THE LITTLE PRINCE. Translated from the French by Katherine Woods by SAINT-EXUPERY. ANTOINE DE - 1943

Methuen & Co. Ltd. London.,1913. Spurrious First edition. Actually the fourth impression with a cancel title page, stating " First Published 1913" on verso, on the title page stub. 8vo. (7.7 x 5.3 inches). 8 page publishers advert dated Autumn 1913. A very good copy in publishers green cloth binding with spine decorated and lettered in gilt, including the correct spelling of the publishers name at the bottom. Signed by Joseph Conrad on the front free endpaper, Dated 1923. The top of the signed leaf and the half title page have a small indentation where a paper clip has been used.Aside from some light rubbing to the extremities this is a very good tight copy, the gilt on the spine still strong and bright. Loosely inserted is the front panel from the rare dustwrapper, showing a full colour illustration by J. Dewar Mills within a grey border. The whole panel dark blue with grey title and author. An interesting copy, signed by the author and with part of the wrapper, of the less common 1913 Cancel title… Read More

Chatto & Windus. London. 1891. FIRST EDITION. 3 Volumes. 8vo. (7.5 x 5 inches). Inscribed by the author on the half-title of volume I, "A. P. Watt with the Author's kindest wishes. 6th June 1891". 12 mono full page plates by Green, each with a tissue guard. Original dark green cloth blocked with elaborate blind decoration, spines lettered in gilt, floral patterned endpapers. Cloth very slightly rubbed at extremities and a few thin white streaks to the front board of volume one and some light foxing to the decorative endpapers, otherwise clean, tight and bright throughout. Overall a better than very good set. Alexander Pollock Watt (1838–1914) was the first successful British literary agent. His agency, started in 1875, is still active today and is, in fact, the longest-established literary agency in the world. He acted as Besant's agent, and also his literary executor.

Chatto & Windus. London. 1888. FIRST EDITION. 3 Volumes. 8vo. (7.5 x 5 inches). Inscribed by the author on the front free endpaper of volume I, "A. P. Watt. From the Author". Original brown cloth blocked in metallic blue in a geometric pattern to the spines and front boards. The spines are lettered in gilt. Floral patterned endpapers. Spines rolled a little, some light spotting to endpapers and title pages but generally a clean, tight and bright copy. Overall a better than very good set. Alexander Pollock Watt (1838–1914) was the first successful British literary agent. His agency, started in 1875, is still active today and is, in fact, the longest-established literary agency in the world. He acted as Besant's agent, and also his literary executor.

The Modern Press. 1886. First separate issue, larger untrimmed variant, inscribed by the author. Originally printed in the April 1885-March 1886 issues of "To-Day", this first edition was printed from the corrected and revised stereos of the original setting for the journal. This is the larger, variant issue, with the preliminary blank leaf bound at the beginning. Shaw explains the variant this way: "The size of the bigger copies is due to the fact that they reproduced not only the type but the format of To-day. But the booksellers objected that in this form it occupied too much room to be displayed on their stalls and counters. It was probably cut down as far as the margins would allow to meet this objection" (Laurence). Inscribed by Shaw, "This is the first Issue, which was so tall that the booksellers refused to exhibit it on their counters, as it took too much room. So it had to be cut down. G. Bernard Shaw 26/7/30." . ---- Housed in a green cloth covered chemise and quarter green morocco slip… Read More

The Nonesuch Press. London. 1924-27. FIVE VOLUMES. Tall 4to. (12.3 x 8.3 inches). Limited edition. One of 1000 sets printed on Japon vellum (The Apochrypha is one of 1250 copies) from a total edition of 1075 copies. The typography was arranged by Frances Meynell. Each volume decorated with copperplate engravings by Stephen Gooden, including the title pages. A lovely clean set finely bound in recent full black morocco, decorative gilt border to boards. Spines with raised bands, each with decorative gilt piping and ruling. Red title labels, gilt. Top edges gilt, others untrimmed. A beautiful set.

Methuen & Co. Ltd. London.,1913. Spurrious First edition. Actually the fourth impression with a cancel title page, stating " First Published 1913" on verso, on the title page stub. 8vo. (7.7 x 5.3 inches). 8 page publishers advert dated Autumn 1913. A very good copy in publishers green cloth binding with spine decorated and lettered in gilt, including the correct spelling of the publishers name at the bottom. Signed by Joseph Conrad on the front free endpaper, Dated 1923. The top of the signed leaf and the half title page have a small indentation where a paper clip has been used.Aside from some light rubbing to the extremities this is a very good tight copy, the gilt on the spine still strong and bright. Loosely inserted is the front panel from the rare dustwrapper, showing a full colour illustration by J. Dewar Mills within a grey border. The whole panel dark blue with grey title and author. An interesting copy, signed by the author and with part of the wrapper, of the less common 1913 Cancel title… Read More

Chatto & Windus. London. 1891. FIRST EDITION. 3 Volumes. 8vo. (7.5 x 5 inches). Inscribed by the author on the half-title of volume I, "A. P. Watt with the Author's kindest wishes. 6th June 1891". 12 mono full page plates by Green, each with a tissue guard. Original dark green cloth blocked with elaborate blind decoration, spines lettered in gilt, floral patterned endpapers. Cloth very slightly rubbed at extremities and a few thin white streaks to the front board of volume one and some light foxing to the decorative endpapers, otherwise clean, tight and bright throughout. Overall a better than very good set. Alexander Pollock Watt (1838–1914) was the first successful British literary agent. His agency, started in 1875, is still active today and is, in fact, the longest-established literary agency in the world. He acted as Besant's agent, and also his literary executor.

Chatto & Windus. London. 1888. FIRST EDITION. 3 Volumes. 8vo. (7.5 x 5 inches). Inscribed by the author on the front free endpaper of volume I, "A. P. Watt. From the Author". Original brown cloth blocked in metallic blue in a geometric pattern to the spines and front boards. The spines are lettered in gilt. Floral patterned endpapers. Spines rolled a little, some light spotting to endpapers and title pages but generally a clean, tight and bright copy. Overall a better than very good set. Alexander Pollock Watt (1838–1914) was the first successful British literary agent. His agency, started in 1875, is still active today and is, in fact, the longest-established literary agency in the world. He acted as Besant's agent, and also his literary executor.

The Modern Press. 1886. First separate issue, larger untrimmed variant, inscribed by the author. Originally printed in the April 1885-March 1886 issues of "To-Day", this first edition was printed from the corrected and revised stereos of the original setting for the journal. This is the larger, variant issue, with the preliminary blank leaf bound at the beginning. Shaw explains the variant this way: "The size of the bigger copies is due to the fact that they reproduced not only the type but the format of To-day. But the booksellers objected that in this form it occupied too much room to be displayed on their stalls and counters. It was probably cut down as far as the margins would allow to meet this objection" (Laurence). Inscribed by Shaw, "This is the first Issue, which was so tall that the booksellers refused to exhibit it on their counters, as it took too much room. So it had to be cut down. G. Bernard Shaw 26/7/30." . ---- Housed in a green cloth covered chemise and quarter green morocco slip… Read More

The Nonesuch Press. London. 1924-27. FIVE VOLUMES. Tall 4to. (12.3 x 8.3 inches). Limited edition. One of 1000 sets printed on Japon vellum (The Apochrypha is one of 1250 copies) from a total edition of 1075 copies. The typography was arranged by Frances Meynell. Each volume decorated with copperplate engravings by Stephen Gooden, including the title pages. A lovely clean set finely bound in recent full black morocco, decorative gilt border to boards. Spines with raised bands, each with decorative gilt piping and ruling. Red title labels, gilt. Top edges gilt, others untrimmed. A beautiful set.