Authors starting with T from Ultramarine Books

New York: Crown Publishers, 1979 95 pages; 77 illustrations, most in color, many full page. Bright red boards with impressed white "signature" title.. Cloth. Fine/Very Good. 4to. Monograph. ... more information

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New York: Crown, 1979 95 pages; more than 75 reproductions in color and b&w, some tipped-in. Good, well illustrated overview of the artist's work and career by a knowlegeable author.. Hard Cover - cloth boards. Very Good/Very Good. 4to. Monograph. ... more information

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London: British Museum Publications, 1983 72 pages; 73 timepieces in color or b&w drawn from the collections of The British Museum and especially the Student's Room for Horology and Scientific Instruments. Clean and tight throughout.. Pictorial Wrapper (softcover). Very Good. Square 8vo. ... more information

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New York: The Metropolitan Museum of Art, 1979 unpaginated. Essay followed by the catalogue of 55 works reproduced in full-page color plates.. Pictorial Wrapper (softcover). Very Good. Square 4to. Exhibition Catalogue. ... more information

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Tokyo: The National Museum of Western Art / The Tokyo Shimbun, 2007 202 pages; 3 essays; 108 color catalogue illustrations; b&w text illustrations. Bibliography. The exhibiiton explored Munch's work as "decorative painter". Munch named his essential works The Frieze of Life and he said, "the Frieze is intended as a series of decorative paintings, which, gathered together, would give a picture of life." Clean throughout, no marks, tears, creases. Japanese and English text.. Stif... more information

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New York: Harry N. Abrams, 1999 284 pages; 434 illustrations, including 208 color plates. Nearly 20 buildings and projects: the earliest, Shiseido Art Museum; the latest, MoMA expansion with commentary by Taniguchi, himself. In between are other museums, libraries, an aquarium, a gymnasium, a high school, a park, and tea-ceremony houses. The white dustjacket is very lightly soiled.. Cloth. Fine/Very Good. Square 4to. ... more information

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City of Washington: Smithsonian Institution Press, 1973 78 pages. 40 catalogued works; 45 illustrations. M. Zorach destroyed much of her early work: paintings in this exhibition were newly discovered at the time. The text is informative of her student years in Paris, her meeting William, the following time abroad and in California, finally Maine. Bibliography.. First Edition. Pictorial Wrapper (softcover). Very Good. 4to. Exhibition Catalogue. ... more information

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New York: Whitney Museum of American Art, 1978 168 pages; 16 color plates, 128 b&w illustrations; Bibliography. Williams' interest in art and the interplay between visual and literary artists.. First Edition. Printed Wrapper (softcover). Very Good. 4to. Exhibition Catalogue. ... more information

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London: Spring Books, 1961 88 pages; 48 full page color plates. Contents clean and tight; boards faded along the spine. Much of the text is from Cezanne, himself, taken from letters and other.. Cloth. Good/No Jacket. 4to. ... more information

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New York: The Museum of Modern Art, 1960 62 pages. Two lectures delivered to the National Committee on Art Education at the Museum of Modern Art. Clean and tight; covers a little worn, but whole, no tears. Pictorial Wrapper (softcover). Very Good. 12mo - over 6¾" - 7¾" tall. ... more information

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City of Washington: Smithsonian Institution Press, 1975 117 pages; 94 illustrations, most b&w some color. Clean and tight; spine lightly worn at the head.. Decorated Wrapper (softcover). Very Good. 8vo. ... more information

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New York: The Museum of Modern Art, 1961 154 pages; 141 illustrations, including 22 in color. Taylor sets out the goals of the Futurists, then discusses the individual artists: Balla, Severini, Carra, Russolo, Boccioni. The period, 1910-1916. Clean and tight throughout, many illustrations are full-page. Age-darkening to the page edges and to the boards. The dustjacket is darkened, worn at the edges and scraped on the front panel.. First Edition. Cloth. Very Good/Good. 4to. ... more information

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City of Washington: Smithsonian Institution Press, 1976 320 pages; numerous illustrations in color and in b&w. Produced to compliment the exhibition of the same name but not a catalogue of the exhibiton. Most of the works reproduced in the book were in the exhibition, but the exhibition included addiional examples and vice versa. Generally clean and tight; the top edges of the final twenty pages have been lightly affected by dampness, rippled; the spine is soiled and faded.. Pictorial Wrapper (softcove... more information

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New York: William Morrow, 1995 218 pages. The author is Spiritual Leader of the Synagogue for the Performing Arts.. First Edition. Paper covered boards. Fine/Fine. 8vo. ... more information

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New Haven: Yale University Press, 1995 480 pages; 207 catalogued items that illustrate, in color, "a historical canvas that covers twelve centuries from the time of Charlemagne to modern france." A beautiful look at French accomplishment. Clean and tight, nearly unblemished.. First Edition. Pictorial Wrapper (softcover). Very Good.. Large 4to. Exhibition Catalogue. ... more information

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New York: Simon and Schuster, 2003 248 pages. Advice from over thirty years of experience and over thirty personal exercises aimed at getting out of a rut or breaking out of a creative deadend.. First Edition. quarter cloth / paper boards. Fine/Very Good. 8vo. ... more information

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New York: The Metropolitan Museum of Art, 1986 56 pages; 49 works; well illustrated in color and in b&w. MMA Bulletin Winter 1986/87. Clean and tight, nearly as new.. Pictorial Wrapper (softcover). Very Good.. 4to. Art periodical. ... more information

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Boston: Houghton Mifflin Company, 1988 126 pages; color reproductions of Hassam's paintings and chapter headings, which many thought were the artist's best work. The first reissue of the Hassam edition, including the gold-stamped boards, originally published in 1894 by Houghton. A fine slipcase with illustrated paper label.. First Thus. Decorated cloth boards. Fine/No Jacket but a Fine Slipcase. 8vo. ... more information

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Lexington, Kentucky: The Gravesend Press, 1967 The final imprint of The Gravesend Press , the booklet was completed by Bob Middleton after the death of James C. Graves in 1960. Decorated with wood engravings by John De Pol.. First Edition. Decorated paper boards. Fine. Illus. by John De Pol. 16mo. ... more information

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The J. Paul Getty Museum, 1987 7-page accordion-folded pamphlet of the exhiition of the same name. The pamphlet is printed on stiff-card with an essay and four illustrations.. Folding Pamphlet. Fine. Square 8vo. ... more information

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