The Ancient Mariner by Coleridge, Samuel Taylor - n.d. [c.1910]

Troy, NY: Nims and Knight, 1891 Illustrated boards with cloth spine, light cover soil, minor edge rubbing, front hinge re-enforced, rubbed spot on first page. A collection of short verses by famed authors and poets, each poem surrounded by color chromo illustrations with illuminated accents, printed on one side of paper only. A very lovely Victorian era book, printed by Armstrong & Co of Boston, MA.. First Edition. Illustrated Boards. Very Good. Illus. by Chromolithographs. Slim Oblong Folio.

London: Cecil Palmer & Hayward, 1916. Quarto, 77 pages, plus publisher's ads. First Edition, in original brown cloth with pictorial cover and pictorial paper spine label. Four full page color plates by Frank Brangwyn, including frontispiece. Beautifully printed in black with a tan ornamental border on each page. ORIGINAL DUST WRAPPER, repeating the cover design of the book as well as the spine label. The book is pristine and the dust wrapper is nearly so, astonishingly bright and unfaded. A few tiny marginal chips, entirely as issued including the original red price sticker of 7/6. Occasionally it will seem to be far easier to locate a limited edition of a book than the trade edition in pristine condition. Such is the case with this book. A superb copy of a handsome book reflecting the Arts and Crafts period of design.

Brondum, 1995. Very Good. 3-volume compilation of Jens Birkemose erotica. I: Negeren og Papegøjen (The Negro and the Parrot). II: Spejlet forsvinder (The Mirror Disappears). III: Det sidste hus (The Last House). All volumes signed by Birkemose on limitation pages. Includes original slipcase and laid-in signed lithograph unique to this copy. Copy #344 of 500 issued. All volumes tight and unmarked with minimal shelf wear. Faint crease to Volume I spine panel. Faint stain to Volume II spine panel. Limitation pages translated from Danish in part: Contains 180 drawings made as a direct copy of the plates and printed at Brondum's graphic workshop in Copenhagen. Each volume 7 1/2" x 6 3/4". Photographs of or additional information about this item are available on request. All inquiries answered promptly.

New York, NY: Pantheon Books, 1956. quarter cloth, paper covered boards, slipcase. 4to. quarter cloth, paper covered boards, slipcase. unpaginated. One of 850 numbered copies signed by the author / illustrator. Printed by the Meriden Gravure Company. Composed of a collection of facsimile illustrations of imaginative views of Italy by Berman. Bookplate of Robert Elwell on front pastedown. A beautiful copy with the original decorative slipcase.

Illustrated with both color as well as black & white photos, this book contains articles by 51 different authors. A few pages contain minimal highlighting, else the book is in very good condition. Due to the size of this item, expedited or priority shipping prices will be individually quoted. Media Mail cost within the U.S. will remain as listed.

Frederick A. Stokes, New York, 1916 An octavo bound in original red cloth, top edges gilt, gilt pictorial cover illustration. Twelve tipped-in illustrations in color by Charles Robinson, with captioned tissue guards. (Lacking tissue guard at page 66 and marginal closed tears on the tissue guard at page 80) Many textual illustrations and pictorial endpapers, all by Robinson. Aside from the fault with two of the tissue guards and a bit of wear at the corners, this is a near fine copy of the First American Edition.

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - №120, a preface paper,… Read More

Dessins de Charles Delort, gravés par Mongin. 300 pp.+7 planches et un portrait de l'auteur d'après une photo de Nadar h.t. 20,7x13,3 cm. Collection Bibliothèque Artistique Moderne / Librairie des Bibliophiles, Paris, 1883. Tirage limité.
--- Some edgewear. Fore edge and bottom edge untrimmed. Very light occasional foxing. Beautiful engravings.

Tuscaloosa, Alabama:: Big Jump Press,, 2023.. Edition of 66 (26 lettered, 40 numbered). 5.5 x 9"; 20 pages. Papers include Red River double side Premium Matte and Colorplan. Text set in Arno, Myriad, and Monaco type. Printed letterpress using polymer plates from Boxcar press. Produced in an edition of 44, of which 26 lettered copies bound individually and 40 bound alongside other collaborative components of the 'Acts of Translation" project. Signed by Allen and Bryant. Lettered. Big Jump Press: "Dr. David Allen studies the ecology of ticks and tick-borne diseases. He uses an integrated theoretical and empirical approach to tease apart the biotic and abiotic drivers of tick populations and tick-borne pathogen persistence. He has published his work in numerous journals, including 'Journal of Medical Entomology, Biological Conservation, Emerging Infectious Diseases, and Northeastern Naturalist'. His research into the Ixodes population has received a grant from the National… Read More

Hodder & Stoughton. London. No date. (1924). NEW EDITION. Small 4to. (9.6 x 6.7 inches). Fully illustrated throughout with 16 tipped in colour plates, pictorial title page, plus 25 full page and 100 smaller line drawings. A hint of browning to the blank endpapers but generally a very clean and bright copy in the original publishers yellow cloth binding with illustration to the front board in red and black. The spine and front board are lettered in black. A little darkening to spine but overall a better than very good copy of this beautiful book. --- Originally published by Constable and Co in 1912, this is the first Hodder and Stoughton edition and it contains all of the illustrations from the earlier edition. Geoffrey Beare. - The Illustrations of W H R. #69h.