Books by David Bevington

In this edition, David Bevington shows how the theatrical design and imaginative vision of Antony and Cleopatra make it one of Shakespeare's most remarkable tragedies. The substantial introduction synthesizes the best criticism of the play, presenting a fresh consideration of its erotic and political complexities. This edition is constantly aware of the play as theater: a detailed illustrated account of the stage history is followed by a discussion of the staging options offered by the text. The full, helpful commentary untangles obscure words and phrases, illuminating sexual puns and Shakespeare's adaptation of source material from Plutarch's Lives.

This wisely funny comedy, which contains some of Shakespeares loveliest poetry, contrasts a countrys world of envy and rivalry with a forest's world of compassion and harmony. In the Forest of Arden, the banished young heroine, Rosalind, disguised as a gentleman farmer, encounters an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own banished father, and the banished young man she loves. Romantic happiness triumphs, even as we laugh at the excesses of love, at the ways of court and countryside, indeed, at everything, in this masterpiece of comic writing,

A balanced editorial approach, a highly respected editor, and proven apparatus combine to make Bevington's the most reader-friendly introduction to Shakespeare available. The Fifth Edition of this comprehensive anthology addresses the two key issues confronted by readers approaching Shakespeare today: a lack of knowledge about the historical period and difficulty with the language of Shakespeare's plays. A richly illustrated general introduction offers insight into Shakespeare's England and background on the literary and cultural contexts in which Shakespeare wrote and produced plays. Each play is introduced by a descriptive essay designed to help the reader appreciate the cultural contexts and interpretive issues raised by the play, without dictating their interpretations. Thoroughly revised and updated notes and glosses provide additional support to understanding the language of Shakespeare's time. For those interested in learning about the time of Shakepeare and reading and understanding Shakespeare's plays.

Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare's contemporaries. This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death.

While King Henry IV rightly laments that his heir, the young Prince Hal, has not distinguished himself in battle, Hal is up to no good at the Boar's Head Tavern with his rotund cohort, Falstaff. With a rebellion rising against the throne at home, Hal lives it up in the ale houses of London, associating with petty schemers and masterminding practical jokes instead of military strategies. When his father sends a messenger to fetch his delinquent son, will Hal rally to the call? Written prior to 1596, this much-loved play is referred to in multiple memoirs and documents of the day and in subsequent decades, including Samuel Pepys's diary, attesting to its impact and popularity. Blending action that takes place at court with scenes of city life, HENRY IV PART 1 marks a turning-point in Shakespeare's oeuvre, as action unfolds simultaneously in diverse locations, lending texture and variety to the drama, and involving characters drawn not only from the ranks of court, but from London's seedier byways. The sway of chaos and order, the perennial theme of Shakespeare's histories, is present here in the juxtaposition of the political realm with the Epicurean.

While King Henry IV rightly laments that his heir, the young Prince Hal, has not distinguished himself in battle, Hal is up to no good at the Boar's Head Tavern with his rotund cohort, Falstaff. With a rebellion rising against the throne at home, Hal lives it up in the ale houses of London, associating with petty schemers and masterminding practical jokes instead of military strategies. When his father sends a messenger to fetch his delinquent son, will Hal rally to the call? Written prior to 1596, this much-loved play is referred to in multiple memoirs and documents of the day and in subsequent decades, including Samuel Pepys's diary, attesting to its impact and popularity. Blending action that takes place at court with scenes of city life, HENRY IV PART 1 marks a turning-point in Shakespeare's oeuvre, as action unfolds simultaneously in diverse locations, lending texture and variety to the drama, and involving characters drawn not only from the ranks of court, but from London's seedier byways. The sway of chaos and order, the perennial theme of Shakespeare's histories, is present here in the juxtaposition of the political realm with the Epicurean.

Shakespeare's dark portrait of ambition begins when the eponymous hero, a Scottish soldier, encounters three witches, who mysteriously refer to him as the future king. As, step by step, their prophecy begins to be fulfilled, the seeds of ambition are planted not only in Macbeth but in his scheming wife, who soon is plotting the murder of Duncan, King of Scotland. This murder--and the string of killings that inevitably follow--sets in motion a series of dark deeds that torment Macbeth and Lady Macbeth with guilt, which manifests itself most pointedly when a sleepwalking Lady Macbeth attempts to wash the blood from her hands, famously uttering "Out, damn'd spot!" MACBETH was probably written between 1603 and 1606; it is the last of Shakespeare's major tragedies and is peculiarly concise, perhaps because Shakespeare had learned of King James's penchant for shorter works. The plot was inspired by the Chronicles of Holinshed's narrative of the reigns of Duncan and Macbeth in Scotland. Richard Burbage, one of the most prominent actors of the Elizabethan stage, is said to have originated the title role.

This is one of Shakespeares darkest comedies, for the romantic story of a young man, Bassanio, who has squandered his fortune and must borrow money to woo the wealthy lady he loves is set against the most disturbing story of the Jewish moneylender Shylock and his demand for the "pound of flesh" owed him by the Venetian merchant, Antonio, who has fallen into Shylock's debt. Here pathos and farce combine with moral complexity and romantic entanglement to display the extraordinary power and range of Shakespeare at his best.

Extracted from the best-selling Complete Works of Shakespeare, 5/e by David Bevington, The Necessary Shakespeare offers the most comprehensive scholarly apparatus, with the most often taught-necessary-of Shakespeare's work, creating a truly concise yet complete anthology. This anthology provides extensive introductions to the plays and poems-offering discussion topics, sources for each play, and the stage history of performances. Readers interested in Shakespeare.

This collection of essays adopts an interdisciplinary approach to a diverse group of texts composed in London during the Renaissance, whereby eight literary scholars and eight historians from two continents have been paired to write companion essays on each text. "Theatrical" is taken to be a very flexible term, and is applied to civic rituals and public spectacles (including the execution of King Charles I) as well as to the theatre. The eight texts therefore include historical accounts, political documents and polemical works as well as plays.

This volume offers the most comprehensive and critically up-to-date edition of Troilus and Cressida available today. Bevington?s learned and engaging introduction discusses the ambivalent status and genre of the play, variously presented in its early printing as a comedy, a history and a tragedy. He examines and assimilates the wide variety of critical responses the play has elicited, and argues its importance in today?s culture as an experimental and open-ended work. He also, however, suggests that this experimentalism may have contributed to its lack of immediate stage success, and goes on to place the work in its late Elizabethan context of political instability and theatrical rivalry. A thorough performance history focuses chiefly on recent productions. The complex text situation is re-examined and the differing textual readings carefully explicated. 'Bevington's edition is so clearly the best now available that it will no doubt quickly become standard practice for all study of this remarkable play to begin with this remarkable edition.' Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey