THE PAINTED VEIL .. .DIALOGUE CONTINUITY... [(sic)wrapper title] by [Maugham, W. Somerset (source work)]: Meehan, John; Salka Viertel, and Edith Fitzgerald [screenwriters] - 1933

[Np: London Film Productions for Selznick Releasing Organization], 19 July 1948.. 118 leaves. Quarto. Mimeographed typescript, printed on rectos only. Bradbound in typescript blue wrappers, with small script number stamp. Slight sunning at edges of wrappers, else about fine. A "second draft" of this original screenplay by Greene, with uncredited contributions by Orson Welles (who it is said wrote his own dialogue) and Carol Reed, the director. The English production premiered in the UK on 31 August 1949, and opened in the U.S. in February 1950, with distribution through Selznick Releasing Organization. This script is one of a small number of preproduction scripts prepared for use by the latter group. The cast included Joseph Cotton, Orson Welles, Trevor Howard and Allida Valli, and the film was appreciated in its own time via a number of nominations and awards, and appreciated even more considerably by posterity. Greene published an adaptation of the original treatment in 1950, and in 1968, a form of… Read More

(n.p.): Burbank Studios. 1980. Tesich's second draft screenplay (September, 1980) for the film based on Irving's novel. 149 pages, bradbound in studio wrappers; "Garp" written on spine; near fine. Together with a "Confidential" 8-page synopsis of Tesich's January, 1981 final draft by story analyst Thomas Craig, dated 2/27/81: 7-pages of synopsis; 1 page of comment on how the final draft differs from the second draft that is included here. The final draft referred to by the synopsis and commentary was 10 pages shorter than this second draft. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Near Fine.

Los Angeles, Various dates but chiefly 1962 - 1963.. Two carbon typescripts, plus file of correspondence. Generally good to very good. A small but interesting file of material relating to this unproduced film project, a fictionalized treatment of UN Peace Keeping Forces drawing on their involvement in the Congo. The lot includes two variant drafts of a treatment, 99 leaves and 86 leaves, the latter in specially printed production binder, with several rather frayed revised inserts laid in, with scattered manuscript corrections and deletions. Also present is a file of a dozen pieces of correspondence relating largely to research, but as well to trying to place the project. The most significant item among the latter is a long, single-spaced typed letter to Nugent from Frank Capra, rather messily typed, with corrections, signed "Warmest regards, Frank," responding in enthusiastic detail after his reading of the treatment, but declining to get involved due to commitment to another project. He writes, in… Read More

No binding. Very Good. Manuscript Margaret Sanger (subject) Story and Screenplay by Marcia F. Cohen dated May 19, 1967. Vintage film script, quarto. 128 pp., in plain stiff wrappers, bolt bound, with typed label affixed. Mimeograph on blue paper, with some scattered MS revisions in Cohen's hand, and a few pages of revisions on onionskin paper. An unproduced screenplay for the life of Margaret Sanger. Margaret Sanger (1879-1966) was an American nurse who became a birth control activist, sex educator, writer, and speaker. She opened the first birth control clinic in the United States and later established the organizations that evolved into Planned Parenthood. She is credited with popularizing the term ""birth control."" Marcia Cohen's screenplay dramatizes Sanger's life from roughly 1914 through 1916, the period when she first became a public figure. The screenplay begins in a New York City tenement in 1914 where young nurse, Margaret Sanger, is treating a married woman who is dying due to a… Read More

188 pages Viking Press, 1942. Hardcover. Condition: Fine. No Dust Jacket 1st Edition. A fine first edition, Second issue with no period on the 11th line on page 112 between this and talk. Viking Press, N.Y., 1942. Blue Cloth HC + Silver Lettering and design. No silver on imprinted front cover Stated First Edition-March 1942 Haddon Craftsmen attributed therefore second state copy; collectible; Clean unmarked text. Very good binding. Light soil on boards.

[Np: London Film Productions for Selznick Releasing Organization], 19 July 1948.. 118 leaves. Quarto. Mimeographed typescript, printed on rectos only. Bradbound in typescript blue wrappers, with small script number stamp. Slight sunning at edges of wrappers, else about fine. A "second draft" of this original screenplay by Greene, with uncredited contributions by Orson Welles (who it is said wrote his own dialogue) and Carol Reed, the director. The English production premiered in the UK on 31 August 1949, and opened in the U.S. in February 1950, with distribution through Selznick Releasing Organization. This script is one of a small number of preproduction scripts prepared for use by the latter group. The cast included Joseph Cotton, Orson Welles, Trevor Howard and Allida Valli, and the film was appreciated in its own time via a number of nominations and awards, and appreciated even more considerably by posterity. Greene published an adaptation of the original treatment in 1950, and in 1968, a form of… Read More

(n.p.): Burbank Studios. 1980. Tesich's second draft screenplay (September, 1980) for the film based on Irving's novel. 149 pages, bradbound in studio wrappers; "Garp" written on spine; near fine. Together with a "Confidential" 8-page synopsis of Tesich's January, 1981 final draft by story analyst Thomas Craig, dated 2/27/81: 7-pages of synopsis; 1 page of comment on how the final draft differs from the second draft that is included here. The final draft referred to by the synopsis and commentary was 10 pages shorter than this second draft. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Near Fine.

Los Angeles, Various dates but chiefly 1962 - 1963.. Two carbon typescripts, plus file of correspondence. Generally good to very good. A small but interesting file of material relating to this unproduced film project, a fictionalized treatment of UN Peace Keeping Forces drawing on their involvement in the Congo. The lot includes two variant drafts of a treatment, 99 leaves and 86 leaves, the latter in specially printed production binder, with several rather frayed revised inserts laid in, with scattered manuscript corrections and deletions. Also present is a file of a dozen pieces of correspondence relating largely to research, but as well to trying to place the project. The most significant item among the latter is a long, single-spaced typed letter to Nugent from Frank Capra, rather messily typed, with corrections, signed "Warmest regards, Frank," responding in enthusiastic detail after his reading of the treatment, but declining to get involved due to commitment to another project. He writes, in… Read More

No binding. Very Good. Manuscript Margaret Sanger (subject) Story and Screenplay by Marcia F. Cohen dated May 19, 1967. Vintage film script, quarto. 128 pp., in plain stiff wrappers, bolt bound, with typed label affixed. Mimeograph on blue paper, with some scattered MS revisions in Cohen's hand, and a few pages of revisions on onionskin paper. An unproduced screenplay for the life of Margaret Sanger. Margaret Sanger (1879-1966) was an American nurse who became a birth control activist, sex educator, writer, and speaker. She opened the first birth control clinic in the United States and later established the organizations that evolved into Planned Parenthood. She is credited with popularizing the term ""birth control."" Marcia Cohen's screenplay dramatizes Sanger's life from roughly 1914 through 1916, the period when she first became a public figure. The screenplay begins in a New York City tenement in 1914 where young nurse, Margaret Sanger, is treating a married woman who is dying due to a… Read More

188 pages Viking Press, 1942. Hardcover. Condition: Fine. No Dust Jacket 1st Edition. A fine first edition, Second issue with no period on the 11th line on page 112 between this and talk. Viking Press, N.Y., 1942. Blue Cloth HC + Silver Lettering and design. No silver on imprinted front cover Stated First Edition-March 1942 Haddon Craftsmen attributed therefore second state copy; collectible; Clean unmarked text. Very good binding. Light soil on boards.