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Decomposition: Post-Disciplinary Performance
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Decomposition: Post-Disciplinary Performance Paperback - 2000

by Sue-Ellen Case (Editor); Philip Brett (Editor); Susan Leigh Foster (Editor)


From the publisher

The fluid nature of performance studies and the widening embrace of the idea of performativity has produced in Decomposition: Post-Disciplinary Performance a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.

First line

A more or less familiar conference ambiance-the halting flow of papers, and the recesses between them shaped by the estranged architectural setting in a converted Ramada Inn, its brick facade, white colonial shutters, and wrought-iron railing reminders of mid-century middle-class hospitality .

Details

  • Title Decomposition: Post-Disciplinary Performance
  • Author Sue-Ellen Case (Editor); Philip Brett (Editor); Susan Leigh Foster (Editor)
  • Binding Paperback
  • Edition First Edition
  • Pages 232
  • Volumes 1
  • Language ENG
  • Publisher Indiana University Press, Bloomington, IN
  • Date 2000-06-22
  • Features Bibliography, Index, Table of Contents
  • ISBN 9780253213747 / 0253213746
  • Weight 0.75 lbs (0.34 kg)
  • Dimensions 9.3 x 6.17 x 0.59 in (23.62 x 15.67 x 1.50 cm)
  • Library of Congress subjects Arts, Modern - 20th century, Sex in art
  • Library of Congress Catalog Number 99056968
  • Dewey Decimal Code 790

About the author

1) Sue-Ellen Case is Chair of the Department of Theatre and Dance at the University of California, Davis. She has authored and edited several books in the field of feminism and performance studies, including Feminism & Theatre; the Domain-Matrix: Performing Lesbian at the End of Print Culture; and Performing Feminisms.

2) Philip Brett is Distinguished Professor of Music at the University of California, Riverside. A leader in gay studies in musicology, he is co-editor of Queering the Pitch: The New Gay and Lesbian Musicology, and he has written extensively on the music of Benjamin Britten.

3) Susan Leigh Foster, choreographer, dancer, writer, is Professor of Dance at the University of California campuses of Riverside and Davis. She is author of Reading Dancing and Choreography and Narrative and editor of Choreographing History and Corporealities.

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Decomposition: Post-Disciplinary Performance
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Decomposition: Post-Disciplinary Performance

by Case, S. et al (ed.)

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Decomposition: Post-Disciplinary Performance (Unnatural Acts: Theorizing the Performative)
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Decomposition: Post-Disciplinary Performance (Unnatural Acts: Theorizing the Performative)

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Indiana University Press, 2000. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780253213747
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Decomposition: Post-Disciplinary Performance
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Decomposition: Post-Disciplinary Performance

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Decomposition: Post-Disciplinary Performance
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by Case, Sue-Ellen [Editor]; Brett, Philip [Editor]; Foster, Susan Leigh [Editor];

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Decomposition: Post-Disciplinary Performance (Unnatural Acts: Theorizing the Performative)

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Decomposition: Post-Disciplinary Performance (Unnatural Acts: Theorizing the Performative)
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Decomposition: Post-Disciplinary Performance (Unnatural Acts: Theorizing the Performative)

by Sue-Ellen Case (Editor), Philip Brett (Editor), Susan Leigh Foster (Editor)

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