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Between Worlds A Sourcebook of Central European Avant-Gardes, 1910¿1930
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Between Worlds A Sourcebook of Central European Avant-Gardes, 1910¿1930 Hardcover - 2002 - 1st Edition

by Benson, Timothy O. [Editor]; Forgács, Éva [Editor];


From the publisher

Hundreds of primary documents from the Central European artistic avant-gardes, most of them translated into English for the first time.

The avant-garde movements of Central Europe were an integral part of modernism's evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists' statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective. Between Worlds contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of Western European radical art circles are well known to Western scholars, but few have researched the pages of magazines such as Zenit, Integral, Punct, 75 HP, Tank, and Ma. We know about Italian Futurism but not about Polish Futurism. Few Westerners are aware that French surrealist magazines drew much of their inspiration from Czech publications. The hundreds of documents in the book, almost all of them translated into English for the first time, bring back into circulation landmark texts by the major writers, editors, artists, magazines, and movements of Central Europe. With this publication they are restored to their rightful place in the pantheon of modernism. Between Worlds is distributed for the Los Angeles County Museum of Art.

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  • Title Between Worlds A Sourcebook of Central European Avant-Gardes, 1910¿1930
  • Author Benson, Timothy O. [Editor]; Forgács, Éva [Editor];
  • Binding Hardcover
  • Edition number 1st
  • Edition 1
  • Pages 736
  • Language ENG
  • Publisher The MIT Press, Cambridge, MA
  • Date June 1, 2002
  • ISBN 9780262025300

About the author

Timothy O. Benson is Curator of the Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art. va Forgcs is an art historian, critic, and curator. She teaches at Art Center College of Design, Pasadena.
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Between Worlds: A Sourcebook of Central European Avant-Gardes, 19101930
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Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930
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Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930

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Between Worlds: A Sourcebook of Central European Avant-Gardes, 19101930
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Between Worlds: A Sourcebook of Central European Avant-Gardes, 19101930

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Between worlds; a sourcebook of central European avant-gardes, 1910-1930
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Between worlds; a sourcebook of central European avant-gardes, 1910-1930

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Los Angeles and Cambridge, MA: Los Angeles County Museum of Art; MIT Press, 2002. 735 pages, illustrations; 26 cm. "Published in conjunction with the exhibition "Central European Avant-Gardes: Exchange and Transformation, 1910-1930." Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Stated First MIT Press edition. "This exhibition sought to explore the mysteries of artistic influence and its dependence on communication and the exchange of perspectives throughout the region that is the subject of the present volume. Apart fromthe works of art themselves, the 'little magazines' of the avant-garde provide the primary documentation of this exchange . . ." - Publisher. CONTENTS: SECTION 1. ART AS THE CRUCIBLE OF PAST AND FUTURE. Chapter 1. National traditions; chapter 2. New alternatives; SECTION 2. ART AND SOCIAL CHANGE. chapter 3. The activation of the avant-garde; chapter 4. Art and revolution; chapter 5. Form as the agent of social change;… Read More
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