Formes Et Couleurs-Vingt Planches En Couleurs Contenant Soixante-Sept Motifs Decoratifs by Thomas, Auguste H

Other Criteria , 2007. 1st Edition 1st Printing. Hardcover. As New/No Jacket, As Issued . As new. Signed and inscribed with detailed butterfly drawing in ink by Damien Hirst on title page.

Boston, Massachusetts:: Eleonora Gomez Bas,, 2002.. One-of-a-Kind. 8" x 8.25" x 1.25"; containing 24 35mm black and white photo prints, mounted onto Strathmore Bristol cardstock. All photographs taken using Canon A1 and Canon Rebel SLR cameras, with Kodak T-MAX 400 film. Bound in cloth boards with titles printed on front cover. Laid in black glossy box with paper title label on cover. Elenora Gomez Bas: "I made this book at North Bennet Street School (Boston, MA) in 2002. My wish was to give a container to a select group of photos from a trip to 'Valle de la Pascua' (Estado Guárico, Venezuela), and from my hikes up 'El Avila' mountain (Caracas, Venezuela).  "My boyfriend and I went to 'Valle de la Pascua' (a 4 1/2 hour drive from Caracas) in 1999 to visit an altar built for the 'Anima de Pica'-Pica'; (Pica Pica Soul). Legend has it that a man by the name of José Zambrano was once found dead by a Pica-Pica plant (the… Read More

"Pulcinoelefante" is an Italian publishing house founded by Alberto Casiraghi (or Casiraghy).
The books are hand printed using movable types on the high-quality Hahnemühle paper produced in Germany. Annually "Pulcinoelefante" publishes hundreds of small plaquettes formed by a text (aphorism or short poem), accompanied by small engravings or original drawings made by artists. Each edition is published in a very small number of copies hors de commerce.
"[…] Piegata dal vento della vita, sub specie mutationis, l'opera di Alda Merini, in un flusso inarginato, si muove dalla narrativa alla poesia, dall'eros al mistico, dall'informe alla forma, dal terrestre al celeste, dal vissuto al sognato.
E' significativo notare il profondo legame di Alda Merini con le edizioni Pulcinoelefante di Alberto Casiraghy (edizioni veloci, stampate in giornata). Si attua una produzione sconfinata di Alda Merini, dove si riconferma un'intuizione consequenziale: una sorta di frase infinita nella temporalità, nella durata… Read More

(3) pages letterpress text, 6 lithographed plates. Publisher's wrappers with printed blue title shield to front cover. Uncut. Folio (480 x 320 mm). Slightly soiled. Engel. Bibl. Faustiana 1822 ; cf. Sammlung Kippenberg 1903 ("Verlag von Otto Humburg & Co." no date (obviously a remainder copy without the original wrappers; the Otto Humburg publishing house started its business around 1865) ; Rümann. 19. Jahrhundert 635. First edition. One of the rarest and at the same time most unusual suites to illustrate Goethe's Faust, and also one of the largest in size. Only a few copies with the original wrappers can be found; this is important because the suite was issued without a title page, so the title and imprint can only be found here. "(Er) wurde bekannt durch seine Illustrationen in Arabeskenform zu Goethes Faust und ebensolche zu Ossians Gedichten (Berlin, 1835)" (Thieme/Becker XVI, p 47). - "Carl Harnisch, born in Altenburg, Germany on January 1, 1800, worked as an artist and created designs for… Read More

London: Elliot Stock, 1898. A superb example of a vellucent binding. Cedric Chivers (1853 -1929) of Bath revived the technique of painting under vellum. Chivers would execute his paintings on paper which was covered with a translucent skin to form the binding, The covers were then lightly tooled with gold. It is rare to find such a finely preserved fine binding. Signed by Chivers. In 'Days and Hours in a Garden', 19th century Scotish artist and writier, Eleanor Vere Boyle (1825 -1916) takes us through the months of the year, the cherry blossoms, the rooks, the wild ivy etc. etc., reminiscent of a modest walled-garden 'Walden' by Thoreau. VIII MAY "There have been just one or two sweet days, when the white Cherry orchards shone softly against the sky of serenest blue; days when we did not but revel in the joyous present, forgetting quite that ever it could be that "rough winds do shake the darling buds of May" Octavo, vellucent binding, top edge gilt, frontispiece, small woodcut illustrations… Read More

Other Criteria , 2007. 1st Edition 1st Printing. Hardcover. As New/No Jacket, As Issued . As new. Signed and inscribed with detailed butterfly drawing in ink by Damien Hirst on title page.

Boston, Massachusetts:: Eleonora Gomez Bas,, 2002.. One-of-a-Kind. 8" x 8.25" x 1.25"; containing 24 35mm black and white photo prints, mounted onto Strathmore Bristol cardstock. All photographs taken using Canon A1 and Canon Rebel SLR cameras, with Kodak T-MAX 400 film. Bound in cloth boards with titles printed on front cover. Laid in black glossy box with paper title label on cover. Elenora Gomez Bas: "I made this book at North Bennet Street School (Boston, MA) in 2002. My wish was to give a container to a select group of photos from a trip to 'Valle de la Pascua' (Estado Guárico, Venezuela), and from my hikes up 'El Avila' mountain (Caracas, Venezuela).  "My boyfriend and I went to 'Valle de la Pascua' (a 4 1/2 hour drive from Caracas) in 1999 to visit an altar built for the 'Anima de Pica'-Pica'; (Pica Pica Soul). Legend has it that a man by the name of José Zambrano was once found dead by a Pica-Pica plant (the… Read More

"Pulcinoelefante" is an Italian publishing house founded by Alberto Casiraghi (or Casiraghy).
The books are hand printed using movable types on the high-quality Hahnemühle paper produced in Germany. Annually "Pulcinoelefante" publishes hundreds of small plaquettes formed by a text (aphorism or short poem), accompanied by small engravings or original drawings made by artists. Each edition is published in a very small number of copies hors de commerce.
"[…] Piegata dal vento della vita, sub specie mutationis, l'opera di Alda Merini, in un flusso inarginato, si muove dalla narrativa alla poesia, dall'eros al mistico, dall'informe alla forma, dal terrestre al celeste, dal vissuto al sognato.
E' significativo notare il profondo legame di Alda Merini con le edizioni Pulcinoelefante di Alberto Casiraghy (edizioni veloci, stampate in giornata). Si attua una produzione sconfinata di Alda Merini, dove si riconferma un'intuizione consequenziale: una sorta di frase infinita nella temporalità, nella durata… Read More

(3) pages letterpress text, 6 lithographed plates. Publisher's wrappers with printed blue title shield to front cover. Uncut. Folio (480 x 320 mm). Slightly soiled. Engel. Bibl. Faustiana 1822 ; cf. Sammlung Kippenberg 1903 ("Verlag von Otto Humburg & Co." no date (obviously a remainder copy without the original wrappers; the Otto Humburg publishing house started its business around 1865) ; Rümann. 19. Jahrhundert 635. First edition. One of the rarest and at the same time most unusual suites to illustrate Goethe's Faust, and also one of the largest in size. Only a few copies with the original wrappers can be found; this is important because the suite was issued without a title page, so the title and imprint can only be found here. "(Er) wurde bekannt durch seine Illustrationen in Arabeskenform zu Goethes Faust und ebensolche zu Ossians Gedichten (Berlin, 1835)" (Thieme/Becker XVI, p 47). - "Carl Harnisch, born in Altenburg, Germany on January 1, 1800, worked as an artist and created designs for… Read More

London: Elliot Stock, 1898. A superb example of a vellucent binding. Cedric Chivers (1853 -1929) of Bath revived the technique of painting under vellum. Chivers would execute his paintings on paper which was covered with a translucent skin to form the binding, The covers were then lightly tooled with gold. It is rare to find such a finely preserved fine binding. Signed by Chivers. In 'Days and Hours in a Garden', 19th century Scotish artist and writier, Eleanor Vere Boyle (1825 -1916) takes us through the months of the year, the cherry blossoms, the rooks, the wild ivy etc. etc., reminiscent of a modest walled-garden 'Walden' by Thoreau. VIII MAY "There have been just one or two sweet days, when the white Cherry orchards shone softly against the sky of serenest blue; days when we did not but revel in the joyous present, forgetting quite that ever it could be that "rough winds do shake the darling buds of May" Octavo, vellucent binding, top edge gilt, frontispiece, small woodcut illustrations… Read More