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Noise/Music: A History
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Noise/Music: A History Paperback - 2007

by Paul Hegarty


From the publisher

Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde.

While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.

Details

  • Title Noise/Music: A History
  • Author Paul Hegarty
  • Binding Paperback
  • Edition 1st Edition
  • Pages 232
  • Volumes 1
  • Language ENG
  • Publisher Bloomsbury Publishing PLC, U.S.A.
  • Date 2007-08-01
  • ISBN 9780826417275 / 0826417272
  • Weight 0.79 lbs (0.36 kg)
  • Dimensions 8.94 x 6 x 0.68 in (22.71 x 15.24 x 1.73 cm)
  • Library of Congress subjects Noise music - History and criticism
  • Library of Congress Catalog Number 2007024836
  • Dewey Decimal Code 781.64

About the author

Paul Hegarty teaches Philosophy and Visual Culture at University College Cork, in Ireland. He is the author of Noise/Music (Continuum, 2007). He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Societe des Amis du Crime.
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