Francis Bacon And Nazi Propaganda. by Misc - 2019

Tate Publishing(UK), 2013. Hardcover. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

London: Tate Publishing, 2012. 224 pages; 137 illustrations. Bacon's artistic reaction to living with the rise of Fascism, Hitler, World War II, polarisation following the end of the war. Bacon's use of Fascist photography as base for his art. Clean throughout; tight binding.. Black paper boards. Fine/Fine. 9.75" x 7.5".

Very Good.

London: Tate, 2013. 1st. Hardcover. Very Good/Very Good. Hardcover, 224 pages. British artist Francis Bacon (1909–1992) was one of the most important artists of the 20th century. Here, Martin Hammer presents him as a “painter of modern life,” whose concern was to distill the feelings associated with living through the rise of Fascism in the 1930s, World War II, the revelations of the Holocaust, and then the early Cold War period. Against a backdrop of changing attitudes toward wartime memories and a gradual resurgence of interest in the war, Hammer offers extensive evidence of Bacon’s use of prewar Nazi propaganda photography as a springboard for painting. By exploring some of Bacon’s best-known and most compelling works, Hammer illuminates the artist’s aim to transmute challenging photographic sources into a reflection on the contemporary world. Record # 362177

Tate Publishing, London, 2012. Englischsprachige Hardcoverausgabe, 224 Seiten mit zahlreichen Abbildungen. Schutzumschlag an der hinteren Klappe mit einem Fleckrand, das Buch selbst in guter und sauberer Erhaltung.

LOndon: Tate Publishing, 2012. Book. Near Fine. Hardcover. 1st Edition. 200mm x 250mm. Jacket has minimal wear and no tears. Book very clean. Binding tight. 224pp Martin Hammer presents him as a "painter of modern life," whose concern was to distill the feelings associated with living through the rise of Fascism in the 1930s, World War II, the revelations of the Holocaust, and then the early Cold War period. Against a backdrop of changing attitudes toward wartime memories and a gradual resurgence of interest in the war, Hammer offers extensive evidence of Bacon's use of prewar Nazi propaganda photography as a springboard for painting. By exploring some of Bacon's best-known and most compelling works, Hammer illuminates the artist's aim to transmute challenging photographic sources into a reflection on the contemporary world. Offers a fresh perspective based on close readings on Bacon's work..

London: Tate Publishing, 2012-10-04. First Edition. hardcover. Very Good/Very Good. 8x1x10. A pristine copy.

London: Tate Publishing, 2012. 1st edition, 4to, 224pp, photo illustrations and reproductions; very minor water damage that has not affected the covers but which is just perceptible at the top edge of the last few pages o/w VG/VG+ Copy in similarly affected, lightly edge-creased VG DJ that has a little water staining to the inside face not visible from the outer. First Edition. Hard Cover. Very Good/Very Good. 4to - over 9¾" - 12" tall.

SP Tate Publishing. NEW. Brand New Books -- Tracking whenever available

SP Tate Publishing. NEW. All Books in Brand New condition��..Book May dispatch from the US or the UK Standard Delivery is usually 5 to 7 days Tracking whenever available