Stock photo. Cover may not represent actual copy or condition available.
Black Music, White Business
Illuminating the History and Political Economy of Jazz
by Frank Kofsky
ISBN: 0873488598
ISBN-13: 9780873488594
Format: Paperback
|
Customer Reviews
Be the first to review this book!
Bibliographic Details
Publisher: Pathfinder Pr
Published date: 1998
Edition: 1th edition
Size: 5.25 x 8.25 inches
Weight: 0.45 pounds
Pages: 165
Similar books
Blues People
by Imamu Amiri Baraka
The Cambridge Companion to Jazz
by Mervyn Cooke
Jazz
by
It's been called America's classical music. The infinite art. The heart and soul of all popular music. But whatever the label, jazz has played an immense cultural role worldwide, opening up vast vistas of musical creativity, generating unforgettable performances, and giving us such iconic artists as Miles Davis, Louis Armstrong, and Duke Ellington. Jazz: The First Century marks the passage of the music's first hundred years by bringing together text and art in a rich, illustrated chronicle that opens up the vibrant world of jazz to everyone. Jazz: The First Century is edited by John Edward Hasse, Curator of American Music at the Smithsonian Institution, leading a writing team of today's finest and most widely respected jazz authorities. Their compelling essays are complemented by an engrossing and sophisticated design packed with more than 300 images, including vintage photographs, sheet music covers, rare album jackets, posters, and more. From the beginning, jazz offered a new kind of musical expression perfectly suited to the innovation and rapid pace of life in the twentieth century. Jazz: The First Century vividly illuminates the circumstances of the music's birth, examines the contributions of its most consequential musicians, and brings to life its many pleasures, from the emotionalism of early blues and the infectious syncopation of ragtime to the exhilaration of 1930s big-band swing and the awesome musical flights of bebop-from the understated sophistication of cool jazz and the boundless expressiveness of free improvisation to the electrifying power of fusion and the potent grooves of jazz-rap and hip-hop. In addition, seventy concise sidebars focus on important songs, key landmarks and personalities, and conventions of jazz performance and composition. They also examine the confluence of jazz with radio and television and with such art forms as film, painting, literature, poetry, classical music, and dance. Here also are hundreds of recommended recordings-selections based on opinions gathered in an international survey of historians, educators, critics, musicians, and broadcasters. For newcomers and aficionados alike, Jazz: The First Century offers a wealth of enlightening information. It's an essential and comprehensive overview of the music Tony Bennett calls "Amrica's greatest contribution to the world...a celebration of life itself."
Negro Workaday Songs
by Howard Washington Odum
Just My Soul Responding
by Brian Ward
One of the most innovative and ambitious books to appear on the civil rights and black power movements in America, Just My Soul Responding also offers a major challenge to conventional histories of contemporary black and popular music. Brian Ward explores in detail the previously neglected relationship between Rhythm and Blues, black consciousness, and race relations within the context of the ongoing struggle for black freedom and equality in the United States. Instead of simply seeing the world of black music as a reflection of a mass struggle raging elsewhere, Ward argues that Rhythm and Blues, and the recording and broadcasting industries with which it was linked, formed a crucial public arena for battles over civil rights, racial identities, and black economic empowerment. Combining unrivalled archival research with extensive oral testimony, Ward examines the contributions of artists and entrepreneurs like Sam Cooke, Aretha Franklin, James Brown, and Berry Gordy to the organized black struggle, explaining what they did for the Movement and -- just as important -- why they and most of their peers failed to do more. In the process, he analyses the ways in which various groups, from the SCLC to the Black Panthers, tried -- with very mixed results -- to use Rhythm and Blues and the politics of celebrity to further their cause. He also examines the role that black-oriented radio played in promoting both Rhythm and Blues and the Movement, and unravels the intricate connections between the sexual politics of the music and the development of the black freedom struggle. This richly textured study of some of the most important music and complex political events in America since World WarII challenges the belief that white consumption of black music necessarily helped eradicate racial prejudice. Indeed, Ward argues that the popularity of Rhythm and Blues among white listeners sometimes only reinforced racial stereotypes, while noting how black artists actually manipulated those stereotypes to increase their white audiences. Ultimately, Ward shows how the music both reflected and affected shifting perceptions of community, empowerment, identity, and gender relations in America during the civil rights and black power eras. "Ward brings passion and an encyclopedic knowledge of R&B to bear in his account of Brown vs. Board of Education, the Civil Rights Movement, the Black Power Movement, and the ebb and flow of economic and political clout within the Black community.... A densely textured and fascinating study". -- Susan McClary, author of Feminine Endings "A highly original and imaginative history connecting African American popular music with corresponding developments in the Black freedom struggle.... Ward is particularly adept in his use of sources, combining a creative rendering of discography with ample use of archival material.... Ward forces the reader to think about the civil rights and Black power movements in new ways and offers keen insights for measuring the impact of the African American freedom struggle on both Black and white Americans". -- Steven Lawson, Stanford University
|
|
Ready to buy this book?
Below are all of the copies of 0873488598 we currently have available for purchase, sorted by lowest price first. If you would like to refine your search, use the advanced options in the search box above.
|
|
2)
|
Black Music, White Business: Illuminating the History and Political Economy of Jazz (Qty: 99993)
Kofsky, Frank
Pathfinder Press, 1998. Brand new paperback. Probes the principle contradiction in the jazz world: that between black artistry on the one hand and white ownership of the means of distribution -- recording companies, booking agencies, festivals, nightclubs and magazines -- on the other. Drawing on a wide variety of sources as well as his own experiences, Kofsky brings to light the exploitation to which jazz creators historically have been subjected and the racist contempt with which many industry executes view jazz. 165 pages. ( more information) Offered by Run For Cover! (United States)
Favorite bookseller : you've previously added this bookseller to your favorites list.
|
|
|
0 items in cart
Muze Inc. For personal non-commercial use only. All rights reserved. Some content for books is owned by Baker & Taylor, Inc. or its licensors and is subject to copyright and all other protections provided by applicable law.
