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Mel Bay presents MBGU Jazz Curriculum: Payin' Your Dues with the Blues (Mel Bay Guitar University)by Jay Umble
Book DescriptionPaperback. New. Brand New, Perfect Condition. May Ship From Overseas, Allow 15-45 days Delivery Time (Average 30 days). Bookseller Terms of SaleIf you are not completely satisfied with your order for any reason, you may return it in its original condition within 7 days of receipt (exception: software products cannot be returned once opened due to the license code being revealed). Once your return is received and processed, you would receive a refund back to your mode of payment. The amount you would receive would be equal to the full item price you paid, excluding any shipping charges. Please note that we may take upto 7 days after receiving back your order to process your return. Orders returned to us undeliverable as addressed will be treated as regular returns. If you would like to return your order, please contact us with your order number and your reason for return, and await return instructions from us before sending back your order. Customer ReviewsOn Nov 7 2008, zenfield46 said:  "Jay Umble has created a book that should be of great interest to guitarists, teachers, students and all musicians regardless of their instruments or level of accomplishment. Books like this one are beginning to appear that not only reflect a solid theoretical base, but also demonstrate the principles with very musical sounding examples. EVERYTHING in this book sounds great and everything is PLAYABLE! Thanks for documenting your ideas for all of us who love the guitar." On Sep 19 2008, guitarlogic said: "In this study, Mr. Umble has provided developing guitarist with a progressive approach to understanding the jazz/blues idiom. This practical/theoretical, step-by-step method explores various constructive elements that characterize the great blues-based improvisations of jazz masters such as Wes Montgomery, John Coltrane, Charlie Parker, etc. Harmonic, rhythmic and melodic improvisational concepts are examined in a most detailed fashion with measure-by-measure analysis of the different soloing and comping possibilities available to the guitarist. Both traditional and modern harmonic-melodic approaches (side-slipping, substitutions, slash chords, etc.) are discussed with great clarity throughout the text. This is clearly an honest and conscientious study that is also an indispensable reference tool in every jazz musician's library. Great job Jay!Reno De Stefano, Jazz Guitarist Professor of Jazz Studies Iniversite de Montreal" Other Recommended Books
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