ROSSETTI AND HIS CIRCLE by Beerbohm, Max - 1922

London: Lawrence and Bullen, 1891.. Large octavo. Original publisher's vellum over boards, lettered in red and black. Head- and tail- pieces after engravings by Linton. Title-vignette. Attractive bookplate (and remains of another) on front pastedown, vellum slightly bowed and smudged, but a very good or better copy. First British edition, limited issue. One of thirty-five numbered copies on Japon vellum, specially bound, from a total edition of 330. Linton is credited on the half-title as editor and illustrator, but he of course was the composer of the poems as well. Scarce in this issue. NCBEL III:533.

1862. 1862 Jaffray, James GRAPHIC ILLUSTRATIONS OF WARWICKSHIRE Birmingham: Thomas Underwood, 1862 pp[viii], 119pp frontispiece engraving, 31 engraved plates, 13 vignettes 4to Contemporary green half calf/marbled paper boards, edges of textblock marbled Backstrip panelled in gilt Neatly rebacked in green leather, original backstrip laid back down, new stamped leather spine label foxing throughout text and on tissue guards 6 of the plates have moderate to heavy foxing with the remaining plates with little or no foxing at all Moderate rubbing on covers, edges of boards, internally near fine, overall a nice leatherbound hardcover copy.

London: Etchells & Macdonald, 1926.. Quarto. Cream linen spine and orange cloth over boards, stamped in gilt. Faint dust soiling to spine, trace of normal offsetting to endsheet gutters, otherwise a fine copy in lightly worn slipcase. First edition. Introduction and captions to the illustrations by Bernard Windeler. Illustrated with twenty-three original copper engravings by Wadsworth, printed from the plates, both full-page and vignette, and some delicately handcolored. One of four hundred and fifty copies. Wadsworth was, of course, one of the original signators to the Vorticist manifesto and regrettably that tradition shows through only occasionally and briefly in these draftsman-like renderings. Of particular interest to this cataloguer is the probability that the author of the captions is the same B.C. Windeler whose ELIMUS, with illustrations by Dorothy Shakespear, was published in Pound's INQUEST series three years earlier.

London: Aquarium Gallery, 2004. 1st Edition . No Binding. As New. The Pax Britannica exhibition poster designed by Ralph Steadman in 2004. Note: this is not from the boxed-set of signed prints issued by the gallery which included Steadman, Banksy et al, and which were un-numbered but rather an example of the Poster published separately in an edition of 100. Signed & numbered by Ralph Steadman, bottom left. 16.2" x 23", printed by United Posters Ltd. In immaculate condition, rolled.

Good copy of Volume XLV (45) or Third of the New Series of Curtis's Botanical Magazine, 1818.
With 58 (of 81) hand-coloured botanical plates (No. 1948-2022). Seven folding plates. Missing 23 plates: 1945-1947, 1952-1962, 1968, 1989-1994, 2001.
Copperplate engravings after an unknown artist, a few engraved by Weddell.
Includes many exotic flowers and plants including endangered Jamaica sago, bitter ginger, Cape aloe, sweet crabapple, blood lily, Florida arrowroot, brown widelip orchid, boneset, cherimoya, passionflower, sunflower, etc.
John Sims (1749-1831) was an English physician and botanist. Born in Canterbury and educated at the Quaker school in Burford, Oxfordshire, he went on to study medicine at Edinburgh University. He became the first editor of the Botanical Magazine after the death of William Curtis in 1799, and edited the magazine from 1801 to 1826.
Contemporary quarter leather binding dry and flaking, spine with five raised bands, chipped orange and burgundy leather title labels, gilt… Read More

London: Lawrence and Bullen, 1891.. Large octavo. Original publisher's vellum over boards, lettered in red and black. Head- and tail- pieces after engravings by Linton. Title-vignette. Attractive bookplate (and remains of another) on front pastedown, vellum slightly bowed and smudged, but a very good or better copy. First British edition, limited issue. One of thirty-five numbered copies on Japon vellum, specially bound, from a total edition of 330. Linton is credited on the half-title as editor and illustrator, but he of course was the composer of the poems as well. Scarce in this issue. NCBEL III:533.

London: Etchells & Macdonald, 1926.. Quarto. Cream linen spine and orange cloth over boards, stamped in gilt. Faint dust soiling to spine, trace of normal offsetting to endsheet gutters, otherwise a fine copy in lightly worn slipcase. First edition. Introduction and captions to the illustrations by Bernard Windeler. Illustrated with twenty-three original copper engravings by Wadsworth, printed from the plates, both full-page and vignette, and some delicately handcolored. One of four hundred and fifty copies. Wadsworth was, of course, one of the original signators to the Vorticist manifesto and regrettably that tradition shows through only occasionally and briefly in these draftsman-like renderings. Of particular interest to this cataloguer is the probability that the author of the captions is the same B.C. Windeler whose ELIMUS, with illustrations by Dorothy Shakespear, was published in Pound's INQUEST series three years earlier.

London: William Heinemann, 1919. Near Fine, small corner bumps and small creasesat spine ends, small contemporary prior owner name in pencil front end page, in a Very Good dust jacket, old external tape mends at spine ends. The lovely drawings of a 12 year old girl, Pamela Bianco, accompanied by the poems that Walter de la Mare was inspired by them to write. . First Edition. Decorative Paper Covered Board. Near Fine/Very Good. 4to - over 9¾" - 12" tall.

Very good volume of 17 numbers of this rare 18th century art magazine.

With calligraphic title page and 50 (of 51) copperplates after artists such as Paul Sandby, C. Monnet, Charles le Brun, Philippe de Champaigne, Giovanni Casanova, Charles Eisen, etc., engraved by Joshua Collyer, William Walker, Charles Grignion, Michael Angelo Rooker, T. Cook, J. Hall, W. Sharp and others.

"In each number of which will be given a Portrait of some Celebrated Personage, some interesting Historical Subject and some curious Perspective View executed by the most capital artists of Great Britain and calculated to enrich the Cabinets of the Curious or to ornament the Apartments of Persons of Real Taste."

Each number had three plates, a portrait, a historical or mythological scene and a bucolic landscape. Missing one plate (of Perseus), never bound in.

The portraits include writers, philosophers, scientists, statesmen, clergy and aristocrats such as Geoffrey Chaucer, Alexander Pope, Racine, Moliere, Corneille, Sir… Read More

Very good copy of Pinkerton's collection of rare portraits of Scottish royalty, clergy and celebrities.

Complete with 63 finely engraved copperplates.

With portrait of cross-dressing Frances Stuart as frontispiece, engraved title page dated 1797, list of subscribers, advertisement to Part I, advertisement to Part III dated 1796, and 56 other portraits (one folding) and six engraved plates of royal seals.

With three portraits of Mary, Queen of Scots, and King James IV, two portraits of King James V, and individual portraits of Alexander III, David I, Malcom I, Robert II, Robert III, James I, James II, James III, James VI (later James I of England) and Scottish queens Mary of Guise, Margaret of Denmark, Anne of Denmark.

Among the other interesting characters are the Scottish polymath James Crichton, aka the Admirable Crichton, and Frances Stuart, Duchess of Richmond, a famous beauty at the court of King Charles II of England, cross-dressing as a man, as well as statesmen, clergy, martyrs, etc.… Read More