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Andrew Wyeth

Andrew Wyeth

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Andrew Wyeth

by (Wyeth, Andrew) Meryman, Richard

  • Used
  • Signed
  • first
Condition
Original tan cloth with brown cloth spine, dust jacket. Light soiling to boards, but about fine in near fine jacket with minor r
Seller
Seller rating:
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New York, New York, United States
Item Price
$1,250.00
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About This Item

Boston: Houghton Mifflin, 1968. First edition. With numerous full-color plates (some double-spread) of Wyeth's paintings. 1 vols. Oblong folio. Original tan cloth with brown cloth spine, dust jacket. Light soiling to boards, but about fine in near fine jacket with minor rubbing at extremities. Wyeth, Andrew. First edition. With numerous full-color plates (some double-spread) of Wyeth's paintings. 1 vols. Oblong folio. Inscribed Copy to Lincoln Kirstein. INSCRIBED by the artist to Lincoln Kirstein on the half-title: "To Lincoln & Fido / Betsy & Andy."

Kirstein, who was on the board of MoMA, met Andrew Wyeth after the museum acquired CHRISTINA'S WORLD in 1948. Wyeth was still largely unknown at that time, and he quickly came to rely on Kirstein for support and honest criticism of his work. "Kirstein appointed himself Wyeth's friend, admirer, mentor, and stern critic - in essence a supersuccessor to NC. [...] Wyeth thinks that in the 1950s he needed Kirstein to push him toward more form in his work, more solidity" (Meryman, Andrew Wyeth: A Secret Life (1998) p 239, 243). Kirstein, who disdained most abstract art, was essential in providing Wyeth the confidence he needed to continue work in the face of hostile critics who derided his art as sentimental and unsophisticated. Wyeth was fond of quoting Kirstein's dismissive opinion of the critics, "Why do you want approval from those horses' asses?" (ibid, p. 390).
Kirstein was a father-figure to two generations of Wyeth artists, and as Andrew's son Jamie developed his own artistic gifts, Kirstein began to transfer his attention to the younger Wyeth. "After posing for nineteen-year-old Jamie, Kirstein more or less shifted his allegiance from Andrew and became Jamie's friend and mentor. Kirstein told Betsy, 'You gave me the only son I ever had'" (ibid, p. 275)

A difficult book to find inscribed, let alone with an association as intimate as this.

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Details

Seller
James Cummins Bookseller US (US)
Seller's Inventory #
244136
Title
Andrew Wyeth
Author
(Wyeth, Andrew) Meryman, Richard
Format/Binding
With numerous full-color plates (some double-spread) of Wyeth's paintings. 1 vols. Oblong folio
Book Condition
Used - Original tan cloth with brown cloth spine, dust jacket. Light soiling to boards, but about fine in near fine jacket with minor r
Quantity Available
1
Edition
First edition
Publisher
Houghton Mifflin
Place of Publication
Boston
Date Published
1968
Keywords
Reference | Gift Ideas
Bookseller catalogs
Art, Architecture & Design;

Terms of Sale

James Cummins Bookseller

All items, as usual, are guaranteed as described and are returnable within 30 days if not as described. Within the United States, all books are shipped UPS unless otherwise requested (please provide a street address). Overseas orders should specify shipping preference. All postage is extra. New clients are requested to send remittance with your orders. Libraries may apply for deferred billing. All New York and New Jersey residents must add the appropriate sales tax. We accept American Express, Master Card, and Visa. All items are subject to prior sale; prices are subject to change.

About the Seller

James Cummins Bookseller

Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Biblio member since 2009
New York, New York

About James Cummins Bookseller

Founded in 1978 by James Cummins, the firm has grown to include two New Jersey locations as well as the main store at 699 Madison Avenue (between 62nd and 63rd Streets) in New York City.Hours: Monday - Friday 10:00 a.m. to 6:00 p.m. (During July & August, until 4:00 p.m. on Fridays.)The Madison Avenue store is a seventh-floor oasis for book-lovers, a quiet and pleasantly furnished book room with a carefully chosen, expertly catalogued and broad-based selection of fine and rare books, autographs, manuscripts, and works of art. We have built notable private collections for American and international clients. Our stock is always changing, and our steady input from private buying and public auctions assures our clients of new surprises (and temptations!) at each visit. Our stock covers a wide range of collecting interests, with particular emphasis in the following fields: British and American Literature, Sporting Books, Private Press and Illustrated Books, 19th-Century Color Plate Books, Americana, Travel, Sets and Fine Bindings, History, and Authors' Manuscripts and Letters. Our catalogued inventory exceeds 50,000 titles, much of which can be searched on the internet. In addition, our New Jersey warehouse contains over 400,000 books in all subject areas. We might have the books you're looking for.

Glossary

Some terminology that may be used in this description includes:

Inscribed
When a book is described as being inscribed, it indicates that a short note written by the author or a previous owner has been...
Folio
A folio usually indicates a large book size of 15" in height or larger when used in the context of a book description. Further,...
Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
Spine
The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
First Edition
In book collecting, the first edition is the earliest published form of a book. A book may have more than one first edition in...
Jacket
Sometimes used as another term for dust jacket, a protective and often decorative wrapper, usually made of paper which wraps...
Rubbing
Abrasion or wear to the surface. Usually used in reference to a book's boards or dust-jacket.
Cloth
"Cloth-bound" generally refers to a hardcover book with cloth covering the outside of the book covers. The cloth is stretched...

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