Description:
Paris, France: Paris, France: Mabileau & Co., For Ernest and Marguerite Gamy-Montaut, 1914, 1st Edition , 1914. -----------poster, approximately 36w x 18h inches with the image being about 27w x 13h inches, produced in 1914 using the pochoir method of printing, lithographed and then hand coloured by various house artists resulting in slight colour variations from poster to poster, handcoloured in watercolour and gouache, this has been mounted on a heavy card board which has kept the poster from being creased, Ernest Montaut died in 1909 but the studio continued to produce images afterward under the direction of Marguerite, in most cases Marguerite would include her signature in the image using the name M Montaut or GAMY but some posters were issued without her moniker, this image does not have that printed signature but this is unmistakably from the Montaut studio, this "keyhole" layout was used by the studio for many images (often speeding automobiles) but generally the studio…
Read More Grand Prix d'Amerique, Goux le gagnant sur Peugeot à Indianapolis (Indianapolis 500), 1911 by GAMY-MONTAUT - 1913
by GAMY-MONTAUT
Grand Prix d'Amerique, Goux le gagnant sur Peugeot à Indianapolis (Indianapolis 500), 1911
by GAMY-MONTAUT
- Used
Paris: Mabileau & Co, 1913. Hand-coloured pochoir print. Very good condition apart from some slight foxing in the right margin. The Lion-Peugeot of Jules Goux at Indianapolis in 1911. This was the last year of this complex car. The new Peugeot Company began racing in 1912, and won the Indy with Goux at the wheel in 1913. The Gamy-Montaut prints document various historical events in the early history of motorized transportation, including Power Boat Racing, Motorcycle and Motor Car Racing, Motor Car Touring, Zeppelins and Airplanes. Having observed the rapidly growing interest in cars and racing during the early years of motor cars, Ernest Montaut ( 1879-1909) produced his first motoring prints in the mid-1890s, and by 1897, his drawings were pictorial records of the many races in France. Montaut's work was extremely well received in the Paris of his day and was shown in the fashionable shops of the Rue de l'Opera and Rue de la Paix, as well as in the better galleries. Marguerite M. Montaut, Ernest's wife, continued his work after his death producing not only racing prints but also developing a fine series of aviation prints commemorating such events as the first flights on the early European mail routes. While Marguerite Montaut's works were occasionally signed "M. Montaut", she usually used "Gamy", an anagram for Magy. The Gamy-Montaut prints were all produced by the pochoir process in which the outlines for each image were drawn onto lithographic stones and printed. Using these uncoloured prints as a template, elaborate stencils were cut for each colour. Water-colour was then brushed onto the image through the stencil. The colouring process was quite complex, with each print taking several days to produce. It was also quite labour intensive, and the studio of Gamy-Montaut therefore employed a group of trained artists, including Nevil and Campion, to assist in the colouring.
- Bookseller Donald Heald Rare Books (US)
- Book Condition Used
- Quantity Available 1
- Publisher Mabileau & Co
- Place of Publication Paris
- Date Published 1913