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THE SACRED ANNUAL: BEING THE MESSIAH, A POEM by  ROBERT  Illustrator. MONTGOMERY - Hardcover - Fourth Edition - 1834 - from Phillip J. Pirages Fine Books and Medieval Manuscripts (SKU: ST12776b)

THE SACRED ANNUAL: BEING THE MESSIAH, A POEM

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THE SACRED ANNUAL: BEING THE MESSIAH, A POEM

by MARTIN, JOHN, Illustrator. MONTGOMERY, ROBERT

  • Used
  • Hardcover
Condition
See description
Seller
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
McMinnville, Oregon
Item Price
$1,500.00
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About This Item

Appealing 19th century black straight-grain morocco, covers with a gilt filigree and blind-rolled frame, raised bands, spine compartments gilt with curling cornerpieces and lancet tools radiating from a central circle, black morocco label, blind-rolled turn-ins, marbled endpapers, all edges gilt.
With extra chromolithographed "missal" title page, woodcut tailpiece by John Franklin, and 10 COLOR LITHOGRAPHS mounted on heavy stock, three of these by John Martin (The Temptation, The Sermon on the Mount, and The Remorse of Judas), all lithographs with captioned tissue guards.
Front pastedown with armorial bookplate bearing the motto "Soli Possumus Facere Nihil," front free endpaper with animated engraved bookplate of George Oliver Clark, with the added inscription "To 'Nona' and Michele with 'Didi's' love - Jan. 21, 1948."

Joints a little rubbed (part of the front joint with thin crack), spine gilt a little muted, corners very slightly worn, but the binding without any serious condition issues and definitely pleasing. Isolated faint spots internally, but the text and plates generally very clean and fresh.

This verse retelling of the life of Christ is enhanced with very attractive color lithographs by leading illustrators and presented in a pleasing, appropriately somber binding. Foremost among the illustrators represented is John Martin (1789-1854), who began his career modestly as a provincial painter of coats of arms on the coaches of the nobility and ended up being one of the most popular English artists of the 19th century. He studied under the Italian artist Bonifacio Musso and moved to London with his master in 1806. He first exhibited a painting at the Royal Academy in 1812 (selling it for 50 guineas), and this was followed by a series of other exhibited works, most of them huge canvases showing classical or biblical themes, some of which carried off substantial monetary prizes. Of particular note was his painting of "Belshazzar's Feast," for which he was awarded £200 in 1821. His illustrations for the present work stand out from the other plates by their scope and grandeur: while most of the other artists chose to portray more intimate scenes, the figures in Martin's works are quite small, surrounded by imposing mountains, towers, and sweeping clouds. Humanity is dwarfed by the awe-inspiring divine. In addition to being a painter, Martin was a major mezzotint engraver, and it was as an engraver that he became immensely popular with the public (it was also as an engraver that he earned the largest share of his income). His mezzotint illustrations for American publisher Septimus Prowett's edition of Milton's "Paradise Lost" are perhaps his best, and certainly his best-known, works. The author of the present book, Robert Montgomery (1807-55), was a great admirer of Martin, lauding him as "a second Milton," and he was no doubt extremely pleased to have his work illustrated by such an artist. Montgomery rose from very humble beginnings to become a clergyman in the Church of England and a bestselling author of devotional texts. Although incurring the contempt of critics--one describing the author as "a byword for all that is vacant, vague, and inane"--Montgomery produced religious epics that found an enthusiastic readership among what DNB calls "a large and relatively new class of readers whose tastes and expectations were very different from those of the cultural élite." This work shows up in the marketplace occasionally, but it is almost always found in a restored binding and/or in unpleasant condition.

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Details

Bookseller
Phillip J. Pirages Fine Books and Medieval Manuscripts US (US)
Bookseller's Inventory #
ST12776b
Title
THE SACRED ANNUAL: BEING THE MESSIAH, A POEM
Author
MARTIN, JOHN, Illustrator. MONTGOMERY, ROBERT
Book condition
Used
Quantity-available
1
Edition
Fourth Edition
Binding
Hardcover
Publisher
John Turrill
Place of Publication
London
Date Published
1834
Pages
xi, [i] pp., [2] leaves, 300 pp.
Size
191 x 121 mm. (7 1/2 x 4 3/4").
Size
191 x 121 mm. (7 1/2 x 4 3/4").

Terms of Sale

Phillip J. Pirages Fine Books and Medieval Manuscripts

30 day return guarantee, with full refund including shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

  • Does the default shipping charge seem high? If so, please contact us by email at info@pirages.com for a shipping charge tailored to your order and location. You may also call us at (800) 962-6666 in the US or (503) 472-0476 outside the US, Monday through Friday between the hours of 10 am and 4 pm US Pacific time or leave us a message.
  • For all orders outside the US and Canada, please contact us for shipping charges before completing your order.
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  • Except in the cases of items priced at $100 or less (for which we charge a small handling fee), we wish only to pass along actual carrier charges to our customers. The constraints of this website force us to assume that each purchase is both heavier and further away than average, so we would be pleased to adjust the charges to reflect actual weights and locations.

About the Seller

Phillip J. Pirages Fine Books and Medieval Manuscripts

Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Biblio.com member since 2006
McMinnville, Oregon
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About Phillip J. Pirages Fine Books and Medieval Manuscripts

Phillip J. Pirages Fine Books an Manuscripts was established in 1978 on a ping pong table in a basement in Kalamazoo, Michigan. From the beginning, its founder was willing to sell a range of material, but over the years, the business has gravitated toward historical artifacts that are physically attractive in some way--illuminated material, fine bindings, books printed on vellum, fore-edge paintings, beautiful typography and paper, impressive illustration. Today, the company still sells a wide range of things, from (scruffy) ninth century leaves to biblical material from all periods to Wing and STC imprints to modern private press books to artists' bindings. While we are forgiving about condition when something is of considerable rarity, we always try to obtain the most attractive copies possible of whatever we offer for sale.

Glossary

Some terminology that may be used in this description includes:

gilt
The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in... [More]
edges
The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a... [More]
title page
A page at the front of a book which may contain the title of the book, any subtitles, the authors, contributors, editors, the... [More]
New
A new book is a book previously not circulated to a buyer. Although a new book is typically free of any faults or defects, "new"... [More]
bookplate
Highly sought after by some collectors, a book plate is an inscribed or decorative device that identifies the owner, or former... [More]
raised band(s)
Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the... [More]
morocco
Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye. (see also... [More]
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