TV Land--Detroit by Gordon Castelnero

University of Michigan Press, 2006. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of Michigan Press/Regional, 2006-04-10. Paperback. Used: Good.

Pages clean and unmarked. A few soft creases here and there; nothing overly bad. Minor wear only.

Ann Arbor, Michigan: UNIVERSITY OF MICHIGAN REGIONAL. Fine. 2006. First Edition. First Printing; Paperback. 0472031244 . B&W Illustrations; 9.0 X 6.0 X 0.9 inches; viii, 330 pages; Soft cover has blue spine with orange box . Covers have faint rubbing. Pages are clean and tight; appears as if unused. Illustrated with b/w photographs. As a native Detroiter so many of the people/programs in this book were favs of mine. Loved the movies with George Pierrot and Rita Bell, and as a little kid 'Milky the Clown.' Great stroll down memory lane. .

UNIVERSITY OF MICHIGAN REGIONAL, 2006-04-09. paperback. Very Good. 6x0x9. 2006; Ann Arbor; blue illustrated glossy paper covers with brown titles; covers contain minimal rubbing and edge wear; Interior is clean and unmarked; 8vo, 7 3/4" to 9 3/4" tall; 330 pages

UNIVERSITY OF MICHIGAN REGIONAL. New. Special order direct from the distributor

Univ of Michigan Pr, 2006. Paperback. New. illustrated edition. 344 pages. 8.75x6.00x1.00 inches.

Paperback / softback. New. Based on actual interviews with the people who made Detroit TV, the author reawakens the emotional attachment and nostalgia our community has for the shows, bringing the characters and the programs back to life. He describes a quintessentially American folk celebrity that's been replaced by slick productions, big budgets, and gargantuan egos.

Univ of Michigan Pr, 2006. Paperback. New. illustrated edition. 344 pages. 8.75x6.00x1.00 inches.

Paperback / softback. New. Based on actual interviews with the people who made Detroit TV, the author reawakens the emotional attachment and nostalgia our community has for the shows, bringing the characters and the programs back to life. He describes a quintessentially American folk celebrity that's been replaced by slick productions, big budgets, and gargantuan egos.