G. B. Piazzetta. Disegni - Incisioni - Libri - Manoscritti by PIAZZETTA Giambattista, - 1983

Milano: Aldo Martello Editore. 1961. Folio - over 12" - 15" tall. First edition / 1st Printing Used. H Hard Cover (with box). Very Good. First edition / First printing. Text in Italian. Very good in good dust jacket and good slipcase. Book : 1 small bump on front edge of front cover. Jacket : 3/4" tear at top of rear spine hinge, slight wear at top & bottom of spine & corners. Cardboard slipcase : short tears at top & bottom openings. 23.5 x 31. hard cover. Approx. 200pp.

(Venedig): (Marco Pitteri), 1743. Kupferstich VII aus der Serie "Icones ad vivum expressae"; gezeichnet von Piazzetta, gestochen von Pitteri; Blattgröße ca. 56 x 44 cm, Plattengröße ca. 43 x 34 cm, auf geschöpftem Papier mit Wasserzeichen FC; etwas unfrisch, mit kl. Fleck ausserhalb des Bilds. Befriedigend. 56 x 44 cm. Kupferstich.

(Venedig): (Marco Pitteri), 1743. Kupferstich aus der Serie "Icones ad vivum expressae"; gezeichnet von Piazzetta, gestochen von Pitteri; Blattgröße ca. 56 x 44 cm, Plattengröße ca. 46 x 35,5 cm, auf geschöpftem Papier mit Wasserzeichen Halbmond F; etwas unfrisch. Gut. 56 x 44 cm. Kupferstich.

(Venedig): (Marco Pitteri), 1743. Kupferstich VI aus der Serie "Icones ad vivum expressae"; gezeichnet von Piazzetta, gestochen von Pitteri; Blattgröße ca. 56 x 44 cm, Plattengröße ca. 43 x 34 cm, auf geschöpftem Papier mit Wasserzeichen zwei Blätter FC; etwas unfrisch, mit Knickspur. Befriedigend. 56 x 44 cm. Kupferstich.

(Venedig): (Marco Pitteri), 1743. Kupferstich XI aus der Serie "Icones ad vivum expressae"; gezeichnet von Piazzetta, gestochen von Pitteri; Blattgröße ca. 56 x 44 cm, Plattengröße ca. 43 x 34 cm, auf geschöpftem Papier mit Wasserzeichen Halbmond F; etwas unfrisch, leicht fleckig. Gut. 56 x 44 cm. Kupferstich.

(Venedig): Archetypum Ad.R.D. Andree Scipioni, 1743. Kupferstich aus der Serie "Icones ad vivum expressae"; gezeichnet von Marcus Piazzetta C.P.E.S., gestochen von Pitteri; Blattgröße ca. 57 x 45 cm, Plattengröße ca. 46 x 35,5 cm, auf geschöpftem Papier mit Wasserzeichen; etwas unfrisch, leicht fleckig, Knickspuren, kl. Randläsuren. Befriedigend. 57 x 45 cm. Kupferstich.

Full Vellum. Very Good. N.d., but late 18th century, after the publication of the original work in 1760, published in Venezia by Remondi. Large 8vo, 25 by 20 cm. 25 pen and ink pages of illustration. These begin with the elaborate pen and ink Baroque title page, with architectural decoration, followed by page showing drawings of hands, a second title with what we presume the one more fully original work by the copyist of seraphs holding up drapery with the title and a woman painter working before an easel, and other illustrative decoration (a broken sculpted head on the ground, etc.). Then 23 pages of pen and ink nude male studies, the figures very Michelangelo-esque in the musculature, and their overall sculptural quality. We would speculate that this copyist was in fact a woman, based on the second title illustration. This particular illustration is delightful, if the human figure itself doesn't have quite the polished execution of the copied material. Inked title on the vellum spine. The… Read More

Rizzoli Editore. New. 1982. Non-Book. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- [Catalogue Raisonne, Catalog Raisonné, Complete Works, Life and Work, Raisonnee]

Rizzoli Editore. As New. 1982. Non-Book. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- [Catalogue Raisonne, Catalog Raisonné, Complete Works, Life and Work, Raisonnee] -- with a bonus offer-- - May be EITHER: out of print (OOP) and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; (inquire for details) .