Art Now: an Introduction to the Theory of Modern Painting and Sculpture by Read, Herbert - 1960

London: Faber and Faber Limited, 1950. Hardcover. Good. Reprint. RC, book has rubbing of spine and corners of cover, fading of spine and edges of cover, foxing of endpapers, name of former owner on front endpaper, yellowing of pages. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

Faber & Faber, London, 1968 (org published 1933). 20.0 x 13.5cms, 128pp + 64 b/w illusts, very good- paperback & cover This classic text has chapters on revolution in the theoretical concept of art; the break-up of the acedmic tradiiton; expression (the theory of subjective integrity); towards abstraction (the theory of pure form); super-realism (oneiric symbolism and non-figurative symbolism).

Faber & Faber, London, 1968 (org published 1933). 20.0 x 13.5cms, 128pp + 64 b/w illusts, very good- paperback & cover This classic text has chapters on revolution in the theoretical concept of art; the break-up of the acedmic tradiiton; expression (the theory of subjective integrity); towards abstraction (the theory of pure form); super-realism (oneiric symbolism and non-figurative symbolism).

Faber and Faber, 1968. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Faber and Faber. octavo paperback (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs

London: Faber, 1933. First edition (hardback). 8vo (21cm by 15cm), 144pp. 128 b&w plates. Original black cloth. Light rubbing of the binding, and there is some foxing to the endpapers and the edges of the text block; overall, this book is in good plus condition.

Pitman Publishing Coporation. Used - Good. Good condition. No Dust Jacket (modern art, painting, sculpture, criticism and interpretation) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

London: Faber and Faber Limited, 1933. 1st Edition . Hardcover. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Striking black cloth binding with ditle and design in blue and white, the white of the title on the spine looks a little rubbed but otherwise clean bright and square. Hinge firm, no inscriptions, pages smooth and clean if lightly age-toned, a very nice well preserved and scarcely used book.

Faber and Faber Limited , 1938. Reprint . Hardcover. Very Good/Very Good. Signed by the previous owner. Reprint, 1938. New edition. Publication of 160 pages. The dust jacket is a touch edge worn. The boards are in good condition. Internally the pages are immaculately clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Faber and Faber Ltd., 1933. Hardcover. Very Good. in x in x in. A clean, tight copy. Bookplate to the front endpaper. Black and white illustrated frontispiece. Black and white plates throughout. Text is clean and bright. Clothbound in black withe title in blue and white to the front cover and spine. First edition; 1933 (MCMXXXIII).