Description:
A Bound / Flex Cover / REPRINT: London, England : Printed for Longman Hurst Rees Orme and Brown / John Lepard / Augustus Applegath and Henry Mitton 1817 / Reprint 30 pages pages. Paper / Soft cover reprint edition in very good or better condition, slight wear to edges. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. Archival reprint. Illustrations are both in color and b/w.. Clean and Unmarked Text. ~ SCARCE EDITION ~. Modern Reprint. Illus. by Fully Illustrated. Facsimile Bound Reprint Edition. Art Book Self Study, Painting.
Groups of Flowers (Groups of Fruit, Six Birds) drawn and accurately coloured after nature, with full directions for the young artist; designed as a Companion to the treatise on flower painting by Brookshaw, George - 1819
by Brookshaw, George
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Groups of Flowers (Groups of Fruit, Six Birds) drawn and accurately coloured after nature, with full directions for the young artist; designed as a Companion to the treatise on flower painting
by Brookshaw, George
- Used
London: Turner & Hadley for Thomas McLean, 1819. Second edition. Three parts in one volume. 36 engraved plates, of which 18 are hand colored. 1 vols. Folio. Contemporary olive half morocco gilt, brown boards, morocco gilt label on front cover. Some slight offsetting, occasional light foxing and browning to text. Second edition. Three parts in one volume. 36 engraved plates, of which 18 are hand colored. 1 vols. Folio. Pirages:
Brookshaw (ca. 1751-1823) was a successful London cabinet-maker whose painted Neoclassical furniture attracted such titled enthusiasts as the Duke of Devonshire and the Prince of Wales, but he suddenly abandoned this livelihood in the 1790s. Art historian Lucy Wood speculates that the sudden change was prompted by involvement in a financial or sexual scandal, as he also parted company with his (wealthy) wife around this time. He spent a decade living under the name "G. Brown," teaching flower painting to refined young ladies before producing his first manual, "A New Treatise of Flower Painting," which was. Dunthorne 53-55; Nissen BBI 246 (note); Fine Bird Books , p.82
Brookshaw (ca. 1751-1823) was a successful London cabinet-maker whose painted Neoclassical furniture attracted such titled enthusiasts as the Duke of Devonshire and the Prince of Wales, but he suddenly abandoned this livelihood in the 1790s. Art historian Lucy Wood speculates that the sudden change was prompted by involvement in a financial or sexual scandal, as he also parted company with his (wealthy) wife around this time. He spent a decade living under the name "G. Brown," teaching flower painting to refined young ladies before producing his first manual, "A New Treatise of Flower Painting," which was. Dunthorne 53-55; Nissen BBI 246 (note); Fine Bird Books , p.82
- Bookseller James Cummins Bookseller (US)
- Format/Binding Three parts in one volume. 36 engraved plates, of which 18 are hand colored. 1 vols. Folio
- Book Condition Used - Contemporary olive half morocco gilt, brown boards, morocco gilt label on front cover. Some slight offsetting, occasional light
- Quantity Available 1
- Edition Second edition
- Publisher Turner & Hadley for Thomas McLean
- Place of Publication London
- Date Published 1819
- Keywords Botany | Color Plate
We have 1 copies available starting at $49.95.
Groups of flowers : Drawn and Accurately Coloured / Colored after Nature : Will Full Directions for the Young Artist : Designed as a Companion to the Treatise on Flower Painting
by Brookshaw, George
- Used
- Condition
- Used - Modern Reprint
- Edition
- Clean and Unmarked Text
- Quantity Available
- 1
- Seller
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Ventura, California, United States
- Item Price
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$49.95
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Item Price
$49.95