The Exile No. 1 by Pound, Ezra Editor - 1927

London: printed for I. Tonson in Ye Strand, 1729. First Edition. Full Calf. Near Fine+. Large 4to: [18],450,xci,[1]pp, with engraved title page, four full-page copper-engraved plates (including frontispiece portrait of Waller engraved by Vertu after Kneller), and numerous superb head- and tailpieces and historiated initials. Contemporary cambridge-style calf, sides decorated in blind and framed with rat's tooth roll, ribbed spine richly gilt in seven compartments, red morocco lettering piece gilt (chipped), plain period end papers. Near Fine or better, with light offsetting, sporadic foxing and the odd smudge, else clean and crisp throughout; joints very skillfully repaired, spine ends renewed. Provenance: signature of the bibliophile Douglas Grant in pencil to front fly-leaf. Wither to Prior 941. Grolier English 100, 27. First Collected Edition, the "most sumptuous ever published. It contains all the poems which had hitherto appeared, to which the editor has added four new . . . Waller's letter are… Read More

2 volumes. [xii]-365 pages; [xii]-387+[8 ad] pages. Small octavo (7 1/2" x 5 1/4") Original blind stamped plum cloth, gilt title to spines, Harpers gilt logo at base of spine with yellow coated end-papers in a three quarter leather in custom made half leather over marbled boards slipcase. (BAL 13658) First American edition.Mardi (the Polynesian word meaning "the world") is Melville's first pure fiction work (while featuring fictional narrators, his previous novels were heavily autobiographical). It details (much like Typee and Omoo) the traveling's of an American sailor who abandons his whaling vessel to explore the South Pacific. Unlike the first two, however, Mardi is highly philosophical and said to be the first work to show Melville's true potential. The tale begins as a simple narrative, but quickly focuses upon discourse between the main characters and their interactions with the different symbolic countries they encounter. While not as cohesive or lengthy as Moby-Dick, it shares a similar… Read More

Henry and Co. London. 1893. FIRST EDITION. Octavo. Original blue buckram, lettered in gilt. Housed in a custom green cloth slipcase and chemise. Small bookplate to front pastedown, related bibiliographic material pasted to endpapers. Shaw's very scarce first play, published in an edition, according to Laurence, of "not more than 500" copies. It was not an overwhelming bestseller. Shaw wrote to John Lane (quoted in Laurence) that the publisher "never advertised it even once; and the sale, which was only effected by great perseverance & determination on the part of the purchasers, was 150 copies." When the publisher retired in December 1897, they ceded to Shaw 194 sets of unbound sheets, which Shaw claimed to have commissioned Sotheran & Co. to bind for him. "So few of these [in purple cloth] in the Sotheran binding have turned up, however, that it is unlikely Shaw had all of the copies bound; a considerable number must eventually have been pulped â¦" Copies in green cloth have been noted as well,… Read More

The Woman In White (1860 Harper & Brothers 1st Edition) BY WILKIE COLLINS. New York: Harper & Brothers, Publishers, 1860.[2], 260, [4, ads] pp. Publisher's brown stamped heavy cardboard boards with elaborate blind stamped Harper and Brothers cartouche on front and back boards. Ads state B. Miss Mulock spelled correctly. Used. Good- Condition. Our copy lacks it's spine. Some water-spotting noted. Please see our photos. States 1860 on the title page. In-text illustrations by John McLenan. Both pairs of chocolate brown endpapers are in good shape. Please see our photos. First American edition, second state, with first page of rear ads headed "By Miss Mulock," listing eleven titles, and verso advertising The Mill on the Floss [Gasson p. 160.] A Haycraft Queen Cornerstone, a smash success upon publication. Has become rare, like the author's gift for spellbinding tales. This book is acknowledged as creating and popularizing the detective/mystery genre in Victorian Great Britain. Will ship from Oregon.

Knopf, New York, 1946. First edition. Condition: Very good in good dust jacket. Book has light toning from age, discoloration along top edges but it does not bleed onto pages. Dust jacket has several tears and nicks, creasing along spine. $2.00 indicated on dust jacket. Tan/beige cloth with maroon lettering on spine.Jacket design by Warren Chappell. Translated by Stuart Gilbert.The story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. The classic novel of the absurd.

London: Secker & Warburg, 1973 First printing of the first U.K. edition. Publisher's black cloth and dust jacket with £2.50 price, Octavo, 163pp.

Douglas Fairbanks Jr.'s copy (Who wrote the forward), with his armorial bookplate on front-free-endpaper (also, loosely laid-in is an auction card for The Estate of Douglass Fairbanks, Jr.

Signed and inscribed by Harold French to Douglas Fairbanks Jr., who wrote the Foreword.

Light bump to upper board edge, else book in fine condition; dust jacket with mild edge wear, light tanning to spine, and a bit of age-toning to top edge of flaps, else dust jacket in fine condition.

Unique, signed-association copy , scarce thus.

New York:: Viking Press,, 1938.. First Printing of the First US Edition. First Printing. A Near Fine copy with the usual age darkening to the front pastedown in a Very Good plus unclipped dust jacket with gentle wear to the extremities, and a short closed edge tear at the head of the spine. A collectible copy of this collection of classic Steinbeck fiction. This volume of stories collected with the encouragement of his longtime editor Pascal Covici serves as a wonderful introduction to the work of Nobel Prize winner John Steinbeck. Set in the beautiful Salinas Valley of California, where simple people farm the land and struggle to find a place for themselves in the world, these stories reflect Steinbeck’s characteristic interests: the tensions between town and country, laborers and owners, past and present. Included here are the O. Henry Prize-winning story “The Murder”; “The Chrysanthemums,” perhaps Steinbeck’s most challenging story, both personally and artistically; “Flight,” “The Snake,” “The… Read More

New York : Harcourt Brace and Company, 1994 First printing, stated first edition. Signed by Paul Monette directly on the title page; also signed by 12 other LGBT activists for a Los Angeles charity for Lesbian and Gay Rights:, Thom Gunn (poet, writer); Joe Keenan (writer); Jackie Goldberg (politician, teacher, former member of California State Assembly, Pink Lady--Hero of Hollywood, author of AB-205 a domestic partner benefits law); Armistead Maupin (writer, Tales of the City); Sharon Stricker (poet and activist); Patricia Nell Warren (writer and LGBT journalist); Tim Hine (teacher, actor); Winston Wilde (book's dedicatee, sexologist, psychotherapist, author); et el. Light shelf wear, else book and dust jacket in fine condition.

Chicago: Argus Books, 1929. First illustrated edition. Hardcover. Three quarter red morocco and red cloth. Teg. Near fine. 2 vols. Austen, John. 288, 300 pages. 24 x 16 cm. Limited edition, one of 40 copies (this copy out of series) signed by Austen and Douglas with an original ink drawing, "A Clubland Habitué," signed by John Austen. Illustrated by Austen, 15 plates of which 5 are colored. Nepenthe, the Italian island is the fictional setting of South Wind, or Capri in light disguise. Norman was perhaps more well known for his scatological limericks rather than his Mediterranean travel works. One commentator noted, that in his day Douglas was regarded as one of the smartest things going. Part of that smartness was his keeping, for the whole of his long depraved life, one jump ahead of the law. Bright, sharp set, raised bands, spine panels lettered and decorated in gilt, marbled endapers.

New York: Doubleday, 1987 First printing of the stated first edition. Signed and dated by Isaac Asimov, directly on the title page, along with an inscription turned into an original rhimed poem by Asimov: "There's a certain young doctor named Art / whom people have thought of as smart, / And handsome and sporty. / He's now turning forty--- / As an oldster he'll make a new start / Isaac Asimov / 1988." Book in fine condition; dust jacket with light creasing/rubbing and wear to corners/spine ends, else fine.