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Testament to Union: Civil War Monuments in Washington, D.C.
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Testament to Union: Civil War Monuments in Washington, D.C. Hardcover - 1998

by Kathryn Allamong Jacob; Edwin H. Remsberg (Photographer)

This book tells the stories behind the many District of Columbia statues that honor participants in the Civil War. Organized geographically for easy use on walking or driving tours, the entries list the subject and title of each memorial along with its sculptor, medium, date, and location. 92 photos.


From the publisher

Kathryn Jacob's fascinating guide to Washington's many Civil War monuments--featuring the work of Maryland's Vanishing Lives photographer Edwin Remsberg.

Although the monuments of Washington, D.C., honor more than two centuries of history and heroes, five years of that history produced more of the city's public commemorative sculpture than all the others combined. The heroes of the Civil War command Washington's choicest vantage points and most visible parks, lending their names to the city's most familiar circles and squares--Scott, Farragut, Logan, Sheridan, Dupont, and others.

In Testament to Union, Kathryn Allamong Jacob tells the stories behind the many District of Columbia statues that honor participants in the Civil War, predominantly Union, and testify to their sacrifice and valor. In her introduction, Jacob puts these monuments in historical context, describing the often bitter battles over control of historical memory, the postwar monument business (a lone soldier-in-granite model could cost a community as little as $1,000), and the rise of the "city beautiful" movement that transformed Washington. She then offers individual descriptions of forty-one sculptures, providing a lively and informative guide to some of Washington's most beautiful and moving works of art.

Organized geographically for easy use on walking or driving tours, the entries begin by listing the subject or title of the memorial along with its sculptor, medium, date, and location. Jacob describes its various elements and symbols, and she notes who commissioned the sculpture, who paid for it (or failed to pay in several cases), and who approved its design and placement. She also includes anecdotes and controversies that bring the monuments and their colorful history more fully to life. Admiral David Farragut's statue, for example, is cast from the propeller of his ship the U.S.S. Hartford, from whose rigging he shouted, "Damn the torpedoes! Full speed ahead!" during the battle of Mobile Bay. At the dedication of Lincoln Park's Emancipation Monument in 1876, the largest assembly of African-American to date, speaker Frederick Douglass shocked white listeners with thinly veiled criticism of the martyred Lincoln.

Edwin Remsberg's photographs of the monuments capture striking images of war and sacrifice--the straining horses and terrified men of the cavalry grouping at the Grant Monument; the vivid tomb effigy of young John Meigs, depicting him as he was found dead in a field; the Pension Building frieze with its hundreds of finely detailed terra cotta soldiers and sailors marching and rowing across the face of the building. Along with swashbuckling generals atop pedestals bristling with cannon, unexpected subjects appear. A statue of John Ericsson, the Swedish-American who designed the Monitor and perfected the screw propeller for the Union Navy, is hidden in a circle of shrubbery beside the Potomac. A bas-relief of twelve nuns dedicated to the memory of various religious orders who nursed the wounded during the Civil War sits beside noisy Rhode Island Avenue. In addition to the enormous white temple to Lincoln on the Mall, four smaller statues of that president can be found in the city where he was assassinated.

Washington's Civil War sculptures bear silent witness to the struggle to preserve the Union. They are the fruit of conscious efforts to shape the nation's memory of that struggle. For tourists and long-time residents, and for anyone interested in the Civil War or public art, Testament to Union is a wonderful guide to these tangible connections to the nation's past and an era when public monuments packed powerful messages.

From the rear cover

Washington's Civil War sculptures bear silent witness to the struggle to preserve the Union. They are the fruit of conscious efforts to shape the nation's memory of that struggle. First published in 1998, Testament to Union is a wonderful guide to these powerful public monuments. Kathryn Allamong Jacob offers individual descriptions of forty-one sculptures, providing a lively and informative guide to some of Washington's most beautiful and moving works of art.

Updated with a map of the featured monuments, this new edition of Testament to Union is an essential resource for tourists, long-time residents, and anyone interested in the Civil War or public art.

"Reading this book makes me want to jump in the car, drive down to Washington and look at these monuments with new eyes. It provides a wonderful example of what historic travel is all about and the way it can add a whole new dimension to a visit."--Historic Traveler

"Rich and fascinating and packed with the kind of detail that can only come with total immersion in a subject, Testament to Union is a Washingtonian's jewel hoard . . . We are, in short, in the hands of a master of anecdote, who leads the reader from one end of the town to the other by the stories and histories behind the sightless faces of the sculptured heroes and their attendant figures."--Washington Times

"Readable and well illustrated . . . Each entry sets the memorial in its political and artistic context and traces the story of its design, construction, and dedication. These accounts are well researched, vivid, and revealing, as Jacob weaves in human stories about controversies, sponsors, and sculptors."--Journal of Southern History

"Jacob's remarkable volume vividly animates our understanding of the resonant connections between art and history within a politically charged civic matrix, and she skillfully conveys the complexities inherent in historical commemoration."--Virginia Magazine of History and Biography

Kathryn Allamong Jacob is curator of manuscripts at the Schlesinger Library at the Radcliffe Institute at Harvard University. She is the author of Capital Elites: Society in Washington, D.C. After the Civil War. Edwin Harlan Remsberg is a photographer who lives in Fallston, Maryland. His photographs appear in Maryland's Vanishing Lives, also published by Johns Hopkins.

From the jacket flap

Washington's Civil War sculptures bear silent witness to the struggle to preserve the Union. They are the fruit of conscious efforts to shape the nation's memory of that struggle. First published in 1998, Testament to Union is a wonderful guide to these powerful public monuments. Kathryn Allamong Jacob offers individual descriptions of forty-one sculptures, providing a lively and informative guide to some of Washington's most beautiful and moving works of art.

Updated with a map of the featured monuments, this new edition of Testament to Union is an essential resource for tourists, long-time residents, and anyone interested in the Civil War or public art.

Reading this book makes me want to jump in the car, drive down to Washington and look at these monuments with new eyes. It provides a wonderful example of what historic travel is all about and the way it can add a whole new dimension to a visit.--Historic Traveler

Rich and fascinating and packed with the kind of detail that can only come with total immersion in a subject, Testament to Union is a Washingtonian's jewel hoard . . . We are, in short, in the hands of a master of anecdote, who leads the reader from one end of the town to the other by the stories and histories behind the sightless faces of the sculptured heroes and their attendant figures.--Washington Times

Readable and well illustrated . . . Each entry sets the memorial in its political and artistic context and traces the story of its design, construction, and dedication. These accounts are well researched, vivid, and revealing, as Jacob weaves in human stories about controversies, sponsors, and sculptors.--Journal of Southern History

Jacob's remarkable volume vividly animates our understanding of the resonant connections between art and history within a politically charged civic matrix, and she skillfully conveys the complexities inherent in historical commemoration.--Virginia Magazine of History and Biography

Kathryn Allamong Jacob is curator of manuscripts at the Schlesinger Library at the Radcliffe Institute at Harvard University. She is the author of Capital Elites: Society in Washington, D.C. After the Civil War.Edwin Harlan Remsberg is a photographer who lives in Fallston, Maryland. His photographs appear in Maryland's Vanishing Lives, also published by Johns Hopkins.

--Betsy Fahlman "Virginia Magazine of History and Biography"

Details

  • Title Testament to Union: Civil War Monuments in Washington, D.C.
  • Author Kathryn Allamong Jacob; Edwin H. Remsberg (Photographer)
  • Binding Hardcover
  • Edition First Edition Fi
  • Pages 208
  • Volumes 1
  • Language ENG
  • Publisher Johns Hopkins University Press, Baltimore
  • Date 1998
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • ISBN 9780801858611 / 0801858615
  • Weight 1.37 lbs (0.62 kg)
  • Dimensions 10.29 x 7.33 x 0.92 in (26.14 x 18.62 x 2.34 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Themes
    • Chronological Period: 1851-1899
    • Cultural Region: Mid-Atlantic
    • Cultural Region: South Atlantic
    • Cultural Region: Southeast U.S.
    • Geographic Orientation: District of Columbia
    • Topical: Civil War
  • Library of Congress subjects Washington (D.C.) - Guidebooks, Soldiers' monuments - Washington (D.C.) -
  • Library of Congress Catalog Number 97032884
  • Dewey Decimal Code 917.530

About the author

Kathryn Allamong Jacob is curator of manuscripts at the Schlesinger Library at the Radcliffe Institute at Harvard University. She is the author of Capital Elites: Society in Washington, D.C., after the Civil War. Edwin Harlan Remsberg is a photographer who lives in Fallston, Maryland. His photographs appear in Maryland's Vanishing Lives, also published by Johns Hopkins.

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