The Colonial Andes: Tapestries and Silverwork, 1530-1830 by Elena Phipps, Johanna Hecht and Cristina Esteras Martin - 2004

xvii+396 pages with color frontispiece, plates, figures, illustrations (man in color), maps, bibliography and index. Folio (12 1/4" x 9 1/4") bound in original publisher's red cloth with silver lettering to spine in original pictorial jacket. First edition. When the Spanish landed on the coast of what is today Peru in 1532, they encountered the socially complex, artistically vibrant Inca Empire, whose vast, geographically diverse domain encompassed almost the entire length of the rugged Andes. Inca master weavers and metalsmiths, building on thousands of years of local artisanal mastery, had created a spectacular body of imperial art whose bold, mostly geometric designs were powerful expressions of Inca identity and sovereignty. Within one generation that culture had been forever transformed by the establishment of the viceroyalty of Peru. The remarkable exchange of cultures that ensued brought Europe and the New World together through a vibrant trade in goods, services, and ideas, creating a unique society that was richer and far more intriguing than the mere sum of its influences. Tapestry weaving and silverwork, for centuries two of the primary art forms in the Andes, flourished during the colonial era, as many highly skilled indigenous artists were inspired by exotic new design sources form around the world. The refined weaving methods the Inca had cultivated were put to use crafting all manner of textile goods, from grand armorial hangings to meticulously woven garments, bedcovers and carpets. SIlverwork, too, was transformed, especially after the discovery of great lodes of the precious metal in the mountains above the town of Potosí, in modern Bolivia. Native metalworkers and European immigrant silversmiths alike struggled to keep pace with commissions, which included every variety of domestic object—from ewers, trays and basins to incense burners—as well as ecclesiastical pieces, such as the elaborate monstrances used to display the consecrated Host during Mass. This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic pre-occupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art. Condition: Heal page corners bumped else a very good copy in a near fine jacket.