November Girl by Haskins, Sam - 1967

VG OVERSIZE HC w/DJ,, some tears on the jacket

Madison Square Press, 1967. Hard cover. Good/Good. Jacket is slightly yellowed and worn along edges. Cover cloth is warped and lightly foxed. Spine is slightly shaken, but binding is secure. Inside covers and endpapers are foxed, but pages are clean and unmarked.

Corgi Books, 1969. Soft cover. Good. Wraps are creased.A bit stained.Foxing.Rubber stamp.Tightly bound.These pictures of a lovely girl and her hopeless longing for a man who will never come are an ode to loneliness.[R.K]. Our orders are shipped using tracked courier delivery services.

Bonn, Verlag der Europäischen Bücherei, [1968]. . Erste deutsche Ausgabe (die erste englischsprachige erschien ein Jahr zuvor). Der südafrikanische Fotograf Sam Haskins (1926-2009) publizierte hier eindrucksvolle Aktaufnahmen, teils als Collagen. - Gutes, sauberes Exemplar

New York: Madison Square Press 1967. Folio. First edition. Unpaginated. Publisher's original grey cloth with black lettering to front board & spine. In pictorial dust jacket. Large tears to dj with areas of loss. Damp-staining to boards. Lacks front endpaper. Internally clean. Sam Haskin's iconic b&w photographs throughout. . Good. Hardback. First Edition. 1967.

Corgi Books, 1967-01-01. Hardcover. Good. Good. Light to moderate shelf wear to covers/corners; satisfaction guaranteed. Hardcover with Fair Dust Jacket torn around edges and corners. Light water damage to top of spine and pages. Few stains and discolored spots to DJ, covers and edges of book. Slight musty odor. Book is oversized and/or heavy, priority or international orders will require additional shipping funds.

New York: Madison Square Press / Grosset & Dunlap, 1967. First U.S. edition and first printing. Hardcover. One of Haskin's now classic books of nude photographs. While "Cowboy Kate" might be better known, the images in this book are every bit the exemplification of the 60s zeitgeist A close to near fine copy in cloth boards with some toning to the edges and in a very good dust jacket with some edge tears, tiny chips and minor wear. Looks very presentable in mylar.

New York: Madison Square Press, 1967. First Edition. Very good in a very good + jacket.. First pinting of these images forming a loose narrative of "a lovely girl's longing for the return of the lover who is dead, of her heart and soul bared in a vain attempt to recapture a love forever lost." Raincoats, eerie dolls, and cemeteries also make appearances as part of Haskins' effort to capture "the poignant yearning that is part of the endless waiting time of youth." Hardcover. Folio. Grey cloth boards, very slightly rippled and toned along edges. In black and white photographic dust jacket. Previous owner's signature in blue pen to ffep. No other markings. Full-page black and white photographs, primarily of young women, primarily nude.

E-219: Madison Square Press/Grosset & Dunlap. Very Good in Very Good dust jacket. 1967. First Edition; First Printing. Hardcover. Hardcover. 4to. Madison Square Press. 1967. Illustrated with Black and White Plates. First Edition/First Printing. DJ has shelf-wear present (closed tear present to the top corner of the front panel). Bound in cloth boards. Boards have shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Sam Haskin's third book and the third in his trilogy of 1960s books of evocative female nudes, following Five Girls and Cowboy Kate. Haskins won numerous awards for his photography, including the 1964 Prix Nadar for Cowboy Kate, the 1974 One Show Gold Medal, and the 1980 Kodak Book of the Year. E-101, Bx-232; 4to 11" - 13" tall; 112 pages .

London: The Bodley Head, , 1967. Rilegato tela, sovracoperta (cloth, dust jacket). Ottimo (Fine). Text by Desmond Skirrow. Photographs in black and white. 4to (cm 36x27). pp. 120 n.n. Ottimo (Fine). Prima edizione (First edition). Sam Haskins's camera is for making poetry, for telling us what we already know but cannot tell orselves. These pictures of the hopeless longing of a lovely girl for the man who will never come are an ode to loneliness.