The Magic of Remedios Varo by Martin-Luis, Lozano

National Museum of Women in the Arts, 2000. paperback. Very Good. 10x8x0. 2000 National Museum of Women in the Arts (Washington, D.C.), 8 1/2 x 11 inches tall paperbound in color pictorial covers, copiously illustrated with color reproductions of artwork, essays and bibliography, 151 pp. Very slight rubbing to covers, with the slightest creasing to the lower tips. Otherwise, a near fine copy - clean, bright and unmarked. ~SP40~ [3.0P] Published on the occasion of the first major exhibition of Varo’s art in the United States hosted by the National Museum of Women in the Arts in Washington, DC., studies the full range of Varo’s work. It considers her formal artistic training in the rigid academic atmosphere of the Real Academia de Bellas Artes de San Fernando in Madrid, and her sojourns in Paris in 1930 and 1937, which brought Varo into contact with the surrealist movement of André Breton that was to define her artistic expression for the rest of her… Read More

UsedLikeNew. Text block, wraps and binding are in like new condition, without markings of any kind. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

National Museum of Women in the Arts, 2000-01-01. Paperback. Very Good. 10x8x0. Text is in SPANISH AND ENGLISH. Crisp, unmarked copy apart from traces of shelving wear to surfaces. Otherwise essentially as new. Published in tandem with the exhibition of the same name at the National Museum of Women in the Arts. Includes her two delightful works "The Fern Cat" and "Cats' Paradise.

National Museum of Women in the, 2000-01-01. Paperback. Very Good. 0.6000 in x 10.9000 in x 8.3000 in. Some very light edge wear. Near fine.

Washington, DC: The National Museum of Women in the Arts, 2000. Softcover. VG sticker around spine and lower covers, will come off with effort. Color illus. wraps; 151 pp.; Profusely illustrated with color plates and figures. Accompanied the traveling exhibition of the same name; Includes an essay by Lozano, provided in both Spanish and English, as well as a biographical sketch of the artist; Approximately seventy-five plates.