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The Custodian of Paradise
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The Custodian of Paradise Hardback - 2006

by Wayne Johnston


From the publisher

The Colony of Unrequited Dreams, Wayne Johnston' s breakthrough novel based on the life of Newfoundland' s first premier, Joe Smallwood, was published internationally and in several languages. It earned him nominations for the highest fiction prizes in Canada, and is regarded as a masterpiece of historical fiction by critics and readers alike. One of the most highly praised elements of the novel is the character Sheilagh Fielding, a Dorothy Parker-like woman with whom Smallwood shares a lifelong love-hate relationship. Reviewers called her Johnston' s most compelling character, (Publishers Weekly) and easily one of the more original characters in fiction (Library Journal). In his new book, The Custodian of Paradise, Johnston builds on the story he began in The Colony of Unrequited Dreams and gives us a riveting narrative with Sheilagh Fielding at its heart. At the beginning of the novel, Fielding -- advancing on middle age, hobbled by disfigurement and personal demons -- is headed for Loreburn, a deserted island off the south coast of Newfoundland. She has chosen the island after an extensive search through census records, which confirmed that it once had a small town of which only boarded-up houses remain; it is now home to not a single soul. Fielding has no idea what to expect of Loreburn, yet she brings two enormous trunks with her and plans for an extended stay. Fielding has borne a lifetime of estrangement and heartbreak by setting herself apart from the rest of St. John' s society, and by relying on her eccentricity and wit to keep others at bay. By cultivating her isolation, she' s been able to escapethe world' s swirling surfeit of detail and write, both in her journals and for the Telegram, And by skirting Prohibition laws, she' s also been able to dull the pain of her early years. Fielding' s mother had deserted her husband and only child when Fielding was just six years old, with no explanation. Unable to figure out why a woman would abandon her child, her father was left tormented by the question of Fielding' s paternity. She is six-foot-three and nothing at all like him . . . can she possibly be his child? And when Fielding fell briefly and terribly in love as a teenager, she was left, ultimately, more alone than ever. And alone she remains -- that is, except for the mysterious stranger she calls her Provider, who has shadowed her ever since she made a mysterious pilgrimage to her mother' s house in New York City more than two decades earlier. Gradually, we learn what has brought her to this wild island. As Fielding revisits her articles, letters and journals, we are swept up in her tumultuous life' s journey and the mystery of this Provider' s identity. From the downtrodden streets of New York' s immigrant neighbourhoods to the sanatorium where she fights TB, from the remote workers' shacks of the Bonavista rail line to the underbelly of wartime St. John' s, the Provider seems to have devoted himself to charting Fielding' s every move and to sending her maddeningly cryptic letters about his role in her life. Yet he has also protected her at times, and their correspondence, as it develops, becomes a form of sustenance for Fielding. While she fears that he may have followed her toLoreburn, she fears even more that he may not be able to find her there. With The Custodian of Paradise, Wayne Johnston continues his masterful exploration of life in pre-Confederation Newfoundland, and of the powerful forces that give rise to great character -- individualism, circumstance, and secrecy; memory, loss, and regret. I look out across the water which some days, depending on the size of the pond and the strength of the wind, is whitecapped, the waves all racing away from me towards the distant shore. The water, because the sky is uniformly overcast, is grey, even black. And all around the water the treeless boulder-littered bog of Bonavista. Blueberry bushes, their leaves a russet red, bobbing in the wind, the few remaining alder leaves crackling like bits of ancient parchment. - from The Custodian of Paradise

Details

  • Title The Custodian of Paradise
  • Author Wayne Johnston
  • Binding Hardback
  • Edition First Edition
  • Pages 510
  • Language EN
  • Publisher Knopf Canada, Toronto
  • Date September 12, 2006
  • ISBN 9780676978155

Excerpt

Chapter One

A clause in my mother’s will tersely stipulated: “I leave to Sheilagh Fielding, the only child of my first marriage, the sum of three thousand dollars.” It was because of her money that I was able to come to the island of Loreburn. I had gone for days to a place called the Registry, which was overseen by a small, middle-aged man known as the Vital Statistician. V.S.

Each time I saw a zero in the population column in one of the census ledgers, I asked him how I might get more information about it. I told him I was doing research for a book, an explanation that he at first accepted. It turned out that there were islands listed as unoccupied that in fact were inhabited by some lighthouse keeper and his family. Why, in the opinion of the census takers, these people did not count, V.S. didn’t know. He said that perhaps, on these islands, the isolation was such that no lighthouse keeper could endure it long enough to be said to live there.

I fretted over the reliability of V.S.’s information. It would mean the end of my venture if I wound up by mistake on some island that was occupied. After I had paid to get there from St. John’s and back, there would be almost no money left. And word of my curious behaviour would get round and I might be prevented from trying again.

I told V.S. that by “deserted” I meant an island on which there had once been a settlement but whose population was now zero, not one that had never been settled. “I know the difference,” he said.
An island on which it was at least hypothetically possible to live. There had to be one more-or-less intact house and a beach where one could land or moor a boat.

What a nightmare it was trying to navigate that census. It seemed that people lurked like submerged rocks under all those zeros. How tired of the sight of V.S. I had become. And he of the sight of me. “I can’t be spending all my time on this obsession of yours,” he said at last.

Many times I went to V.S. thinking I had found my island, only to have him declare it “seasonally occupied” or tell me that its population was “uncertain.” Uncertain. I never bothered asking for an explanation. Each time, I tried to hide my disappointment. “I see, yes,” I’d say, nodding as if my book had just moved one increment closer to completion.

“There’s a war on, you know,” he said to me one day. Yes, I felt like saying, and what contribution to its outcome do you imagine you and your registry would be making if not for my intrusions on your time? Though unaccustomed to holding back, to needing anything from another person so badly that I could stand to keep my opinion of them to myself, I said nothing.

I decided that my island had to be along the south coast, where there would be the least ice in the winter and spring, where whomever I depended on for supplies could reach me all year long.
Late one summer afternoon I found it. Loreburn. Population: zero. The last resident had left in 1925. It was used as a summer fishing station until 1935. Abandoned since. No lighthouse. No “uncertainties,” it seemed, after I consulted with V.S.

I did not conceal my excitement from him. “It’s perfect,” I said.

“For what?” he said and looked at me with frank suspicion. I wondered if he had already spoken to someone about me. He knew my reputation. He might even think I was collaborating with the Germans. It seemed at once ridiculous and highly likely.

There were signs everywhere in the city, urging Newfoundlanders to be vigilant, even around people they had known for years. Your neighbours might be “pacifists” hostile to “the effort.” There was no telling what their “sympathies” might be.

How this little man would love to help catch a collaborator. A spy. He looked as though he hoped I was one. Researching remote islands. Deserted islands. That might be used for who knows what. Radio transmissions, perhaps. Claiming to be writing a book, yet never writing down what he told her. This woman who in her column criticized everything, mocked everything, rejected everything. This woman who admitted in her column to frequenting “establishments.”

“Perfect for what?” he said again, louder this time.

“For my book,” I said, surprised to hear my voice quavering. “I’ve decided it will just be about one island. I’ll go there, when the war is over, I mean. Just to see it with my own eyes. Not that I have any idea when it will end. The war, I mean.”

“You’ve been drinking,” he said.

On the doors of the city’s few establishments that admitted women were signs that read: LADIES UNACCOMPANIED BY GENTLEMEN WILL NOT BE ADMITTED. Recently, I had written in my column that I preferred establishments whose signs were on the inside of the door and read: LADIES UNACCOMPANIED BY GENTLEMENT WILL NOT BE ALLOWED TO LEAVE.

I thought of denying his accusation. But here I was in front of him, looking every bit the Sheilagh Fielding he had heard of. He had likely seen me tipping back my head to take a pull of water from my famous flask.

I had been drinking, up to some months ago. But every time I had come here, every time I had sought him out for help, I had not been drinking. Had not smelled of Scotch.

“You are about as likely,” I nevertheless said, “to win a medal for discovering that Sheilagh Fielding is a drinker as you are for discovering that Hitler has a moustache.”

“You’ll have to leave,” he said.

Suddenly my vision blurred with tears for my dead son. I felt myself swaying, tilting forward. I planted my cane at an angle to the floor to keep from falling. I looked at V.S. He seemed terrified of having to go and bring back help, bring back people who would see this giant of a woman passed out on the floor of his registry.

Media reviews

“Epic artistry, an opportunity to witness a writer’s development and a second chance for readers to get what they wanted from The Colony of Unrequited Dreams.”
The Vancouver Sun

“Fielding is a truly unforgettable character.”
–Edmonton Journal

“[Johnston is] a literary giant who has god-given talent.”
–Will Ferguson, The Globe and Mail

“Why I love reading Wayne Johnston: The reader goes skittering through Wayne Johnston’s novels, driven inexorably forward on the force of his characters, on the power of his wit.”
–Mary Walsh

“The book moves because of Sheilagh’s passion and brilliance, and that is why Johnston has, against all probability, written a follow-up book that manages to outshine the original.”
National Post

Praise for Wayne Johnston:

“Wayne Johnston is prodigiously talented.”
The Globe and Mail

“Wayne Johnston is a brilliant and accomplished writer and his Newfoundland – boots and boats, rough politics and rough country, history and journalism – is vivid and sharp.”
–Annie Proulx

“Unlike most recent bestselling novels that are remembered for the plane flight and then promptly forgotten, Wayne’s stories have characters who move in and take up permanent residence.”
–Mary Walsh

“[Johnston is] a literary giant who has god-given talent.”
–Will Ferguson, The Globe and Mail

“His books are beautifully written, among the funniest I’ve ever read, yet somehow at the same time among the most poignant and moving.”
–Annie Dillard


From the Trade Paperback edition.

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