Film Quarterly -- Spring 1969 by Callenbach, Ernest (Editor) - 1969

University of California Press, 1984. First Edition. Trade Paperback. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. 64 pages. Notable for the articles 'Music Video and the Spectator: Television, Ideology and Dream' by Marsha Kinder and 'Filming the Inside of His Own Head: Godard's Cerebral 'Passion' ' by James Roy McBean; also contains reviews of the films 'Variety', 'Zelig', 'Swing Shift' and 'Le Retour de Martin Guerre' in addition to book reviews. Slight creases and rubbing to wrappers; slight creases to few corners; slight internal browning to edges.Over 30 b/w illustrations; Advertising Matter.

Film Quarterly. Binding sound, text clean, light shelf wear. . Very Good. Paperback. 1967.

Berkeley, CA: University of California Press. Scuffing along outer narrow exterior spine; light cover wear with a few light corner creases. . Good. Magazine. 1967.

Berkeley, CA: University of California Press. VG+. Magazine. 1967.

Berkeley: University of California Press. Near Fine. 1983. (Vol. XXXVII, No. 1). Periodical. [nice clean copy, essentially as-new with just a touch of wear along the spine]. (B&W photographs) Articles in this issue: "Yasujiro Ozu: Notes on a Retrospective," by Kathe Geist; "Confessions of a Feminist Porn Programmer," by Karen Jaehne. There are reviews of three contemporary films: Bertrand Tavernier's DEATH WATCH, Ingmar Bergman's FANNY AND ALEXANDER, and Richard Rosenthal's BAD BOYS. More than half of this issue's 65 pages, however, are devoted to reviews of the year's film books (actually a continuation of a feature that began in the Spring 1983 issue), including studies of directors John Ford, Stanley Kubrick, Preston Sturges, Alfred Hitchcock, William Wellman, and Sacha Guitry. (We have numerous additional issues of this and other academic/critical film periodicals that are not listed online; please inquire if you have particular needs or wants.) . Read More

Berkeley, CA: University of California Press. VG+. Magazine. 1967.

Berkeley, CA: University of California Press. Periodic light scuffing along outer, narrow spine; covers show light edge wear in places. . Very Good. Magazine. 1974.

Berkeley, CA: University of California Press. Scuffing along outer narrow exterior spine; light cover and edge wear in places. . Good. Magazine. 1966.

Berkeley: University of California Press. Near Fine. 1982. (Vol. XXXV, No. 4). Periodical. [minor wear to front cover]. (B&W photographs) The primary feature of this issue is their annual round-up of the year's film books, with reviews or informative annotations on almost 100 books. Also in this issue: an interview with the renowned Hungarian filmmaker István Szabó; two articles, "Power and Dis-Integration in the Films of Orson Welles" by Beverle Houston, and "Harvard Film Studies: A Review" by Brian Henderson; and a review of Szabó's film CONFIDENCE (1980). (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.) .

Berkeley: University of California Press. Fine. 1982. (Vol. XXXV, No. 3). Periodical. [pristine copy, with no discernible wear]. (B&W photographs) In this issue: an interview with the great cinematographer Vittorio Storaro; a long analysis of Abel Gance's NAPOLEON; an examination of the work of documentary filmmaker Les Blank; an examination of the relationship of filmmaker Stan Brakhage's work to that of postmodernist poet Charles Olson. Also reviews of contemporary films: REDS; MONTENEGRO; and TAPS. Book reviewed include David Thomson's "Overexposures." (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.) .