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Inversions: The Female Grotesque by  Vera Lemecha - Paperback - 1998 - from Black Sheep Books and

Inversions: The Female Grotesque

by Lemecha, Vera

Condition: Very Good

Winnipeg: Mentoring Artists for Women's Art, 1998 Inversions magazine is a "more or less annual" publication of Mentoring Artists for Women's Art. This volume includes work by Szu Burgess, Sarah Crawley, Helene Dyck, Penny Farfan, Michelle Gay, Amy Gogarty, Bev Greenberg, Glynis Humphrey, Sarah Klassen, Nicole Markotic, Suzette Mayr, Rita McKeough, Mireille Perron, Bev Pike, Beaty Popescu, Paul Robles, Kim Sawchuk, Cathy Sisler, Leesa Streifler, Diana Thorneycroft, Lori Weidenammer, Loren Williams, Marian Yeo and Sharon Zenith Corne. Purple and black illustrated soft cover with white, black and purple titling, illustrated with black and white plates throughout, 95 pages. Cover has minor edge and shelf wear, book is clean and tight, colour is bright. Shipping charges are calculated for a standard parcel under 1 kg. Additional charges will apply for heavier shipments, but not until the customer agrees. Canadian customers, please note that applicable sales taxes will be added. Please contact us with any questions you might have. Soft Cover. Very Good. 4to - over 9¾" - 12" tall.
  • Bookseller: Black Sheep Books CA (CA)
  • Bookseller Inventory #: 016584
  • Title: Inversions: The Female Grotesque
  • Author: Lemecha, Vera
  • Format/binding: Paperback
  • Book condition: Used - Very Good
  • Binding: Paperback
  • ISBN 10: 0968440908
  • ISBN 13: 9780968440902
  • Publisher: Mentoring Artists for Women's Art
  • Place: Winnipeg
  • Date published: 1998
  • Keywords: Women, Art, Canada, Periodical, Literature, Fiction, Art, Poetry, Essay,
  • Bookseller catalogs: Periodicals; Art & Photography; Women's Studies;
  • Size: 4to - over 9¾\" - 12\" tall


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Some terminology that may be used in this description includes:
shelf wear
Shelf wear (shelfwear) describes damage caused over time to a book by placing and removing a book from a shelf. This damage is...[more]
Used to mean that the binding of a book has not been overly loosened by frequent use.


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