Douglas Gordon by Ferguson, Douglas - 2001-10-26

MIT Press, 2001. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

MIT Press, 2001. Hardcover. Very Good. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

The MIT Press, 2001-10-01. Hardcover. Very Good. 0.7000 11.8000 9.3000.

MIT Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

The MIT Press. Used - Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

The MIT Press. Very Good in Very Good dust jacket. 2001. Hardcover. 0262062224 . A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Light edgewear to DJ. Minor wear to surface of DJ. Remainder mark to bottom edge of text block. ; MIT Press; 12.20 X 9.45 X 0.79 inches; 200 pages .

Los Angeles and Cambridge, MA: Museum of Contemporary Art; MIT Press, 2001. 183 pages, illustrations (some colour); 31 cm. Exhibition Catalogue. Published to accompany an exhibition presented by the Museum of Contemporary Art, Los Angeles, Calif., September 16, 2001 to January 20, 2002. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/air, except by special arrangement. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a survey of Gordon's… Read More

The MIT Press, 2001. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780262062220

The MIT Press, 2001. First Edition. Hardcover. Near Fine/Near Fine. 4to - over 9¾" - 12" Tall (tall). Slight rubbing to jacket (chiefly at edges); else a near fine copy internally. 183, [1] pages. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography.Over 100 Color Photographs.

Museum of Contemporary Art, Los Angeles / MIT Press, Cambridge, MA, 2001. First edition. Boards. Very Good/Very Good. 4to, 183 pp., color illus. Bottom edge of front board and front panel of jacket lightly bumped, light edgewear to jacket.