Joan Miro Lithographs Volume III 1969 - 1972 by Texidor Joan - 1977

Paris: Éditions Mayer, 1978. Hardcover. Fine condition in a Good dust jacket. The jacket would be Near Fine but for yellowing to the spine and along the upper edge of the front panel (see photos). Bright, shiny, clean, square and tight. Sharp corners. NO owner's name or bookplate. NOT a remainder. All pages are fresh, crisp, and unmarked. Hardcover. 22 cm wide by 25.5 cm tall. Text in French. Illustrated throughout with art reproductions, many in full-color, as well as old portraits/photographs and letter facsimiles. Title given above is from the title page. The title on the Dust Jacket is different. It reads: NORBERT GOENEUTTE SA VIE ET SON OEUVRE OU L'ART LIBRE AU XIXe SIÈCLE (1854-1894). Bound in the original green cloth, stamped in shiny gold on front cover. Includes dust jacket.. First Edition (première édition). Hardcover. Fine condition/Good dust jacket. Illus. by Goeneutte, Norbert. 195pp.

München.: Kurt Wolff., 1920. First edition. Paperback. Very Good. Folio. original card covers, uncut. Contains original lithograph by Georg Ehrlich "Tröstung";and original woodcuts by Erich Häckel " Mädchenkopf" and Frans Masareel "Buisnessman". Covers a little rubbed and stained, the marginal staining running into the end-papers.

Soft cover. As New/No Jacket. Signed by Author(s). As New. 11 postcards : ill. ; 11 x 15 cm. showing parts of Joseph Beuys' art installation, Honeypump in the Workplace, for Documenta 6 international exhibition in Kassel, Germany, 1977.; Housed in plastic envelope.The "cover" postcard is signed in red ink "Joseph Beuys". Beuys is regarded as one of the most influential artists of the 20th century.

1st Edition . Hardcover. Near Fine/Near Fine. Inscribed by Author(s). Inscribed by author to Nobel laureate Daniel Kahneman, huge and heavy, NF/NF in original paper slipcase, folio, 498pps

L’Edition D’Art H. Piazza, Paris, . Large folio containing twenty-four individual 10" x 13" color pastel portrait plates of famous French personages, by premier 18th century French portraitist Maurice Quentin de la Tour (1704-1788), each superbly reproduced in color lithograph on double-weight paper and protected with its own guard tissue bearing the subject’s name in letterpress. Encased in the original marbled-board portfolio with linen tie and accompanied by the full-size six page booklet, printed on Rives paper, containing titles and biographical notes for each personage. Text in French. Includes portraits of Rousseau, Voltaire, Jean Restout, Mme. de Pompadour, Louis XV, opera singer Marie Fel, famed danseuse Mlle. de Camargo, Latour himself, and numerous other notables of 18th century French high society. No printed publication date (circa 1900). All prints sparkling and Fine. Portfolio case Very Good. A rare and beautiful item, with the only other copies on record in collections… Read More

London: London: Schott and Co. 1877, 1877 Decorative Cloth. Very Good. First Thus. Theatre. Owner's Name. 12mo - over 6¾" - 7¾" tall. English words to Richard Wagner's Der Ring Des Nibelungen in the alliterative verse of the original 351 pgs, grey/gilt boards slight soiled,rubbed, spine bumped, scarce tight copy 12mo - over 6¾" - 7¾" tall. 12mo - over 6¾" - 7¾" tall. Owner's Name. First Thus. Decorative Cloth. Very Good.

Paris: Paris: The Black Sun Press, Editions Narcisse, 1928. No. 74 of 100 copies on Hollande Van Gelder Zonen. Pp. 31, illustrated by Alastair [Hans Henning Voight] a self-taught artist. "His black and white work is very sensuous and derivative from the work of Beardsley..." (Houfe p. 486), frontispiece and tailpiece plus 7 black & tan illustrations. and 1 eerie black & red, all tissue guards. Fine copy in original wraps, with original fine glassine dust jacket. Housed in a very good, original folder of silver boards. All in a new, matching silver slipcase, much sturdier than the original.. Numbered, Limited Edition. Soft Cover w/ folder & slipcas. Very Good/Slipcase. Quarto.

New York. Woodbine Books. 1980. Folio. Limited english edition of 1250, of which this is #192. Full plate color illustrations. Fine.Featured Art.

New York. Limited Editions Club. 1998. Bound in Taupe linen over boards. Black titled grain morocco label to front cover. Encased in a like bound, ultra-suede lined Solander box with grain morocco label to spine. Folio. 12.25" x 16.25". This Edition Limited to 300 numbered copies, of which this is #142. Signed by Ashbery and Freilicher to Colophon.  Illustrated with three woodblock prints by Kenji Shinohara from original paintings commissioned for this Edition by Jane Freilicher. Printed upon hand-made textured Tosa Hanga Japanese milled paper. John Ashbery (b. 1927) has achieved a unique status among American poets. Even though much of his work is difficult to read, avant-garde, and post-modernist in character, Ashbery has become revered and beloved by many readers. For all the obscurity of his writing, his poetry is tantalizing and inspiring. It properly draws many people into its orbit. Even those who dislike Ashbery's poetry acknowledge its force and… Read More

Sydney: Privately printed by the Beacon Press, 1953. First Edition. Standard de-luxe edition of one hundred and sixty copies (total issue of two hundred copies). Quarto, tipped colour plates throughout; original quarter vellum cream cloth boards, a near fine copy. As a publisher, Percy Nevillle Barnett insisted upon the finest materials, with elegant type cut in Europe and printed on paper handmade by the highly respected artisan, Harrie Mortlock, owner of the Beacon Press. A remarkable celebration of the Japanese Ukiyo-e woodblock tradition.