NOCTURNE. ORNÉ DE CINQ EUX FORTES ... by Miyashita Tokio [illustrator], and Seisyu Maeda - 1959

Chicago: The Ralph Fletcher Seymour Co., 1912.. Tan Japanese paper over boards, lettered in dark blue, with abstract Crane device stamped in olive green. Fibrous Japanese paper endsheets. Neatly rebacked in tan paper board. Boards slightly smudged and lightly edgeworn, attractive period bookplate on front pastedown, otherwise a good copy, in oversize folding clamshell box. First published printing of the first edition, preceded by another printing which Wright disliked and destroyed (but for an alleged 'few'). This is one of the copies printed Japan vellum, of which, depending on the reference, there were either thirty-five or fifty copies. Inscribed by Wright in 1915 at the lower edge of the first blank, and signed with initials. This was Wright's first book for which he was the sole author of the text, and is the most substantive of his publications devoted to his pioneering passion for this subject. SWEENEY 109.

Milan: Electa Architecture, 2005. Signed by Waro Kishi. First edition / First printing. Black paper-covered boards. Very fine in very fine dust jacket.

Sotheby Parke Bernet Publication LTD, New Jersey and Rizzoli International Publications, Inc, New York, 1976 Book. Good. Hardcover. English text.; Hardcover (3 volumes with dust jacket in slipcase). Top edges gilt.; 34 x 25.5 cm.; 8.3 Kg.; 1034 pages with black and white and a few colour illustrations.; Used with signs of wear on the dust jackets and slipcase. Interior in very good condition.; Limited edition of 2,000 copies of which this is 793.; Among the arts of Japan, the colour print continues to exercise the strongest appeal to us in the West. The main reason for the present widespread and growing interest is the powerful design combined with the beauty of the colour harmonies of the prints. But there are also other reasons; they depict a Japan of the past now almost vanished, its culture, mores, annual events, legends and its history; and they also show the influence of the Japanese print on the evolution of modern Western art. In the last few years the most important event in the world of… Read More

Kaishien Gaden (Manual of the Mustard Seed Garden) is an Edo-Era Japanese edition of the very popular Chinese painting guide Jieziyuan Huazhaun by Wang Gai, first published in the Qing Dynasty in China (1701). The manual was reprinted many times from 1748 onwards in Japan.Four volumes from the Second Collection, with drawing instructions and examples for ume plums and kiku chrysanthemums. (Lacks the four volumes on ran orchids and take bamboo.)Vol. 1 Plums: 28pp text, 22 b/w plates; 6pp text, 40 color platesVol. 2 Chrysanthemums: 16pp text, 22 b/w plates; 12pp text, 20 b/w plates The woodblock prints in the plum volume, part 2, are double-page full-color reproductions of botanical art by famous Chinese artists with their seals.Condition: Covers browned and scuffed with some minor worm damage, interior solid and woodcuts mostly clean and bright, but with some browning and worming mostly outside the image.

Collections Baur, Genève, 1994 Book. As New. Hardcover. 1st Edition. English and French text.; Hardcover (cloth with dust jacket in slipcase).; Two volumes in slipcase; 23.5 x 29.5 x 8 cm; 5.2 Kg; With colour and black and white illustrations throughout.; Limited edition of 3100 copies, of which this is 448.; Used book in very good condition. Looks as new. Minor signs of wear on the slipcase.; "These two volumes include the Japanese prints collected by Alfred Baur over the forty or so years from 1909 to 1949. This art form, is known to have exerted a decisive influence on the development of Western painting, offering first to Impressionist painters and then to the Nabil (to mention only France) an example of a new type of compositions that can serve as an alternative to the grand tradition inherited from the Renaissance. Van Gogh and Monet had assembled collections of prints that are still very carefully preserved and the writer Edmond de Goncourt, himself a well-informed collector, had… Read More

Chicago: The Ralph Fletcher Seymour Co., 1912.. Tan Japanese paper over boards, lettered in dark blue, with abstract Crane device stamped in olive green. Fibrous Japanese paper endsheets. Neatly rebacked in tan paper board. Boards slightly smudged and lightly edgeworn, attractive period bookplate on front pastedown, otherwise a good copy, in oversize folding clamshell box. First published printing of the first edition, preceded by another printing which Wright disliked and destroyed (but for an alleged 'few'). This is one of the copies printed Japan vellum, of which, depending on the reference, there were either thirty-five or fifty copies. Inscribed by Wright in 1915 at the lower edge of the first blank, and signed with initials. This was Wright's first book for which he was the sole author of the text, and is the most substantive of his publications devoted to his pioneering passion for this subject. SWEENEY 109.

Milan: Electa Architecture, 2005. Signed by Waro Kishi. First edition / First printing. Black paper-covered boards. Very fine in very fine dust jacket.

1896 1st ed Japanese Fairy Tales Wonderful Tea Kettle Badger Illustrated Tokyo

A rare, hand-made book on silk-stitched, creped wraps of famous Japanese fairy tales! This traditional tale, 'The Wonderful Tea Kettle', is an illustrated woodblock book telling the tale of an old priest and his desire to lead the Chanoyu ceremony. While in meditation, his tea kettle began to shake and out of it came a badger!

This volume is numbered no. 16 in a series of 'Antique Japanese Fairy Tales'.
Item number: #6980
Price: $499
JAMES, T.H.
Antique Japanese Fairy Tale Series #16, The Wonderful Tea Kettle
Tokyo : T. Hasegawa, 1896. First edition. [Meiji 29]

Details:
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Collation: Complete with all pages
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Language: English
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Binding: Softcover; tight and secure
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Size: ~6in X 4in (15cm x 10cm)
Our Guarantee:
Very Fast. Very Safe. Free Shipping Worldwide.
Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation!… Read More

Sotheby Parke Bernet Publication LTD, New Jersey and Rizzoli International Publications, Inc, New York, 1976 Book. Good. Hardcover. English text.; Hardcover (3 volumes with dust jacket in slipcase). Top edges gilt.; 34 x 25.5 cm.; 8.3 Kg.; 1034 pages with black and white and a few colour illustrations.; Used with signs of wear on the dust jackets and slipcase. Interior in very good condition.; Limited edition of 2,000 copies of which this is 793.; Among the arts of Japan, the colour print continues to exercise the strongest appeal to us in the West. The main reason for the present widespread and growing interest is the powerful design combined with the beauty of the colour harmonies of the prints. But there are also other reasons; they depict a Japan of the past now almost vanished, its culture, mores, annual events, legends and its history; and they also show the influence of the Japanese print on the evolution of modern Western art. In the last few years the most important event in the world of… Read More

Kaishien Gaden (Manual of the Mustard Seed Garden) is an Edo-Era Japanese edition of the very popular Chinese painting guide Jieziyuan Huazhaun by Wang Gai, first published in the Qing Dynasty in China (1701). The manual was reprinted many times from 1748 onwards in Japan.Four volumes from the Second Collection, with drawing instructions and examples for ume plums and kiku chrysanthemums. (Lacks the four volumes on ran orchids and take bamboo.)Vol. 1 Plums: 28pp text, 22 b/w plates; 6pp text, 40 color platesVol. 2 Chrysanthemums: 16pp text, 22 b/w plates; 12pp text, 20 b/w plates The woodblock prints in the plum volume, part 2, are double-page full-color reproductions of botanical art by famous Chinese artists with their seals.Condition: Covers browned and scuffed with some minor worm damage, interior solid and woodcuts mostly clean and bright, but with some browning and worming mostly outside the image.