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Art for All?: The Collision of Modern Art and the Public in
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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany Paperback - 2003

by Beth Irwin Lewis

Details

  • Title Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany
  • Author Beth Irwin Lewis
  • Binding Paperback
  • Edition First Edition
  • Pages 448
  • Volumes 1
  • Language ENG
  • Publisher Princeton University Press, Princeton, NJ:
  • Date June 16, 2003
  • Illustrated Yes
  • ISBN 9780691102658 / 0691102651
  • Weight 3.25 lbs (1.47 kg)
  • Dimensions 10 x 8 x 1.3 in (25.40 x 20.32 x 3.30 cm)
  • Library of Congress subjects Arts, German - 19th century, Modernism (Art) - Germany
  • Library of Congress Catalog Number 2002029284
  • Dewey Decimal Code 709.430

About the author

Beth Irwin Lewis is Adjunct Professor of Art at The College of Wooster. She is the author of George Grosz: Art and Politics in the Weimar Republic and coauthor of Persuasive Images (both Princeton).

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Art for All: The Collision of Modern Art and the Public in Late Nineteenth-Century Germany
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Art for All: The Collision of Modern Art and the Public in Late Nineteenth-Century Germany

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Art for All: The Collision of Modern Art and the Public in Late  Nineteenth-Century Germany
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Art for All: The Collision of Modern Art and the Public in Late Nineteenth-Century Germany

by Lewis, Beth Irwin

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Art for All: The Collision of Modern Art and the Public in Late Nineteenth-Century Germany
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Art for All: The Collision of Modern Art and the Public in Late Nineteenth-Century Germany

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Art for All? : the Collision of Modern Art and the Public in Late-Nineteenth-Century Germany [Paperback]

by Lewis, Beth Irwin

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Art for All? The Collision of Modern Art and the Public in Late Nineteenth-Century Germany
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Art for All? The Collision of Modern Art and the Public in Late Nineteenth-Century Germany

by Lewis, Beth Irwin

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Princeton, NJ, U.S.A: Princeton University Press, 2003. Trade Paperback. Near Fine. 8 " x 10. Signed by Author. This is the first systematic, comprehensive study of the German art world in the last decades of the 19th century, based on reading in contemporary periodicals; it focuses on how critics and the public responded to new forms of painting that emerged in the 1880s, when the explosive growth of art exhibitions supported by local governments across a recently unified Germany was accompanied by greatly expanded attendance of a new mass public; it examines the social, cultural, and economic factors that led to the rapid acceptance and dominance of the new modern art in the 1890s; the success of modern art fragmented the art world as modern artists turned away from an often unreceptive public, leading to a growing alienation of the public from modern artists, and an increasing contempt for the public on the part of artists; includes a section of color plates and many illustrations from… Read More
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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany
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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany

by Lewis, Beth Irwin

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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany
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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany

by Lewis, Beth Irwin

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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany
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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany

by Lewis, Beth Irwin

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Princeton University Press, 2003. First Edition. Hardcover. Very good+/Very good+. Bright, clean VG+ copy, jacket and book free of all marks. Jacket in protective mylar. Book/jacket with some small bumps and scrapes on the bottom edge. Scarce in hardcover
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