The Dunciad, Complete, in Four Books, according to Mr. Pope's last improvements. With several additions now first printed, and the dissertations on the poem and the hero, and notes variorum. by Pope, Alexander - 1749

Boston: Houghton Mifflin Company, 1924. Hardcover. Small 4to. Grey cloth spine with black calf label and green paper over boards. xv, 487pp. Frontispiece, illustrations. Very good. Mild edgewear. Tight and nice first edition of this scarce and influential volume of Blake criticism, which did for interest in Blake what Raymond Weaver's biography of Herman Melville ("Herman Melville: Man, Mariner and Mystic," 1921) did a few years earlier for interest in that neglected writer. This exceptional copy bears a choice presentation inscription from the author in blue fountain pen on the front flyleaf: "To Mark Turbyfill / who is one of the very few / who should know what I / was trying to get at. / S. Foster Damon." Turbyfill (1896-1990) was a Chicago poet, dancer and artist who often appeared in Margaret Anderson's "The Little Review" and Harriet Monroe's "Poetry" magazine (which devoted the entire May 1926 issue to his poem "A Marriage with… Read More

London: Jombert, Libraire, 1819. Very Good -. Seconde Édition. Imprint lists London and Paris. 3 volumes ([2], xxxvi, 356 p.; [2], 464 p.; [2], 363, [1] p.): frontispiece portrait of the author in vol. 1, and 14 additional plates (part folded); 17 cm. Contemporary half dark green morocco; white paper with green and gilt pattern over boards. Gilt-tooled red morocco labels at head of spine reading: "Butler's Hudibras -- Towneley" with volume numbers. Gilt- and blind-ruled borders on remaining part of spines. All page edge marbled; marbled endpapers. Printed with English and French texts facing one another. Includes errata. Inscription on blank leaf following front endpapers in vol. 1: "John B. Ingles to Mr. Durham 22 June 1861." A very popular translation into French of Samuel Butler's poem Hudibras by John Towneley (1697-1782), who was said to have begun his translation in response to Voltaire's declaration of it as untranslatable. In Very Good-… Read More

Lexington, KY, 1965. Number 126 of 250 copies printed by Anne and Wayne Williams for the Anvil Press. Still, now considered the dean of Kentucky poets, has inscribed this copy: "For Bob Shepherd, who has helped to keep these verses alive and singing. James Still, Rowan County, February 19, 1968.. Inscribed By Author. Limited. Linen Cloth Hard Cover. Fine. Privately Printed.

London: Printed for J. Fletcher and Co. first edition., 1764. Hardcover. Good. Copperplates (21) all present. . 24mo original calf, spine on 5 raised bands with gilt designs & lettering on red leather label, tips/edges bumped, leather peeling at top left corner of rear board. Front board re-attached, rear hinge intact, sturdy text-block, pages clean except for some ex-library stamps. Collated complete, viii +203pp with all 21 illustrations. *Oxford University humorous verse first edition.

Very nicely rebound in full ruled calf retaining original raised bands, top edge gilt; marbled end-papers. Signed in pencil by publishers Haak and Verbeek on Verso of title. 4 1/2 x 6 1/4 inches. [viii],370, [24] pages.

Heinemann, 1920. Second Edition. Hardcover (Original Cloth). Very Good Condition/Good. From the 1000+ volume private collection of well-known Australian poet and author Guy Weller all of which are listed or will soon be listed on this site. Includes many hardcover Collected Poems from sought-after 20th century poets from all countries. Search Mr Pickwick's store on this site under category Poetry, or else do a Keyword search for the special keyword '"pickwickpoems" to display these as an isolated group. Size: Small Octavo. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Slight foxing front/rear pages, but body of book mostly clean and unfoxed. Dust Jacket worn at edges, small chips and tears. Dust Jacket un-clipped. Previous owner's signature in ink. Deckled edges (rough cut), browned. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Poetry; Antiquarian & Rare.… Read More

New York:: Haybarn Press,, 2005.. Edition of 90. 9 x 12" with 36 pages, numbered and signed by the translator and the artist. A full-color frontispiece on Fabriano Uno. Poetry in English typeset in Palatino by Spring Salvin. Letterpress printed by Bradley Hutchinson. Drawings printed duotone lithography by Omega. Housed in clamshell box in full cloth Canapetta with silver stamping. A new publication from Haybarn Press in honor of the 92nd birthday of Abraham Sutzkever, the foremost living Yiddish poet. The portfolio of eighteen poems were translated by Melvin Konner and include seven drawings by Ed Colker.  From the introduction, Translator's note: "These translations try to convey a unique group of poems by one of the greatest modern poets. That they evoke so thoroughly the magic, poignancy, tragedy, nobility and strangeness of Africa is achievement enough. That they do it in Yiddish - with its ironic, diffident stance, and its, well, Jewishness - is astonishing. Yet… Read More

Tuscaloosa, Alabama:: Down Home Girl Studio,, 2013.. Edition of 75. 8.75 x 8.25"; 24 pages. Letterpress printed on handmade paper of cotton and abaca fibers. Text and images were printed using photopolymer plates and reduction linoleum blocks. Fonts are Optima Bold and Gill Sans Light. Handbound in quarter-cloth with cover paper of handmade walnut dyed flax. 3.5 x 3.5" illustration inset of quilted papers, which were designed with the artist's mother. Suzanne Sawyer: "The legacy of quilting is ubiquitous in American history, so much so that it has lost some of the meaning it once held. But its history is rich and perhaps best typified in African American culture such as with the quilters of Gee's Bend. The quilters, descendants of former slaves living in rural Alabama, developed a unique, improvisational style of quilting using just remnants of clothing. Their quilts have become world renowned for their simple geometric patterns and have been compared to the work of modern… Read More

Macmillan & Co. Limited. London. 1906. Reprint of the 1904 Golden Treasury edition. 8vo. (6.4 x 4.2 inches). Engraved frontis illustration of Guinevere, from the marble by Thomas Woolmer, R.A. Finely bound in a contemporary full dark green morocco binding by Ramage of London. Spine with five raised bands, ruled in gilt. The compartments with gilt ruled lines, flower and star designs and lettering. Decorative flower and leaf designs to both boards, within a wavy line border which is surrounded by multiple stars, within a ruled line border, all in gilt. Elaborate gilt tooled stars, flowers and decorative roll borders to the inner boards with off-white moire silk endpapers. All edges gilt. Previous owners neat inscription, dated 1914, to the front blank free endpaper. Spine faded to an attractive tan colour and the front board to a lighter green but still a beautiful fine binding from the library of W. A. Foyle at Beeleigh Abbey, and with his burgundy morocco leather and gilt book plate to the front… Read More

New York: The Floating Bear, 1961. 1st edition. Soft cover. Good /No Jacket (as issued). Good+. 4to, 16pp (mimeographed), corner-stapled. A rare early issue of this seminal 1960s little magazine, entirely devoted to work by John Wieners. An unmarked copy (aside from stray doodle to front leaf), folder shadowing to front leaf (which has edge folds), a little marginal staining. (First two leaves are most worn.)