Brighton Rock by Greene, Graham - 1938: An Entertainment.

New York: Charles Scribner's Sons, 1935 First printing of the first edition, first state with pages 349-352 uncancelled and the text unrevised on pages 350 and 351.

One of only 5,100 copies printed.

Original dark bluish green cloth linen-grain cloth with blind single-rule border on front cover and with spine ruled and lettered in gilt. Pages 350.5-7 reads: 'he need not base himself on the adding machine-calculating machine-probability machine-St. Francis of Assis machine any longer.' And at 351.29-30 the text reads: '"Oh, catch it-oh, catch it and take it-oh, catch it," she sighed.'

In the original dust jacket by Doris Spiegel, with drawings of figures from the stories against an orange background on the front panel, $2.50 price on the front and rear flap. Light bump to bottom, back spine, light tanning to end papers, else book in fine condition; dust jacket with some age-toning and offsetting to spine and back cover, with professional conservation, primarily to edges… Read More

Paris: Aux Editions Eliane Norberg, 1951. First edition thus. Signed, De Luxe limited edition. Sumptuous, full leather Artesian binding by Jacques Blanchet. From an edition of 202, number 72 of 180 printed on Velin d' Arches. Published Paris: Editions Eliane Norberg, 1951. Folio, 10 1/2" x 13 1/4" x 2 7/8" thick, 302pp., illustrated with full page engraved plates and fine textual engravings from copper - all with tissue guards, and two leather engravings (cover and verso) in 6 colors by Robert Fonta. Full dark blue satin morocco over 1/4" thick boards with chamfered corners and leather inner hinges attached to thick, duplex flyleaves and gray leather pastedowns. Gilt block paneled titles on spine, top edges tinted blue with gilt embossed edge design stamped into the page block. Front cover and verso decorated with unique, six-color leather inset engravings by Fonta, Signed on the half title by the Bazin: "Hommage amical / de l'auteur / Herve Bazin." Presentation… Read More

Garden City: Doubleday & Company, 1977. First printing of the stated first edition, first issue with the publisher's code "R49" printed in the gutter of p. 447; in original first issue dust jacket. Basis for the 1980 Stanley Kubrick adaptation starring Jack Nicholson. Book with light rubbing to spine ends and a tiny crimp to the bottom front corner, else in fine condition; dust jacket with faint toning to spine and flap margins, faint crimping to upper spine end, very faint crease to upper front corner, and light wear to extremities, primarily at the edge of bottom spine, else fine. an exceptional copy indeed.

Boston: Little, Brown and Company / Atlantic Month Press /Atlantic-Little, Brown Books, 1983 First printing of the first edition, in original dust jacket. Faint rubbing to bottom edge of boards, else book in fine condition; with light wear to spine ends / corners and light rubbing to back fold, else fine.

Oliver was awarded the Pulitzer Prize in 1984 for American Primitive.

Scarce. Likely one of just a few published copies of the British edition in existence. Hardcover Near Fine. No DJ. First edition of author's first book. Banned very shortly after publication. Suppressed in England on March 4, 1929. As a result, there is likely only a handful of copies remaining. In fact, the copy in the British Library is one of the 'French' copies published subsequent to the English copies. Sleeveless Errand was ruled obscene at the Bow Street Police Court. All but a few representative copies were ordered to be destroyed. The police had been tipped off about the content by the editor of the Morning Post after they had received a review copy. It was subsequently printed in Paris the same year by Jack Kahane's Obelisk Press. According to one publication, "Sleeveless Errand was probably the most suppressed novel ever published in England; every store containing copies was raided; and a guard stood for a week-end at the window of one store containing one copy, until the owner could be… Read More

New York: Charles Scribner's Sons, 1935 First printing of the first edition, first state with pages 349-352 uncancelled and the text unrevised on pages 350 and 351.

One of only 5,100 copies printed.

Original dark bluish green cloth linen-grain cloth with blind single-rule border on front cover and with spine ruled and lettered in gilt. Pages 350.5-7 reads: 'he need not base himself on the adding machine-calculating machine-probability machine-St. Francis of Assis machine any longer.' And at 351.29-30 the text reads: '"Oh, catch it-oh, catch it and take it-oh, catch it," she sighed.'

In the original dust jacket by Doris Spiegel, with drawings of figures from the stories against an orange background on the front panel, $2.50 price on the front and rear flap. Light bump to bottom, back spine, light tanning to end papers, else book in fine condition; dust jacket with some age-toning and offsetting to spine and back cover, with professional conservation, primarily to edges… Read More

Paris: Aux Editions Eliane Norberg, 1951. First edition thus. Signed, De Luxe limited edition. Sumptuous, full leather Artesian binding by Jacques Blanchet. From an edition of 202, number 72 of 180 printed on Velin d' Arches. Published Paris: Editions Eliane Norberg, 1951. Folio, 10 1/2" x 13 1/4" x 2 7/8" thick, 302pp., illustrated with full page engraved plates and fine textual engravings from copper - all with tissue guards, and two leather engravings (cover and verso) in 6 colors by Robert Fonta. Full dark blue satin morocco over 1/4" thick boards with chamfered corners and leather inner hinges attached to thick, duplex flyleaves and gray leather pastedowns. Gilt block paneled titles on spine, top edges tinted blue with gilt embossed edge design stamped into the page block. Front cover and verso decorated with unique, six-color leather inset engravings by Fonta, Signed on the half title by the Bazin: "Hommage amical / de l'auteur / Herve Bazin." Presentation… Read More

New York: Random House, 1940. First Edition. Hard Cover with Dust Jacket. Very Good/Very Good. Octavo. SIGNED AND INSCRIBED THUS ON FEP: "To Marguerite Dunsmore - /The friendly antagonist - in hopes / of more such intriguing duels / Cordially / Walter V. T. Clark / December 14, 1940. TOGETHER WITH CARBON TYPSCRIPT, ONE PAGE, SIGNED, WRITTEN TO MS. DUNSMORE: "Addressed to a Counter-blade / Let us cease this fencing of intellects / This sharp following behind masks / Of the bright points moving, this parry and thrust / Of the cold metal ringing, the guard against guard to a spark, / Seeking only a tip-tear in a heart sewed on white silk. / Let us throw down the limber blades, the screens of our faces, / Into the roses tossed early for the quick-legged dance of our brains, / Rub off the powder of our hands and join them tightly, / Looking upon each other once clearly uncovered. / Are we to dread the dark fools up in the gallery shadow / Crying the 'coward' chorus, until they weary, and bundle the… Read More

Paris: Léon Escudier [PNs L.E. 1500.; L.E. 1500. (1-4, 6-9, 11, 14); L.E. 1501. (1-3); L.E. 1504 (4).], 1855. Folio. Quarter contemporary dark green textured cloth with dark green pebbled paper boards, blind rules to spine, titling gilt. 1f. (recto title engraved by A. Vialon with the names of four of Verdi's operas printed within decorative borders, verso blank), [1] (named cast list and table of contents), 2-415, [i] (blank) pp. Engraved. Named cast includes Cruvelli, Sannier, Gueymard, Bonnehée, Obin, Boulo, Loenig, Marié, Coulon, and Guignot. Publisher's handstamp to lower margin of title. Binding somewhat worn and rubbed; endpapers browned. Occasional light foxing, soiling, and bleeding; several corners slightly creased; small tear to lower margin of pp. 55-56 with archival tape repair, not affecting music; several pages with minor annotations in pencil. A very attractive copy overall. First Edition of the first version of the opera. Hopkinson 56A(a). Chusid p. 170. Les Vêpres… Read More

Scarce. Likely one of just a few published copies of the British edition in existence. Hardcover Near Fine. No DJ. First edition of author's first book. Banned very shortly after publication. Suppressed in England on March 4, 1929. As a result, there is likely only a handful of copies remaining. In fact, the copy in the British Library is one of the 'French' copies published subsequent to the English copies. Sleeveless Errand was ruled obscene at the Bow Street Police Court. All but a few representative copies were ordered to be destroyed. The police had been tipped off about the content by the editor of the Morning Post after they had received a review copy. It was subsequently printed in Paris the same year by Jack Kahane's Obelisk Press. According to one publication, "Sleeveless Errand was probably the most suppressed novel ever published in England; every store containing copies was raided; and a guard stood for a week-end at the window of one store containing one copy, until the owner could be… Read More