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Howards End: Introduction by Alfred Kazin
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Howards End: Introduction by Alfred Kazin Hardcover - 1991

by E. M. Forster; Introduction by Alfred Kazin


About this book

E.M. Forster’s 1910 novel Howards End is definitely at the top of the author’s list of bests works (along with A Passage to India). Part of a new genre called the “condition of England” novel, Howards End is primarily set in London and Hertfordshire just a few years before World War I. The novel explores social conventions and codes of conduct through different families: sisters Margaret and Helen Schlegel, two young Bohemian intellectuals who enjoy literature and art; the Wilcoxes, a wealthy, powerful, and business-minded family; and the Basts, who are struggling in the lower-middle class. The story structure gives the reader multiple views of a single, symbolic story. From the idealism and materialism of the upper class to the belittling effects of poverty on the lower, Howards End casts light on humans and human relations in a critical, yet hopeful manner. The novel’s epigraph is also its theme: “Only connect.”

Forster based his description of Howards End on his childhood home from 1883 to 1893 — a house at Rooks Nest in Hertfordshire, an area now informally known as Forster Country. The novel itself received widespread acclaim upon publication. Howards End essentially established Forester as one of England’s greatest writers, though it was the last novel he wrote. Ranked 38th on Modern Library’s “100 Best” English-language novels of the 20th century, Howards End has been adapted multiple times. Most notable is the 1992 triple Oscar-winning film version starring Emma Thompson, Vanessa Redgrave, Helena Bonham Carter, Anthony Hopkins, and Samuel West.

Summary

An End of Innocence Meet the wealthy Wilcoxes, the cultured, emancipated Schlegals, and poor, young Bast. Howards End, a house in the countryside, is the source of their conflict-and a symbol of class strife within society, as Forster poses the question of who shall inherit England.

From the publisher

First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. Soon to be a limited series on Starz. At its heart lie two families--the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked--some very funny, some very tragic--that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life. Introduction by Alfred Kazan

(Book Jacket Status: Not Jacketed)

From the rear cover

Howards End is a novel of ideas, not brute facts; in many respects it is an old kind of novel, playful in the eighteenth-century sense, full of tenderness toward favorite characters in the Dickens style, inventive in every structural touch but not a modernist work.

First Edition Identification

London-based Edward Arnold first published Howards End in 1910. With a print run of just 2,500 copies, first editions are bound in red cloth and have no additional printings listed on the copyright page.

Details

  • Title Howards End: Introduction by Alfred Kazin
  • Author E. M. Forster; Introduction by Alfred Kazin
  • Binding Hardcover
  • Edition Reprint
  • Pages 408
  • Volumes 1
  • Language ENG
  • Publisher Everyman's Library, New York
  • Date 1991-11-26
  • Features Bibliography
  • ISBN 9780679406686 / 0679406689
  • Weight 0.94 lbs (0.43 kg)
  • Dimensions 8.34 x 5.4 x 0.91 in (21.18 x 13.72 x 2.31 cm)
  • Ages 13 to 17 years
  • Grade levels 8 - 12
  • Library of Congress subjects Domestic fiction, England
  • Library of Congress Catalog Number 91052997
  • Dewey Decimal Code FIC

Media reviews

"Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin.

"Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.

About the author

Edward Morgan Forster was born in London in 1879, attended Tonbridge School as a day boy, and went on to King's College, Cambridge, in 1897. With King's he had a lifelong connection and was elected to an Honorary Fellowship in 1946. He declared that his life as a whole had not been dramatic, and he was unfailingly modest about his achievements. Interviewed by the BBC on his eightieth birthday, he said: 'I have not written as much as I'd like to . . . I write for two reasons: partly to make money and partly to win the respect of people whom I respect . . . I had better add that I am quite sure I am not a great novelist.' Eminent critics and the general public have judged otherwise and in his obituary The Times called him 'one of the most esteemed English novelists of his time'.He wrote six novels, four of which appeared before the First World War, Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Maurice, his novel on a homosexual theme, finished in 1914, was published posthumously in 1971. He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian State of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross in the First World War); and, with Eric Crozier, the libretto for Britten's opera Billy Budd. He died in June 1970.
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Howards End: Introduction by Alfred Kazin (Everyman's Library Contemporary Classics Series)
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Howards End: Introduction by Alfred Kazin (Everyman's Library Contemporary Classics Series)

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