Mickey Mouse in King Arthur's Court

London, Dean & Son,, (1934).. 4to. 48pp. Illustrated, including four double-page colour pop-up scenes, one pop-up repaired. Colour pictorial endpapers. Original pictorial boards, spine and corners worn. Previous owner's inscription on half-title, dated 1935.

Published by Dean & Son Ltd., 1934. 1st edition.. Hardback. Good. Illustrated by Disney, Walt. Good condition with no wrapper. With Scenic Illustrations. Bright colourful pictorial boards and endpapers. 4 super double-page pop-up scenes. B/w illustrations. One figure missing from second pop-up. Some faint colouring. Large name and address to half-title. Small piece missing from top corner of half-title. Loss of surface paper to top and tail of spine. Edges worn. Some grubby marks to contents. Some hinges pulled.

Published by Dean & Son Ltd., 1934. Hardback. Good. Illustrated by Disney, Walt. Good condition with no wrapper. With Scenic Illustrations. Bright colourful pictorial boards and endpapers. 4 super double-page pop-up scenes. B/w illustrations. Name in ink to half-title. Some colouring. One pop-up repaired. All in working order. Corners worn. Top and tail of spine worn with slight loss. Spine slightly cracked. A few grubby marks to contents. Hinges pulled.

Blue Ribbon Books. Fair with no dust jacket. 1933. No Edition Stated. Pictorial Hardcover. Spine has a 4" tear and 1/2" tear to outer paper and a 1/2"x1" chip to top edge and tiny chips to bottom edge, reader's creases to spine, mild toning, small inscription opposite half-title page, interior hinge starting to crack, little bit of light soiling, first pop-up's bridge is torn away from castle and bottom of castle is taped down to page, 3rd pop-up has couple small tears; 48 pages .

London: Dean & Son, 1933 Pop-up book with few internal faults except one pop-up is reinforced on back with pasted paper, 4 colour pop-ups in total, most o the papered spine is missing and this will need rebacking with cloth, the edges of the boards are rubbed and the corners bumped, ink gift inscripion to half title, 48pp, colour illustrated endpapers. First Edition. Pictorial Boards. Good/No Jacket. Illus. by Walt Disney. 8vo - over 7? - 9? tall.

London: Dean & Son, 1930s). Hardcover. Very Good. Pop-ups (4 large double page scenic illustrations in color) + 20 b/w illustrations after Walt Disney.. Quarto glazed pictorial boards (marginal paper loss to one corner/rubbed to hinges at head and foot for 1cm) fine doublepage colored endpapers 48pp. A very crisp very clean copy with 4 pop-ups in very good condition.

1934. Dean & Son Ltd - London.. With scenic illustrations. 48pp. 4 pop-ups as called for. Contents VG. Boards nice & bright. Minor wear to spine edges. Slightly worn at bottom of spine and bottom corners. VG+. .

New York: Blue Ribbon Books, 1933. First Edition . Hardcover. Fair/Fair. A Fair copy in pictorial hard covers, in A Fair dust jacket with shallow edge-wear, general mild soiling, and with mends made with archival tape on the verso of the jacket to tears at the lower spine and front flap fold. The pop-ups are functional and complete. Scattered mild soiling within. The binding is quite shaken, with some pages loose. A mending/re-casing copy, but scarce in dust jacket.

London: Dean & Son Ltd , 1934. 48pp/illus. A fabulous POP-UP Disney book, illustrated with color pictorial endpapers, 4 terrific and detailed double-page pop-up scenes, plus full page and partial page b&w's throughout. Gift inscription inside front cover. Light wear at spine. Text clean. Pop-ups in great condition. A rare book.. First Edition. Illustrated Boards. Very Good+/No Jacket. 4to - over 9¾" - 12" tall.

New York: Blue Ribbon, 1933. First edition. Very good in very good jacket.. Major early Disney pop-up, part of the pioneering Blue Ribbon movable book project that gave pop-ups their official name. In her study of movable books, Jacqueline Reid-Walsh says that "the term 'pop-up book' is a modern one of American coinage that emerged in the 1930s when Blue Ribbon Publishing worked with the Disney studio to loosely adapt popular fairy tales into a movable book format." (Ellen Rubin notes a ca. 1912 British "Pop-Up Book," not widely known but predating this; Blue Ribbon introduced the term into copyright.) For this ambitious paper engineering project, Disney incorporated their star character into a classic setting of fable: the world of King Arthur. The work balances two of Disney's core strategies, adopted early in its formation and key to its success: reinventing familiar tales, but also capitalizing on the momentum of their most successful new characters. A delicate book, it is difficult to find in… Read More