Stock photo. Cover may not represent actual copy or condition available.
The Prints of the Remondinis
An Attempt to Reconstruct an Eighteenth-Century World of Pictures
by Anton W.A. Boschloo
ISBN: 9053562737
ISBN-13: 9789053562734
Format: Hardcover
|
Customer Reviews
Review this book!
Bibliographic Details
Publisher: Univ of Chicago Pr Published date: 1998 Size: 8.5 x 10.5 inches Weight: 2.15 pounds Pages: 347
Publisher's Notes
Every day we are confronted with a flood of visual images. Present-day visual culture owes its existence in large part to the development of photography and the illustrated magazine in the nineteenth century. But at least as important were the print publishers of the eighteenth century. The north Italian Remondini family owned the largest print publishing house in Europe at the time. The Remondinis broke with tradition by aiming their production mainly at a broad, middle-class public. They produced in large quantities and cheaply, and distributed their work on an unprecedented scale. Thousands upon thousands of their prints reached buyers in the farthest corners of Europe as well as other parts of the world (especially South America). All this visual material, however varied it might have been, had one common feature: it was meant to correspond with the buyers' perception of the world. This study sheds light on the "Remondini phenomenon" by offering a detailed analysis of this family's richly varied picture production. Large numbers of unknown prints have been identified with the help of the Remondini catalogs, sources which until now have attracted little scholarly attention.
Similar books

The English Print, 1688-1802
by Timothy Clayton
Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work. In this authoritative and innovative book, Timothy Clayton describes the growth of the print trade in England during the eighteenth century, a period during which Britain emerged from artistic obscurity to dominate the international print market. This highly readable account offers a fascinating tour of the principal outlets for prints in London, the provinces, and the British colonies over a period of more than one hundred years. Clayton considers the variety of published material -- history prints, topography, portraiture, satire, propaganda -- the channels of distribution, and the various audiences to which prints were addressed. He examines the effect of the sudden and dramatic influx of foreign prints in the second decade of the eighteenth century and traces the way in which English engravers and printsellers attempted to establish a national industry. Prints were used to promote English entertainments, luxury industries, landscapes, gardens, and paintings and to demonstrate the increasing wealth and sophistication of the English nation. Their influence over the commercialization of leisure and the development of luxury manufacturing was considerable. By the 1760s, British engravers and painters were winning recognition and establishing a new reputation on the Continent through the dissemination of their work. During the following decade, the enthusiasm for English prints developed into full-blown anglomania,and engraved scenes from English literature and national history were displayed on walls throughout Europe.

Impressions of the 20th Century
by Margaret Timmers

Spaces of Modernity
by Miles Ogborn
From the civility of Westminster's newly paved streets to the dangerous pleasures of Vauxhall Gardens and the grand designs of the Universal Register Office, this book examines the identities, practices, and power relations of the modern city as they emerged within and transformed the geographies of eighteenth-century London. Ogborn draws upon a wide variety of textual and visual sources to illuminate processes of commodification, individualization, state formation, and the transformation of the public sphere within the new spaces of the metropolis.

Citizens of Zion
by Ellen Eslinger
One of America's most enduring forms of public worship, the camp meeting had its beginnings at the dawn of the nineteenth century during the "Great Revival" that swept the newly settled regions of the young republic. Camping out at religious gatherings brought people from diverse backgrounds into close and sustained contact, creating a small society governed by religious harmony. The culmination of this phenomenon came in 1801 at Cane Ridge Presbyterian meetinghouse in Kentucky, where more than ten thousand people gathered for a week of worship and fellowship. To trace the origins of the camp meeting, Ellen Eslinger follows Kentucky's development from its initial settlement in 1775 to the eve of the Great Revival. She describes how a region first characterized by border warfare during the Revolution quickly cast off its frontier beginnings. Even so, she demonstrates, settlers found it difficult to cope with challenges posed by economic competition, political partisanship, and cultural conflict. In this time of uncertainty, camp meetings brought a restored sense of community attachment, merging Christian and republican ideals to create a new model of American society. Citizens of Zion does more than explain a particular instance of religious revivalism; it explores the creation of a new form of worship that enabled people to relate more comfortably to a changing society through an intense collective experience. It explains how early camp meeting revivalism -- as exemplified by the Cane Ridge gathering -- differed significantly from both earlier evangelical forms and later manifestations. Camp meeting revivalism, Eslinger shows, eventually came to reflect the emerging liberal culture,but its early years reveal it as an important mechanism for reintegration into a rapidly transforming world.

American Wall Stenciling, 1790-1840
by Ann Eckert Brown
Celebrating the common colonial practice of wall stenciling in homes, this survey of a lost art features 150 images from a wide variety of houses that reveal a variety of stylistic influences, designs, regional styles, and more. (House & Home)
|
|
Ready to buy this book?
Below is the copy of 9053562737 we currently have available for purchase. To buy this book, click on the "Add to cart" link to place it in your shopping cart for purchase.
|
|
1)
|
The Prints of the Remondinis An Attempt to Reconstruct an Eighteenth-Centu ry World of Pictures
Boschloo, Anton W.A
Amsterdam University Press. 1998. Hardcover. 9053562737 . Harcover. 4to. Amsterdam University Press. 1998. 347 pgs. No DJ as issued/Pictoral boards. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present.; 1.15 x 10.52 x 8.49 Inches; 347 pages . ( more information) Offered by Mugwump Books (United States)
Favorite bookseller : you've previously added this bookseller to your favorites list.
|
|
|