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The Producer as Composer: Shaping the Sounds of Popular Music
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The Producer as Composer: Shaping the Sounds of Popular Music Hardcover - 2005

by Moorefield, Virgil


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The evolution of the record producer from technician to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances - in the Albert Hall or elsewhere - but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of technician to auteur; band members became actors in what Frank Zappa called a movie for your ears. In rock and pop, in the absence of a notated score, the recorded version of a song - created by the producer in collaboration with the musicians - became the definitive version.

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  • Title The Producer as Composer: Shaping the Sounds of Popular Music
  • Author Moorefield, Virgil
  • Binding Hardcover
  • Edition First Edition, F
  • Publisher The MIT Press, Cambridge
  • Date 2005-12
  • ISBN 9780262134576
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The Producer as Composer : Shaping the Sounds of Popular Music
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The Producer as Composer : Shaping the Sounds of Popular Music

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The Producer as Composer: Shaping the Sounds of Popular Music
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The Producer as Composer: Shaping the Sounds of Popular Music

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The Producer as Composer: From the Illusion of Reality to the Reality of Illusion
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The Producer as Composer: From the Illusion of Reality to the Reality of Illusion

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MIT Press, 2005. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780262134576
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MIT Press, 2005-12-01. hardcover. Good/Unclipped. 7x1x10. Ex-library book.Sloped spine. Wear present.Discolouration present.Fold creasing present.Foxing.Scruff marks and small marks present on the front cover and back cover.Scruff mark present at the sides of pages.Small mark present on a few pages.Slight tearing present.Dent marks present on the front and back cover.Remnant of sticker present on the front of the first page. Stain mark present at the side of a few of the pages.
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The Producer as Composer. Shaping the Sounds of Popular Music
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The Producer as Composer: Shaping the Sounds of Popular Music
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The Producer as Composer: Shaping the Sounds of Popular Music

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