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The Return of the Real: The Avante-Garde at the End of the Century by Hal Foster ISBN 13: 9780262561075

ISBN 10: 0262561077

Paperback; Cambridge, Ma: The Mit Press, 1996-10; ISBN-13: 978-0262561075


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1

The Return of the Real : The Avant-Garde at the End of the Century

Yve-alain Bois; George Baker; Leah Dickerman; Benjamin Buchloh; Hal Foster

MIT Press, 1996. Paperback. Very Good. Disclaimer:A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

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Paperback. Very Good.

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3
The MIT Press, 1996-10-01. Fourth Printing. Paperback. Good. Ships Out Tomorrow!

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The MIT Press, 1996-10-01. Paperback. Used: Acceptable.

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5
Cambridge, MA: The MIT Press, 1996. Wraps. Very good +. 8vo. Black printed wraps. Light edgewear and creasing to corners. Pages faintly toned. Very good plus. 299pp. Foster's critical discussion of art in the final three decades of the twentieth century. With black and white illustrations throughout. Includes index.

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6
MIT Press (MA), September 1996. Trade Paperback. Used - Very Good. ''The Return of the Real' is one of the most cogent and theoretically self-aware readings of contemprary art I have seen.'<BR> -- Howard Singerman, Department of Art History, University of Virginia In 'The Return of the Real' Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today. Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with special attention to the controversial connections between the two during this period. The author includes a new na ... Read more

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The MIT Press. PAPERBACK. 0262561077 Remainder mark . Fine.

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The MIT Press. PAPERBACK. 0262561077 . New.

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The MIT Press. PAPERBACK. 0262561077 . New.

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10
The MIT Press, 1999. Pages: 299; Weight: 1lb 9.4oz; Size: 9.1" x 7.1" x 0.7". Minor rubbing and edgewear on cover, small nick at the lower end of spine, otherwise clean, unmarked, tight. . Very Good. Soft Cover. . . .

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CAMBRIDGE, MA: THE MIT PRESS, 1999. 3RD PRINTING. PAPERBACK. FINE.

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The MIT Press, 1996-10-01. Paperback. Used:Good.

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13
1996-08-06. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!

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14
The MIT Press, 1999. 3rd Edition. Soft cover. Good. wraps are shelf rubbed. mild tanning. light marks. well bound. good copy.[S.K]

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15
Cambridge, Massachusetts: MIT Press [0-262-56107-7] 1996. (Trade paperback) 299pp. Very good. Photographs, notes, index. (Art, Art, Art Criticism, Avant-Garde).

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16

Return of the Real

Hal Foster

Paperback. As New. In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, reposition

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17

Return of the Real

Hal Foster

Paperback. New. In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, reposition

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18
The MIT Press. PAPERBACK. 0262561077 Special order direct from the distributor . New.

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19
Cambridge, Mass: MIT Press, 1997. 8vo. 299 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor edge wear to covers, else fine. B&W plates throughout. ISBN: 0262561077 9780262561075. From the Collection of the Art Historian Peter Selz.

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20
The MIT Press, 1996. Paperback. New. 9 x 7 cm.

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