American Icons: Transatlantic Perspectives on Eighteenth- and Nineteenth-Century American Art (Issues & Debates) by Gaehtgens, Thomas

Oxford University Press, Incorporated. Used - Good. Used book that is in clean, average condition without any missing pages.

The Getty Center For The History, 1996-07-11. Hardcover. Good. 1.3386 10.4724 7.8740. Dust jacket and edges show shelf wear. Pages are clean and intact.

Oxford University Press, Incorporated. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

The Getty Center For The History Of Art, 1996-07-11. Hardcover. Good.

The Getty Center For The History, 1996-07-11. Hardcover. Good. 1.3386 10.4724 7.8740. Dust jacket shows wear and staining. Edges shows minor shelf wear. Few pages shows minor staining.

Brand New Book, Shrinkwrapped, in Nice Condition with Very Small Bumps at the Head and Base of the Spine which has caused Small Crinkling but has No Tears, Stains, Mold, or Other Major Damage. No Remainder Mark.

Book Description:

American Icons explores American self-definition through the creation of a national art. Like their writer counterparts, American artists of the eighteenth and nineteenth centuries yearned to create their art in terms of a uniquely American experience of history and nature. Paradoxically, however, when they insisted upon American originality and uniqueness, they could not but mediate these qualities through European conventions. European methods and motifs were, nonetheless, used differently in the social, economic, and communicative contexts of the New World. For American artists, Europe was an ensemble, not to say a warehouse, of traditions and styles from which they could choose according to their interests and preferences. Innovation was therefore… Read More

The Getty Center For The History Of Art, 1996-07-11. Hardcover. Like New. Light wear to covers. Text clean and unmarked. The binding is tight and square. Light wear to the dust jacket. Your satisfaction is guaranteed! dnr

Santa Monica, CA: The Getty Center For The History Of Art, 1992. First edition thus. Hardcover. Near Fine/Very Good +. Large octavo with blue cloth boards in dust jacket. Book is in Near Fine conditon, jacket is Very Good +. Jacket has corner and edge wear, chipping and a crease. Book condition is Near Fine with light overall wear otherwise binding is tight and pages are clean, bright and unmarked.

The Getty Center For The History Of Art, 1996-07-11. Hardcover. New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, 480-509

The Getty Center For The History Of Art, 1996-07-11. 1. Hardcover. Used:Good.