Indian Painters & White Patrons. by Brody, J. J - 1971.

University of New Mexico Press, 1971. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of New Mexico Press, 1971. Hardcover. Good.

Cover is dirty. Orange endpapers, Dirt on spine and rear cover. Text unmarked. Bibliography. Index.Roster of significant modern American Indian painters. 8 color plates. 92 b&w illustrations. 2 maps

Albuquerque, NM: University of New Mexico Press. 1971. First Edition. Hardcover. 0826301924 . Fine in a VG DJ with closed tear lower front flap, lt. Edge wear; Very nice copy of this increasingly hard to find title; First; Ivory cloth; 4to; 238 p.; DJ .

Albuquerque, NM: University of New Mexico Press. X-library - an excellent copy hardcover with dustjacket, 238 pp, 8 color illus, 94 B/W illus. . Very Good. Hardcover. 1971.

Albuquerque, NM: University of New Mexico Press, 1971. 1st . Hardcover. Very Good/Good-Very Good. 4to - over 9¾" - 12" tall. 238pp.incl.index HB cream w/brick; some rub w/clean,tight pgs.DJ burntorange w/blk.; rubbed; 2x1"chip,tp.spine; 1x1"chip,bttm.ft.edge; chips&tears. "In this major work of criticism in art and social history, Dr. Brody demonstrates that modern Indian painting has been, until 1962, not a truly native expression derived from aboriginal forms but merely a passive response to White paternalism." 100 reproductions of Indian art work.

Albuquerque, NM: University of New Mexico Press, 1971. 1st . Hardcover. Very Good/Good-Very Good. 4to - over 9¾" - 12" tall. 238pp.incl.index HB cream w/brick; spots on tp.edges; orange endpapers w/clean,tight pgs. DJ burnt orange w/blk. sml.chips&tears along tp.edge; corners rubbed; sml.chips bttm.spine. "In this major work of criticism in art and social history, Dr. Brody demonstrates that modern Indian painting has been, until 1962, not a truly native expression derived from aboriginal forms but merely a passive response to White paternalism." 100 reproductions of Indian art work.

Albuquerque: Albuquerque: Univ of New Mexico Press, 1971., 1971. 1st . Hard Back. Nf/VG. 4to. 238pp incl Biblio & Index, illus, 8.25x10, super 8vo. HB, creame cloth with orange text across face and on spine, pictorial DJ in mylar. PC. HB/nf - corners sl worn, bottom edge sl rubbed, very sm 3" trail of glue on back spine edge; DJ/vg - mod chipping at corners, very sl chipping along edges, 1 sm open tear bottom back spine. Burnt orange EP. FP of water color Hopi Flute Ceremony, ca. 1933, by Otis Polelonema. DJ face is Screaming Indian by Fritz Scholder. 100 reproductions of Indian art work from various museums and art collections around the country. Native American Art. (N10.00)

Albuquerque, NM: University of New Mexico Press, 1971. Hardcover. Near Fine/Very Good +. 4to - over 9¾" - 12" tall. 238pp.incl.index; HB white w/brick; slight rub w/clean,tight pgs. DJ brick w/blk.&white-pic.cover; slight rub&wear. The impact of White attitudes on Indian painting. 100 reproductions of Indian artwork.

University of New Mexico Press, 1971. Book. Fine. Hardcover. First Edition/1st Printing. 4to - over 9¾" - 12" tall. 283pp The book is clean and crisp. Bound in cream osnaburg, with tomato red lettering front and spine. Text block square, no marks no tears. Matching tomato red endpapers.The dj at bottom spine has a tear repaired with cellophane tape to the reverse side that is presently holding tight. Tear is about 1& 1/4 inches long. A tear to front at fold down corner of 3/4" has been repaired on reverse with archival tape, chip to top corner at fold down has been strengthened on reverse with archival tape. Minor scratching without loss of color to dj panels..