender and moving novel conjures up the magic of Venice--the canals, the bars, and the cosmopolitan hotel life--and captures in Hemingway's inimitable voice the tragedies of war on their most personal level.
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Adios A Las Armas by Ernest Hemingway ( 2007) |
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Adios a Las Armas / a Farewell to Arms by Ernest Hemingway ( 2003) |
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Adios a Las Armas / a Farewell to Arms by Ernest Hemingway ( 2002) |
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At the Hemingways With Fifty Years of Correspondence Between Ernest and Marcelline Hemingway by Ernest Hemingway, Marcelline Hemingway Sanford ( 1999)
A memoir by Hemingway's sister, plus letters exchanged by the two over the years.
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Atlantic Game Fishing by Ernest Hemingway, S. Kip Farrington ( 1994) |
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The Best of Bad Hemingway Choice Entries from the Harry's Bar & American Grill Imitation Hemingway Competition by Ernest Hemingway ( 1989)
Years ago, Harry's Bar & American Grill organized the annual International Imitation Hemingway Competition. The rules were simple: sound like Hemingway and be funny. Now the best of the Hemingway imitators has been gathered in a collection that will win approval of all aficionados of Papa.
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Bi Xatire Slehan Roman by Ernest Hemingway, Serdar Rosan ( 2000) |
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Big Two Hearted River by Ernest Hemingway ( 2001) |
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Big Two-Hearted River and Other Stories by Ernest Hemingway ( 1995) |
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El Buen Leon/ The Good Lion by Ernest Hemingway ( 1989) |
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Bullfighting, Sport & Industry by Ernest Hemingway, Barnaby Conrad ( 1999) |
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By-Line Ernest Hemingway by Ernest Hemingway ( 2001)
A collection of four decades of Hemingway's far-flung journalism, written between 1920 and 1956.
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By-Line Ernest Hemingway by Ernest Hemingway ( 1974)
A chronological collection of nearly eighty articles on such diverse topics as American expatriates, World War II, and fishing provides insight into the character, development, writing style, and accomplishments of the author.
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By-Line, Ernest Hemingway Selected Articles and Dispatches of Four Decades by Ernest Hemingway, William White ( 1998)
Spanning the years from 1920 to 1956, this priceless collection of pieces written by Hemingway ranges from articles for the "Toronto Star" and the Hearst newspapers to popular magazines such as "Esquire, Collier's" and "Look", and includes Hemingway's vivid eyewitness accounts of the Spanish Civil War and World War II.
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Christmas on the Roof of the World A Holiday in the Swiss Alps by Ernest Hemingway ( 1987) |
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Clean Well Lighted Place by Ernest Hemingway ( 1990)
As a Spanish cafGe closes for the night, two waiters and a lonely customer confront the concept of nothingness.
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Cliffsnotes Hemingway's a Farewell to Arms by Ernest Hemingway, Adam Sexton ( 2000)
The original CliffsNotes study guides offer a look into key elements and ideas within classic works of literature. The latest generation of titles in this series also features glossaries and visual elements that complement the familiar format.
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Collected Poems of Ernest Hemingway by Ernest Hemingway ( 1972)
Hemingway is not widely known as a poet, but his poetry is not without merit, and is fascinating for the light it sheds upon a complex man and writer.
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Complete Short Stories of Ernest Hemingway by Ernest Hemingway, Gregory Hemingway, John Patrick ( 1991)
Hemingway's short stories are considered his best work because of their controlled economy, the simplicity of their language, and Hemingway's constant struggle to get to the truth in a situation.
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The Complete Short Stories of Ernest Hemingway/the Finca Vigia Edition by Ernest Hemingway ( 1987)
Collects all the stories Hemingway published in his lifetime, those published posthumously, and some that are appeaing in print for the first time.
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Cuentos/ The First Forty-Nine Stories by Ernest Hemingway ( 2009) |
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Cuentos/ The First Forty-nine Stories Con Una Evocacion De Gabriel Garcia Marquez by Ernest Hemingway ( 2007) |
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Dangerous Summer by Ernest Hemingway ( 1997)
Hemingway's last major literary work, this dramatic and moving chronicle of a season of bullfights in Spain, and of the author's friendship with one of the most daring men ever to enter the ring, shines with "moments . . . of purest Hemingway--when what is said suggests a whole universe that is unsaid" (Robert Wilson, "USA Today"). photo inserts.
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Dateline Toronto The Complete Toronto Star Dispatches, 1920-1924 by Ernest Hemingway, William White ( 1987)
A complete record of the author's literary apprenticeship with the Toronto Star from 1920 to 1924 includes 172 articles, most never published in book form.
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Dateline, Toronto The Complete Toronto Star Dispatches, 1920-1924 by Ernest Hemingway, William White ( 1985) |
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De Vye Zanmi by Ernest Hemingway, Sonia Mancienne ( 1999) |
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Dear Papa, Dear Hotch The Correspondence of Ernest Hemingway And A. E. Hotchner by Albert J Defazio, A. E. Hotchner, Ernest Hemingway ( 2005)
The correspondence between literary giant Ernest Hemingway and his friend and informal agent A. E. Hotchner is presented in this collection of letters, cables, and cards that provide much valuable information about Hemingway's late career.
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Death in the Afternoon by Ernest Hemingway ( 1996)
Hemingway's Classic Portrait Of The Pageantry Of Bullfighting. Still considered one of the best books ever written about bullfighting, "Death in the Afternoon" reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes an art, a richly choreographed ballet, with performers who range from awkward amateurs to masters of great grace and cunning. A fascinating look at the history and grandeur of bullfighting, "Death in the Afternoon" is also a deeper contemplation on the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's pungent commentary on life and literature.
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Death in the Afternoon by Ernest Hemingway ( 2007) |
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Do Zobaczenia, Stary Wilku Opowiesc O Przyjazni Ernesta Hemingwaya Z Jego Polskim Tumaczem Bronisawem Zielinskim by Ernest Hemingway, Mira Michaowska, Bronisaw Zielinski ( 1997) |
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El Viejo Y El Mar/the Old Man and the Sea by Ernest Hemingway ( 1996) |
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The Enduring Hemingway An Anthology of a Lifetime in Literature by Ernest Hemingway ( 1982)
Selections from Hemingway's writings provide insight into his concerns, personal philosophy, and literary occupations.
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Ernest Hemingway Selected Letters, 1917-1961 by Ernest Hemingway ( 2008)
Hemingway always said he wrote letters only so that he'd get them back. This selection of his correspondence, however, reveals him to be a master of the form.
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Ernest Hemingway The FBI Files by Ernest Hemingway, Federal Bureau of Investigation ( 2007) |
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Ernest Hemingway Selected Letters 1917-1961 by Ernest Hemingway ( 2003)
This collection of Hemingway's personal correspondence reveals his multidimensional character, views on contemporaneous literary topics, and irrepressible opinions about friends, work, women, soldiers, politicans, and himself.
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Ernest Hemingway Short Stories by Ernest Hemingway ( 2000) |
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Ernest Hemingway on Writing by Ernest Hemingway ( 1999)
Imbued with Hemingway's wit, wisdom, and humor, "Ernest Hemingway on Writing" offers essential advice from an author who has had an astounding impact on contemporary American fiction.
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Ernest Hemingway's A Farewell to Arms by Ernest Hemingway ( 1987)
A collection of nine critical essays on Hemingway's World War I novel arranged in chronological order of publication.
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Ernest Hemingway's a Farewell to Arms by Ernest Hemingway, Howard Berridge ( 1984)
A guide to reading "A Farewell to Arms" with a critical and appreciative mind. Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.
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Ernest Hemingway's for Whom the Bell Tolls by Ernest Hemingway, Jim Auer ( 1985)
In FOR WHOM THE BELL TOLLS, published in 1940, Hemingway explores his own conflicting emotions about heroism, the futility of war, and the value of human life--a theme that is exemplified by the book's title, which is taken from the 17th-century poet John Donne's famous sermon that begins "No man is an island" and goes on to say one should not ask for whom the funeral bell tolls: "it tolls for thee." The novel, which is set during the Spanish Civil War in the spring of 1937, takes place over the course of four days. It tells the story of Robert Jordon, a young American attached to an antifascist guerilla unit in the mountains of Spain--a college teacher who happened to be in Spain on vacation and decided to join the Loyalists. He has now been commissioned to blow up a bridge. Soon after he arrives at the mountain camp, he meets a young woman named Maria who has been raped by the fascists and seen her parents killed. The two fall instantly in love, but their romance is cut short by the inexorable progress of the war. With passionate clarity, Hemingway depicts Jordan's conflicting tangle of emotions: the idealism with which he joined the Loyalist cause, his belief in romantic love as salvation, his growing questions about whether violence is ever justified, and the combination of fatalism and fear with which he confronts his own death. In the novel's final moments, as Jordan faces the inevitable, he resolves the questions that have plagued him. Hemingway's novel, with its bleak view of war and the failure of idealism, has been called an antiwar document, but the book is more complex than that. It is more about the grim necessity of recognizing that moral issues are seldom clearly marked out in black and white, and that human beings must struggle constantly with difficult choices.
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Ernest Hemingway's for Whom the Bell Tolls A Critical Commentary by Ernest Hemingway ( 1983) |
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Ernest Hemingway's the Old Man and the Sea by Ernest Hemingway, Jim Auer ( 1984)
A guide to reading "The Old Man and the Sea" with a critical and appreciative mind. Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.
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Ernest Hemingway, Ausgewahlte Briefe 1917-1961 Glucklich Wie Die Konige by Carlos Baker, Ernest Hemingway ( 1984) |
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Ernest Hemingway, Cub Reporter Kansas City Star Stories by Ernest Hemingway ( 1970) |
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The Faithful Bull by Ernest Hemingway, Michael Foreman ( 1980) |
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A Farewell to Arms by Ernest Hemingway ( 1999)
Hemingway's second full-length novel, published in 1929, calls on his own experiences during World War I, when he worked for the Red Cross in Italy, was wounded after only six weeks on duty, and recuperated in a hospital in Milan, where he had a romance with a nurse. The blend of fact and imagination in A FAREWELL TO ARMS, however, is artful; Hemingway, who returned home after his brief experience, had to research the combat scenes, which were so convincing that many readers refused to believe he had not actually been a soldier in the trenches. The hero of A FAREWELL TO ARMS, Frederic Henry, is an American serving in the Italian army as an ambulance driver. Convalescing from a leg wound, he falls in love with an English nurse, Catherine Barkley, who becomes pregnant. After Frederic participates in the bloody defeat at Caporetto and the horrifying retreat from the area by what is left of the army, he and Catherine decide that their only course is a "farewell to arms": he deserts, and they make their way to neutral Switzerland. There the tragic love story is played out, far from the front. When the novel ends, Frederic is alone, walking in the rain--another of Hemingway's existential heroes, forced to confront the emptiness and sterility of his life. In A FAREWELL TO ARMS, Hemingway used to great effect the prose style he had perfected in his previous work: the spare, staccato sentences that were so influenced by his friend Gertrude Stein. His naturalistic, unsentimental storytelling seems to make only more tragic the love story that is at the novel's center, and the bleak failure of hope and heroism behind Frederic's desertion.
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Farewell to Arms by Ernest Hemingway ( 1987)
Hemingway's second full-length novel, published in 1929, calls on his own experiences during World War I, when he worked for the Red Cross in Italy, was wounded after only six weeks on duty, and recuperated in a hospital in Milan, where he had a romance with a nurse. The blend of fact and imagination in A FAREWELL TO ARMS, however, is artful; Hemingway, who returned home after his brief experience, had to research the combat scenes, which were so convincing that many readers refused to believe he had not actually been a soldier in the trenches. The hero of A FAREWELL TO ARMS, Frederic Henry, is an American serving in the Italian army as an ambulance driver. Convalescing from a leg wound, he falls in love with an English nurse, Catherine Barkley, who becomes pregnant. After Frederic participates in the bloody defeat at Caporetto and the horrifying retreat from the area by what is left of the army, he and Catherine decide that their only course is a "farewell to arms": he deserts, and they make their way to neutral Switzerland. There the tragic love story is played out, far from the front. When the novel ends, Frederic is alone, walking in the rain--another of Hemingway's existential heroes, forced to confront the emptiness and sterility of his life. In A FAREWELL TO ARMS, Hemingway used to great effect the prose style he had perfected in his previous work: the spare, staccato sentences that were so influenced by his friend Gertrude Stein. His naturalistic, unsentimental storytelling seems to make only more tragic the love story that is at the novel's center, and the bleak failure of hope and heroism behind Frederic's desertion.
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Fiesta / The Sun Also Rises by Ernest Hemingway ( 2006) |
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The Fifth Column by Ernest Hemingway ( 1998)
Featuring Hemingway's only full-length play, which--like the stories here--grew out of his experiences in and around a besieged Madrid, this volume brilliantly evokes the tumultuous years of the Spanish Civil War.
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The First Forty Nine Stories by Ernest Hemingway ( 1994) |
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For Whom The Bells Toll by Ernest Hemingway ( 2002)
A great novel of the Spanish civil war. It is appealing that the most important novels on the tragedy that was the Spanish civil war was written by the North American Ernest Hemingway (Nobel Prize in 1954) that, in an emaciated testimonial, describes the last three days in the life of an idealistic young man recruited in the republican campaigns. The title stems from a paragraph of John Donne's sermon that, after stating that "No man is an Island, entire of it self; every man is a piece of the Continent. And therefore never claim to know for whom the bell tolls; it tolls for thee." This is an important work in the literature of our times and it is shown proudly in this collection.
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For Whom the Bell Tolls by Ernest Hemingway ( 2006) |
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For Whom the Bell Tolls by Ernest Hemingway ( 1995)
In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," FOR WHOM THE BELL TOLLS. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in THE SUN ALSO RISES and A FAREWELL TO ARMS to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. "If the function of a writer is to reveal reality." Maxwell Perkins wrote Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.
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For Whom the Bell Tolls//Book and Audio Cassette by Ernest Hemingway ( 1989)
In FOR WHOM THE BELL TOLLS, published in 1940, Hemingway explores his own conflicting emotions about heroism, the futility of war, and the value of human life--a theme that is exemplified by the book's title, which is taken from the 17th-century poet John Donne's famous sermon that begins "No man is an island" and goes on to say one should not ask for whom the funeral bell tolls: "it tolls for thee." The novel, which is set during the Spanish Civil War in the spring of 1937, takes place over the course of four days. It tells the story of Robert Jordon, a young American attached to an antifascist guerilla unit in the mountains of Spain--a college teacher who happened to be in Spain on vacation and decided to join the Loyalists. He has now been commissioned to blow up a bridge. Soon after he arrives at the mountain camp, he meets a young woman named Maria who has been raped by the fascists and seen her parents killed. The two fall instantly in love, but their romance is cut short by the inexorable progress of the war. With passionate clarity, Hemingway depicts Jordan's conflicting tangle of emotions: the idealism with which he joined the Loyalist cause, his belief in romantic love as salvation, his growing questions about whether violence is ever justified, and the combination of fatalism and fear with which he confronts his own death. In the novel's final moments, as Jordan faces the inevitable, he resolves the questions that have plagued him. Hemingway's novel, with its bleak view of war and the failure of idealism, has been called an antiwar document, but the book is more complex than that. It is more about the grim necessity of recognizing that moral issues are seldom clearly marked out in black and white, and that human beings must struggle constantly with difficult choices.
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For Whom the Bell Tolls/Cassette by Ernest Hemingway ( 1985)
In FOR WHOM THE BELL TOLLS, published in 1940, Hemingway explores his own conflicting emotions about heroism, the futility of war, and the value of human life--a theme that is exemplified by the book's title, which is taken from the 17th-century poet John Donne's famous sermon that begins "No man is an island" and goes on to say one should not ask for whom the funeral bell tolls: "it tolls for thee." The novel, which is set during the Spanish Civil War in the spring of 1937, takes place over the course of four days. It tells the story of Robert Jordon, a young American attached to an antifascist guerilla unit in the mountains of Spain--a college teacher who happened to be in Spain on vacation and decided to join the Loyalists. He has now been commissioned to blow up a bridge. Soon after he arrives at the mountain camp, he meets a young woman named Maria who has been raped by the fascists and seen her parents killed. The two fall instantly in love, but their romance is cut short by the inexorable progress of the war. With passionate clarity, Hemingway depicts Jordan's conflicting tangle of emotions: the idealism with which he joined the Loyalist cause, his belief in romantic love as salvation, his growing questions about whether violence is ever justified, and the combination of fatalism and fear with which he confronts his own death. In the novel's final moments, as Jordan faces the inevitable, he resolves the questions that have plagued him. Hemingway's novel, with its bleak view of war and the failure of idealism, has been called an antiwar document, but the book is more complex than that. It is more about the grim necessity of recognizing that moral issues are seldom clearly marked out in black and white, and that human beings must struggle constantly with difficult choices.
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The Garden of Eden by Ernest Hemingway ( 1995)
A sensational bestseller when it appeared in 1986, THE GARDEN OF EDEN is the last uncompleted novel of Ernest Hemingway, which he worked on intermittently from 1946 until his death in 1961. Set on the Cote d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," THE GARDEN OF EDEN represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).
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Gesammelte Werke by Ernest Hemingway ( 1977) |
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Green Hills of Africa by Ernest Hemingway ( 1996)
Hemingway's first venture into nonfiction, Green Hills of Africa chronicles his adventures on safari in the early 1930s and brings to life the beauty of the wilderness that was, even then, threatened by the incursion of man. Woodcuts, scattered throughout the book, add another dimension to this view of the hard-edged, rugged world of wild Africa.
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Hemingway The Toronto Years 1920-24 by Ernest Hemingway, William Burrill ( 1994) |
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Hemingway And the Mechanism of Fame Statements, Public Letters, Introductions, Forewords, Prefaces, Blurbs, Reviews, And Endorsements by Ernest Hemingway, Judith S. Baughman ( 2005) |
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A Hemingway Odyssey Special Places in His Life by H. Lea Lawrence, Ernest Hemingway ( 1999)
A must-read for Hemingway enthusiasts in the centennial year of his birth, A Hemingway Odyssey contains never-before-published interviews with people who knew him and observations of the special places he frequented, thus revealing how powerfully the waters Hemingway loved influenced his writing from his earliest days to his last novels. This unique approach to Hemingway's life sets it apart from the work of other biographers. Beginning with Hemingway's initiation into the outdoors at his family's cabin in Lake Walloon in Upper Michigan, the book recreates his experiences in Europe, Key West, Cuba and the Caribbean, and the American West. Numerous photographs put readers in touch with his life, particularly with the waters where he loved to fish, from rushing trout streams to the Gulf Stream.
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Hemingway Reader by Ernest Hemingway ( 1977)
A selection of Hemingway's work in all genres, including journalism as well as fiction, and with a generous sampling of his incomparable short stories.
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Hemingway at Oak Park High by Ernest Hemingway, Cynthia Maziarka, Donald Vogel ( 1993) |
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Hemingway in Love and War The Lost Diary of Agnes Von Kurowsky by Ernest Hemingway, James Nagel, Agnes Von Kurowsky, Henry Serrano Villard ( 1996)
The official tie-in to the major motion picture, In Love and War--starring Chris O'Donnell and Sandra Bullock--this Lost Diary tells the true story of the passionate, bittersweet love between Hemmingway and Red Cross nurse Agnes von Kurowsky. The poetic circumstances of their relationship resulted in one of the greatest novels ever written, A Farewell to Arms. Hemmingway In Love and War includes rare documentary photographs and is an invaluable companion to the motion picture it inspired.
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Hemingway on Fishing by Ernest Hemingway ( 2002)
Hemingway was a dedicated fisherman, and he wrote often about fishing, both in his fiction works and in nonfiction pieces. Here is a collection of all his writing on the subject, from columns in the Toronto Star to the Nick Adams stories to ISLANDS IN THE STREAM.
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Hemingway on Hunting by Ernest Hemingway, Sean Hemingway ( 2003)
The creator of Hemingway on Fishing returns with a loving tribute to the writerÆs passion for game hunting, retracing his various expeditions throughout the world, from the snow of Kilamanjaro to his American adventures.
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Hemingway on War by Ernest Hemingway, Patrick Hemingway, Sean Hemingway, Sean A. Hemingway ( 2003)
Features selections from the author's first book of short stories, In Our Time, as well as excerpts from A Farewell to Arms, For Whom the Bell Tolls, and The Fifth Column, in a collection of war writings edited by his grandson and featuring a personal foreword by his surviving son.
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Hemingway's Paris by Ernest Hemingway, Robert E. Gajdusek ( 1978) |
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In Our Time by Ernest Hemingway ( 1996)
First published in 1925, this collection of 32 short stories and vignettes marked Hemingway's American publishing debut. In Our Time not only provides a key to Hemingway's later works, but remains one of the most original short story collections in 20th-century literature. Includes the famous Nick Adams stories.
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Islands in the Stream by Ernest Hemingway ( 2006) |
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Islands in the Stream by Ernest Hemingway ( 1997)
First published in 1970, nine years after Hemingway's death, this is the story of an artist and adventurer--a man much like Hemingway himself. Beginning in the 1930s, ISLANDS IN THE STREAM follows the fortunes of Thomas Hudson, from his experiences as a painter on the Gulf Stream island of Bimini through his antisubmarine activities off the coast of Cuba during World War II. Hemingway is at his mature best in this beguiling tale.
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Islas a La Deriva/Islands Drifted by Ernest Hemingway ( 2005) |
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Islas a la deriva / Islands in the Stream by Ernest Hemingway ( 2005) |
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Islas en el golfo/ Gulf Islands by Ernest Hemingway ( 2007) |
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El Jardin Del Eden / the Garden of Eden by Ernest Hemingway ( 2004) |
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Kiki's Memoirs by Kiki ( 1996)
Now appearing in English translation for the first time, these are the bold and sassy memoirs of the model who became the reigning queen of 1920s Paris - featuring many unpublished Man Ray photographs. A love child, she was born in Burgundy in 1901 and christened Alice Prin. Raised by her grandmother in dire poverty, she made meals of vegetables thieved from neighbors' gardens and snails lured from hiding by summer showers. At twelve, she was shipped off to Paris to live with the mother she had never known. Her fierce survival instincts immediately translated into a precocious thirst for experience. Soon she discovered the power of artificial geraniums to rouge her cheeks and mouth, and at fourteen she had her "first contact with art" when she began posing nude for a sculptor. Thereafter, she embraced life as the irrepressible Kiki, lover of Man Ray, beloved friend of Soutine and Jean Cocteau - the toast of Montparnasse. One of the century's first truly independent women, she cut a wide swath of color and passion wherever she went. Man Ray, Foujita, Kisling, and others immortalized her in their work. Crowds roared for her raunchy songs at the artists' boite, Le Jockey. She appeared in nine films, including Leger's famous Ballet Mecanique. And she painted hundreds of portraits and dream-like landscapes, many of which are included in these memoirs, working in a fresh naive style that made her one-person show a sellout. Featuring full page reproductions of original paintings by Kiki herself, plus famous and lesser known photographs of Kiki by Man Ray and portraits of her by other important artists, Kiki's Memoirs brushes vivid new color on to the canvas of 1920s Montparnasse and sketchesin bold strokes the indomitable spirit of an unforgettable personality who was always a woman but never a lady.
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LA Quinta Columna by Ernest Hemingway ( 1983) |
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Major Works of Ernest Hemingway by Ernest Hemingway ( 1985) |
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Men Without Women by Ernest Hemingway ( 1997)
First published in 1927, MEN WITHOUT WOMEN represent some of Ernest Hemingway's most important and compelling early writing. In these 14 stories, Hemingway begins to examine themes that would occupy his later works--casualties of war, uneasy relationships between men and women, and sport and sportsmanship. These stories show the young Hemingway emerging as America's finest short story writer.
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Men at War The Best War Stories of All Time by ( 1991)
A collection of Hemingway's war writings.
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A Moveable Feast The Restored Edition by Ernest Hemingway ( 1996)
This vibrant portrait of Paris in the 1920s, published posthumously in 1964, is vintage Hemingway--evocative, self-mocking and frank. In an extraordinary chronicle of the sights, sounds, and tastes of Paris in a bygone era, Hemingway offers readers a view of his life and the people that populated his expatriate world--Gertrude Stein, F. Scott Fitzgerald, Ezra Pound and other literary luminaries.
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Muerte En La Tarde / Death in the Afternoon by Ernest Hemingway ( 2005) |
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Muerte En La Tarde/ Death in the Afternoon by Ernest Hemingway ( 2005) |
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My Old Man / Up in Michigan / Out of Season by Ernest Hemingway ( 2007) |
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Nick Adams Stories by Ernest Hemingway ( 1990)
Hemingway's famous Nick Adams stories include "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler."
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Nick Adams Stories by Ernest Hemingway ( 2007) |
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Oeuvres Romanesques Torrents De Printemps, L'Adieu Aux Armes, Le Soleil Se Leve Aussi, Paris Est Une Fete, Mort Dans L'Apres-Midi, Etc, Vol. 1 by Ernest Hemingway ( 1983)
Five of Hemingway's major works.
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The Old Man And the Sea by Ernest Hemingway ( 1979)
Story of an old fisherman's struggle against natural obstacles that hinder the catch of a huge marlin.
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The Old Man And the Sea by Ernest Hemingway ( 2006)
In language of great simplicity and power, Hemingway tells the story of an old Cuban fisherman, down on his luck--he hasn't caught a fish in 84 days--who goes out in his small skiff one more time. This time he hooks a huge marlin. During his relentless ordeal, a long and agonizing battle with the marlin far out in the Gulf Stream, the old man faces long days of hunger and exhaustion, his courage and his respect for his adversary never flagging. The man is old and tired and at the end of his life, but he remains the archetypical Hemingway hero who refuses to accept defeat. THE OLD MAN AND THE SEA, considered one of Hemingway's best novels, is also his shortest, a mere 27,000 words. It originally appeared in Life magazine in August, 1952, two weeks before it was published in book form. In a statement, Hemingway commented that, with this book, "It's as though I had gotten finally what I had been working for all my life," and claimed that he wanted to make it accessible to people who might not ordinarily be able to afford to buy a book: the Life version was 20 cents, the hardcover book three dollars.
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The Old Man and the Sea by Ernest Hemingway ( 1999)
In language of great simplicity and power, Hemingway tells the story of an old Cuban fisherman, down on his luck--he hasn't caught a fish in 84 days--who goes out in his small skiff one more time. This time he hooks a huge marlin. During his relentless ordeal, a long and agonizing battle with the marlin far out in the Gulf Stream, the old man faces long days of hunger and exhaustion, his courage and his respect for his adversary never flagging. The man is old and tired and at the end of his life, but he remains the archetypical Hemingway hero who refuses to accept defeat. THE OLD MAN AND THE SEA, considered one of Hemingway's best novels, is also his shortest, a mere 27,000 words. It originally appeared in Life magazine in August, 1952, two weeks before it was published in book form. In a statement, Hemingway commented that, with this book, "It's as though I had gotten finally what I had been working for all my life," and claimed that he wanted to make it accessible to people who might not ordinarily be able to afford to buy a book: the Life version was 20 cents, the hardcover book three dollars.
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The Old Man and the Sea by Ernest Hemingway ( 1999)
THE OLD MAN AND THE SEA is one of Hemingway's most enduring works. Told in language of great simplicity and power, it is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal--a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss. Written in 1952, this hugely successful novella confirmed his power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize for Literature.
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Old Man and the Sea/Book and Audio Cassette by Ernest Hemingway ( 1987) |
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The Old Man and the Sea/Cassettes/40th Anniversary Edition by Ernest Hemingway ( 1992)
In language of great simplicity and power, Hemingway tells the story of an old Cuban fisherman, down on his luck, and his supreme ordeal--a relentless, agonizing battle with a marlin far out in the Gulf Stream. THE OLD MAN AND THE SEA, considered one of Hemingway's best novels, is a stark portrait of endurance, and the old man is one of his most fully realized characters.
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On Paris by Ernest Hemingway ( 2009) |
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The Only Thing That Counts The Ernest Hemingway/Maxwell Perkins Correspondence 1925-1947 by Ernest Hemingway, Maxwell Perkins ( 1996)
In 1924 F. Scott Fitzgerald told his editor Maxwell Perkins about a young American expatriate in Paris, an unknown writer with a "brilliant future". When Perkins wrote to Ernest Hemingway several months later, he commenced a correspondence spanning more than two decades and charting the career of the most influential American author of this century. The letters collected here are the record of a remarkable professional alliance - an enduring friendship between editor and author - and of Hemingway's development as a writer. Determined to be a great novelist, Hemingway reported frequently on the pitfalls and triumphs of the writing process. While his fiction is characterized by precision and control, his letters reveal Hemingway at his most ebullient. Whether self-satisfied, bitter, or intoxicated, he wrote impassioned letters about everything that was on his mind, from literature and money to bull-fighting, fishing, and friendship. From Paris in the Twenties through the Depression, the Spanish Civil War, and World War II, the correspondence between these men provides inside commentary on an era marked by influential developments in both literature and politics. And finally, for anyone interested in books, editing, and authorship, Perkins and Hemingway's exchange on the subjects of advances, advertising, critics, jacket illustrations, and movie deals show how much has changed in book publishing and how much has stayed the same.
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Paris Era Una Fiesta / Paris Was Festive by Ernest Hemingway ( 2001) |
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Por Quien Doblan Campanas/for Whom the Bell Tolls by Ernest Hemingway ( 1996) |
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Por Quien Doblan Las Campanas by Ernest Hemingway ( 2007) |
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Por Quien Doblan Los Campanas / for Whom the Bell Tolls by Ernest Hemingway ( 2003) |
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Por Quien Doblan Los Campanas/for Whom the Bell Tolls by Ernest Hemingway ( 1983)
An American learns the true value of life while fighting with a guerrilla band during the Spanish Civil War.
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Publicado en Toronto/ Dateline Toronto Articulos Para El Toronto Star, 1920-1924/ The Complete Toronto Star Dispatches, 1920-1924 by Ernest Hemingway ( 2005) |
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The Short Stories by Ernest Hemingway ( 1997)
Before he gained wide frame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, THE SHORT STORIES, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as "Hills Like White Elephants," "The Killers," "The Short, Happy Life of Francis Macomber," and "The Snows of Kilimanjaro." Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style--from the plain, bald language of his first story, "Up in Michigan," to the seamless prose and spare, eloquent pathos of "A Clean, Well-Lighted Place" to the expansive solitude of the BIG TWO HEARTED RIVER stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.
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The Short Stories by Ernest Hemingway ( 2003)
A gift edition of short stories from the author of such classic novels as The Sun Also Rises and The Old Man and the Sea is read by Stacy Keach, who won a Golden Globe Award for portraying Hemingway in the 1988 TV mini-series.
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The Short Stories of Ernest Hemingway by Ernest Hemingway ( 1987)
Forty-nine stories reflect much of the intensity of Hemingway's own life and environment.
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The Short Stories/the First Forty-Nine Stories With a Brief Preface by the Author The First Forty-Nine Stories With a Brief Introduction by the Author by Ernest Hemingway ( 1995)
Hemingway's direct and deceptively simple style shapes these stories into true masterpieces. From "Up in Michigan", written in 1921, to "Old Man at the Bridge", penned in Barcelona in 1938, these narratives trace, through setting and theme, the author's life, his evolving literary style, and the development of the "Hemingway hero"--be he soldier, boxer, expatriate, or bullfighter.
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The Snows of Kilimanjaro And Other Stories by Ernest Hemingway ( 1995)
These ten stories are classic Hemingway. Written in the tough, terse prose style that made him one of the greatest American writers of the 20th century and reflecting his obsession with such masculine pursuits as boxing, big-game hunting, and war, they offer powerful portraits of how men confront the fear of death--and the emptiness of their lives.
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The Snows of Kilimanjaro A Full-Length Play by Ernest Hemingway, Bryan Patrick Harnetiaux ( 1995) |
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The Snows of Kilimanjaro and Other Stories by Ernest Hemingway ( 1999)
Ernest Hemingway typically explored such trademark subjects as boxing, hunting, and war, as well as how men confront the fear of death and the emptiness of life. In the title story of The Snows of Kilimanjaro and Other Stories, a hard-drinking, ruthless adventurer comes face-to-face with the one antagonist he cannot conquer -- his own ignoble and imminent death.
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The Snows of Kilimanjaro/the Short Happy Life of Francis Macomber by Ernest Hemingway ( 2000) |
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Sparknotes the Old Man and the Sea by Ernest Hemingway ( 2003) |
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Stariku Snilis Lvy-- Shtrikhi K Portretu Pisatelia I Sportsmena Ernesta Millera Khemingueia ; Piat Rasskazov E. Khemingueia by Ernest Hemingway, Viktor Mikhailov, Anatolii Andrianovich IUsin ( 2006) |
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Stories of Ernest Hemingway by Ernest Hemingway ( 1985) |
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Stories of Ernest Hemingway/Audio Cassettes/Cxl504 by Ernest Hemingway ( 1986) |
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The Sun Also Rises by Ernest Hemingway ( 2006)
Ernest Hemingway's great post-World War I novel, his first major work and the classic novel of the "lost generation," is a vivid exploration of the moral wasteland of Europe in the Twenties, and of the sterility and despair of postwar life. His hero, Jake Barnes, has suffered a war injury that has left him impotent. Hopelessly in love with the seductive and flamboyant Lady Brett Ashley, Jake leaves Paris to accompany Brett, her drunken fiancé, and an American boxer to Pamplona, watching helplessly as she falls for a young bullfighter. The expatriate crowd that Hemingway portrays so vividly passes their lives in an aimless alcoholic haze, against which the local fiestas and the running of the bulls seem, by contrast, full of vitality--a quality that is alien to them. The settings are romantic--the bull ring, the Paris streets, the bars and cafés and hotels--but Hemingway invests them all with a disillusion that undercuts the glamour of expatriate life. When THE SUN ALSO RISES was published, in 1926, Hemingway, at age 28, was established as a rising literary star. He wrote the first draft in an astonishing two months: a feat made possible, no doubt, by his close identification with his desperate hero and by his urgent need to tell the story--and to articulate his own melancholy feelings about his generation: where it came from and where it seemed to be going. It was with this novel that he found not only his distinctive themes, but also his spare, lyrical voice--a voice that understands the power of the apt detail but also knows, unerringly, what to leave out.
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The Sun Also Rises by Ernest Hemingway ( 1999)
Ernest Hemingway's great post-World War I novel, his first major work and the classic novel of the "lost generation," is a searching exploration of the moral wasteland of Europe in the Twenties, and of the sterility and despair of postwar life. His hero, Jake Barnes, has suffered a war injury that has left him impotent. Hopelessly in love with the seductive and flamboyant Lady Brett Ashley, Jake leaves Paris to accompany Brett, her drunken fiancé, and an American boxer to Pamplona, watching helplessly as she falls for a young bullfighter. The expatriate crowd that Hemingway portrays so vividly passes their lives in an aimless alcoholic haze, against which the local fiestas and the running of the bulls seem, by contrast, full of vitality--a quality that is alien to them. The settings are romantic--the bull ring, the Paris streets, the bars and cafés and hotels--but Hemingway invests them all with a disillusion that undercuts the glamour of expatriate life. When THE SUN ALSO RISES was published, in 1926, Hemingway, at age 28, was established as a rising literary star. He wrote the first draft in an astonishing two months: a feat made possible, no doubt, by his close identification with his desperate hero and by his urgent need to tell the story--and to articulate his own melancholy feelings about his generation: where it came from and where it seemed to be going. It was with this novel that he found not only his distinctive themes, but also his spare, lyrical voice--a voice that understands the power of the apt detail but also knows, unerringly, what to leave out.
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The Sun Also Rises by Ernest Hemingway ( 1996)
Hemingway's first bestselling novel, set in the cafes of Paris and bullrings of Spain, is a brilliant depiction of the Lost Generation that established him as one of the great prose stylists of all time. This hardcover reprint is a Scribner Classic, commemorating 150 years of publishing excellence.
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Tener Y No Tener / to Have And Have Not by Ernest Hemingway ( 2004) |
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Three Novels of Ernest Hemingway by Ernest Hemingway ( 1972) |
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Three Stories & Ten Poems by Ernest Hemingway ( 1977)
Hemingway's short stories are considered his best work because of their controlled economy, the simplicity of their language, and Hemingway's constant struggle to get to the truth in a situation. He is not widely known as a poet, but his poetry is not without merit, and is fascinating for the light it sheds upon a complex man and writer.
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To Have And Have Not by Ernest Hemingway ( 2006)
In an attempt to keep his family above water, Harry Morgan runs contraband rum shipments between Cuba and Key West during the 1930s, in a humorous tale that also follows an unlikely love affair. Book available.
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To Have and Have Not Screenplay by Ernest Hemingway, William Faulkner, Jules Furthman ( 1980) |
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To Have and Have Not by Ernest Hemingway ( 2001)
This novel, considered by Hemingway "not so good," takes place during the Depression in Key West, where he had recently settled. The novel's hero, Harry Morgan, is forced by economic desperation into smuggling, bootlegging, and transporting Cuban revolutionaries into the U.S.
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El Toro Fiel / the Faithful Bull by Ernest Hemingway ( 1982) |
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The Torrents of Spring A Romantic Novel in Honor of the Passing of a Great Race by Ernest Hemingway ( 1998)
First published in 1926--and out of print for several years--"The Torrents of Spring" is not only a rare and invaluable example of Hemingway's early writings, but a wonderfully entertaining novel.
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True at First Light by Ernest Hemingway ( 2003)
Hemingway's posthumous novel is set in Africa and involves an American man, his wife, and his African mistress. Patrick Hemingway, the novelist's son, compiled this text from the 200,000-word journal Hemingway kept of his Kenya tour in 1953 that seems to have been a self-destructive blend of safari, adultery, and hype. The resulting novel is an idyllic version of this tour, blending fact and fiction--Hemingway's last attempt to burnish his image as a great hunter, a great lover, and a sophisticated man of the world.
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The Undefeated by Ernest Hemingway ( 2005) |
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Under Kilimanjaro by Ernest Hemingway, Robert W. Lewis, Robert E. Fleming ( 2005) |
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El Veijo y el Mar / The Old Man and the Sea by Ernest Hemingway ( 2005) |
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El Verano Peligroso / The Dangerous Summer by Ernest Hemingway ( 2005) |
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El Verano Peligroso / the Dangerous Summer by Ernest Hemingway ( 2005) |
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El Viejo Y El Mar / the Old Man And the Sea by Ernest Hemingway ( 2003)
In language of great simplicity and power, Hemingway tells the story of an old Cuban fisherman, down on his luck, and his supreme ordeal--a relentless, agonizing battle with a marlin far out in the Gulf Stream. THE OLD MAN AND THE SEA, considered one of Hemingway's best novels, is a stark portrait of endurance, and the old man is one of his most fully realized characters.
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El Viejo Y El Mar / the Old Man And the Sea by Ernest Hemingway ( 2003) |
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El Viejo Y El Mar/the Old Man and the Sea by Ernest Hemingway ( 1984)
An elderly fisherman battles the elements, the sea, and other natural obstacles as he struggles to catch a huge marlin.
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El Viejo y el mar/ The Old Man and the Sea by Ernest Hemingway ( 2007) |
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Vielle Homme Et LA Mer by Ernest Hemingway ( 2002) |
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Winner Take Nothing by Ernest Hemingway ( 1982)
A 1933 collection of short stories.
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Za Kim Zvono Zvoni Ernesta Hemingveja by Ernest Hemingway, Tihomir Vuckovic ( 1990) |
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El viejo y el mar y otros cuentos/ The Old Man and the Sea and other Stories by Ernest Hemingway ( 2007) |
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El viejo y el mar/ The Old Man and the Sea by Ernest Hemingway ( 2008) |
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El viejo y el mar/ The Old Man and the Sea by Ernest Hemingway ( 2005) |








































































