Skip to content

TERRORIST

TERRORIST

TERRORIST Hardcover - 2006

by Updike, John

  • Used
  • Fine
  • Hardcover
  • Signed
  • first

Born of an Irish-American mother and an Egyptian father long since disappeared, 18-year-old Ahmad craves spiritual nurture and is drawn into an insidious plot.

Used - Fine

Description

New York City, NY: Alfred A. Knopf, 2006. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. New York City, NY: Alfred A. Knopf, 2006. Hardcover. Fine/Fine. First Edition/First Printing. 310 pages. The author's 22nd novel. Now considered a contemporary classic. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. Subsequent printings do not have the topstain that has become a trademark of Updike's handsomely produced books. The First Edition is now scarce. Presents John Updike's "Terrorist'. Ostensibly Updike's exploration of spirituality, religion, and fanaticism, themes he explored in such novels as "The Coup" and "Toward The End of Time". Updike's genuine achievement is his protagonist, Ahmad Ashmawy Mulloy, the 18-year-old American suicide bomber/son of a present Irish mother and an absent Egyptian father. "He's my hero. I tried to understand him and to dramatize his world. Besides it's not just young Muslims who are killing themselves. We have all these American high school students, steeped in Protestantism and Judaism, who bring guns to school to shoot up the cafeteria knowing they're going to die at the end of this rush" (John Updike). "Tells his story with the thrilling, gorgeous prose we have come to expect of him. A terrible beauty" (Alden Mudge). Written in Updike's characteristic lapidary style: Chiseled, polished, impeccable. There is such a thing as a John Updike line or sentence in the sense that there isn't in any other living American writer today. Susan Sontag regarded him as the finest stylist in the English language of our time. An absolute "must-have" title for John Updike collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by John Updike. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Signed copies of John Updike's Hardcover First Editions are more scarce than the Limited Editions because he seldom did public signings and limited the number of books when he did. A scarce signed copy thus. A writer all his adult life, John Updike was probably the most-honored American writer of our time: Winner of numerous awards, among them the Guggenheim Fellowship (1959), Rosenthal Award, National Institute of Arts and Letters (1959), National Book Award for Fiction (1964), O. Henry Prize (1967-68), American Book Award (1982), National Book Critics Circle Award for Fiction (1982, 1990), Union League Club Abraham Lincoln Award (1982), National Arts Club Medal of Honor (1984), and the National Medal of the Arts (1989), the highest award the U. S. Government bestows on its artists and writers. In 1976, he became a member of American Academy of Arts and Letters. In 2003, Updike received the National Medal for Humanities, joining a very small group of great living Americans who have been honored with both the National Medal of the Arts and the National Medal for the Humanities. Updike's greatest novels, "Rabbit Is Rich" and "Rabbit At Rest", won Pulitzer Prizes. One of the greatest writers of the 20th century. A fine copy. (SEE ALSO OTHER JOHN UPDIKE TITLES IN OUR CATALOG). ISBN 0307264653.
$77.00
$9.95 Shipping to USA
Standard delivery: 3 to 14 days
More Shipping Options
Ships from Modern Rare (Illinois, United States)

Details

  • Title TERRORIST
  • Author Updike, John
  • Binding Hardcover
  • Edition First Edition. First Printing.
  • Condition Used - Fine
  • Pages 310
  • Volumes 1
  • Language ENG
  • Publisher Alfred A. Knopf, New York City, NY
  • Date 2006
  • Features Dust Cover
  • Bookseller's Inventory # 11668
  • ISBN 9780307264657 / 0307264653
  • Weight 1.18 lbs (0.54 kg)
  • Dimensions 8.56 x 6.1 x 1.15 in (21.74 x 15.49 x 2.92 cm)
  • Library of Congress subjects Terrorism, Egyptian Americans
  • Library of Congress Catalog Number 2005057985
  • Dewey Decimal Code FIC

About Modern Rare Illinois, United States

Biblio member since 2003

ModernRare.com is exclusively an online bookstore. We believe this is the best way to satisfy our customers' expectations. Unlike an open bookstore, where books are routinely handled and may deteriorate, we guarantee the condition of our books as described. We specialize in modern firsts, photography, the arts, and erotica. You will also find a fine selection of signed copies, limited editions, and memorabilia because our ultimate goal is to deepen the pleasure of collecting books. We carry titles that we ourselves like and believe in -- books that we think will excite, enchant, and endure.

Terms of Sale:

We ship at cost, based on weight, destination, and shipping method. We ship via Standard or Expedited USPS or FedEx in the US and Globally. Payable in $US dollars by Visa, Mastercard, American Express, Discover, personal check, cashiers check, money order, or wire transfer. Returns accepted, with prior notification, within 10 days after shipment, provided the item is in the same condition it was shipped. We make every effort to describe the item as accurately as possible. Shipping costs are non-refundable. All Magazine, DVD/Blu-ray, and audiotape sales are final and non-refundable. Email us at modernrarenow@gmail.com or call us at 312-376-5000.

Browse books from Modern Rare

Summary

John Updike has written a brilliant novel that ranks among the most provocative of his distinguished career. Terrorist is the story of Ahmad Ashmawy Mulloy, an alienated American-born teenager who spurns the materialistic, hedonistic life he witnesses in the slumping New Jersey factory town he calls home. Turning to the words of the Holy Qur'an as expounded to him by the pedantic imam of a local mosque, Ahmad devotes himself fervently to God. Neither the world-weary guidance counselor at his high school nor Ahmad's mischievously seductive classmate Joryleen succeeds in deflecting him from his course, as the threads of an insidious plot gather around him."One compelling and surprising ride."--USA Today"The startlingly contemporary story of a high school student . . . whose zealous Islamic faith and disaffection with modern life make him a pawn in the larger conflict between Muslim and Christian, East and West. They also make him a powerful voice for Updike's ongoing critique of American civilization."--Time"A chilling tale that is perhaps the most essential novel to emerge from Sept. 11."--People (Critic's Choice)From the Trade Paperback edition.

From the publisher

John Updike was born in 1932, in Shillington, Pennsylvania. He graduated from Harvard College in 1954 and spent a year in Oxford, England, at the Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of the staff of The New Yorker and since 1957 has lived in Massachusetts. His novels have won the Pulitzer Prize, the National Book Award, the American Book Award, the National Book Critics Circle Award, the Rosenthal Award, and the Howells Medal.

Excerpt

I

Devils, Ahmad thinks. These devils seek to take away my God. All day long, at Central High School, girls sway and sneer and expose their soft bodies and alluring hair. Their bare bellies, adorned with shining navel studs and low-down purple tattoos, ask, What else is there to see? Boys strut and saunter along and look dead-eyed, indicating with their edgy killer gestures and careless scornful laughs that this world is all there is—a noisy varnished hall lined with metal lockers and having at its end a blank wall desecrated by graffiti and roller-painted over so often it feels to be coming closer by millimeters.

The teachers, weak Christians and nonobservant Jews, make a show of teaching virtue and righteous self-restraint, but their shifty eyes and hollow voices betray their lack of belief. They are paid to say these things, by the city of New Prospect and the state of New Jersey. They lack true faith; they are not on the Straight Path; they are unclean. Ahmad and the two thousand other students can see them scuttling after school into their cars on the crackling, trash-speckled parking lot like pale crabs or dark ones restored to their shells, and they are men and women like any others, full of lust and fear and infatuation with things that can be bought. Infidels, they think safety lies in accumulation of the things of this world, and in the corrupting diversions of the television set. They are slaves to images, false ones of happiness and affluence. But even true images are sinful imitations of God, who can alone create. Relief at escaping their students unscathed for another day makes the teachers’ chatter of farewell in the halls and on the parking lot too loud, like the rising excitement of drunks. The teachers revel when they are away from the school. Some have the pink lids and bad breaths and puffy bodies of those who habitually drink too much. Some get divorces; some live with others unmarried. Their lives away from the school are disorderly and wanton and self-indulgent. They are paid to instill virtue and democratic values by the state government down in Trenton, and that Satanic government farther down, in Washington, but the values they believe in are
Godless: biology and chemistry and physics. On the facts and formulas of these their false voices firmly rest, ringing out into the classroom. They say that all comes out of merciless blind atoms, which cause the cold weight of iron, the transparency of glass, the stillness of clay, the agitation of flesh. Electrons pour through copper threads and computer gates and the air itself when stirred to lightning by the interaction of water droplets. Only what we can measure and deduce from measurement is true. The rest is the passing dream that we call our selves.

Ahmad is eighteen. This is early April; again green sneaks, seed by seed, into the drab city’s earthy crevices. He looks down from his new height and thinks that to the insects unseen in the grass he would be, if they had a consciousness like his, God. In the year past he has grown three inches, to six feet—more unseen materialist forces, working their will upon him. He will not grow any taller, he thinks, in this life or the next. If there is a next, an inner devil murmurs. What evidence beyond the Prophet’s blazing and divinely inspired words proves that there is a next? Where would it be hidden? Who would forever stoke Hell’s boilers? What infinite source of energy would maintain opulent Eden, feeding its dark-eyed houris, swelling its heavy-hanging fruits, renewing the streams and splashing fountains in which God, as described in the ninth sura of the Qur’an, takes eternal good pleasure? What of the second law of thermodynamics?

The deaths of insects and worms, their bodies so quickly absorbed by earth and weeds and road tar, devilishly strive to tell Ahmad that his own death will be just as small and final. Walking to school, he has noticed a sign, a spiral traced on the pavement in luminous ichor, angelic slime from the body of some low creature, a worm or snail of which only this trace remains. Where was the creature going, its path spiralling inward to no purpose? If it was seeking to remove itself from the hot sidewalk that was roasting it to death as the burning sun beat down, it failed and moved in fatal circles. But no little worm-body was left at the spiral’s center.

So where did that body fly to? Perhaps it was snatched up by God and taken straight to Heaven. Ahmad’s teacher, Shaikh Rashid, the imam at the mosque upstairs at 27811?2 West Main Street, tells him that according to the sacred tradition of the Hadith such things happen:
the Messenger, riding the winged white horse Buraq, was guided through the seven heavens by the angel Gabriel to a certain place, where he prayed with Jesus, Moses, and Abraham before returning to Earth, to become the last of the prophets, the ultimate one. His adventures that day are proved by the hoofprint, sharp and clear, that Buraq left on the Rock beneath the sacred Dome in the center of Al-Quds, called Jerusalem by the infidels and Zionists, whose torments in the furnaces of Jahannan are well described in the seventh and eleventh and fiftieth of the suras of the Book of Books.

Shaikh Rashid recites with great beauty of pronunciation the one hundred fourth sura, concerning Hutama, the Crushing Fire:

And who shall teach thee what the Crushing Fire is?
It is God’s kindled fire,
Which shall mount above the hearts of the damned;
It shall verily rise over them like a vault,
On outstretched columns.

When Ahmad seeks to extract from the images in the Qur’an’s Arabic—the outstretched columns, fi 'amadin mumaddada, and the vault high above the hearts of those huddled in terror and straining to see into the towering mist of white heat, naru l-lahi l-muqada—some hint of the Merciful’s relenting at some point in time, and calling a halt to Hutama, the imam casts down his eyes, which are an unexpectedly pale gray, as milky and elusive as a kafir woman’s, and says that these visionary descriptions by the Prophet are figurative. They are truly about the burning misery of separation from God and the scorching of our remorse for our sins against His commands. But Ahmad does not like Shaikh Rashid’s voice when he says this. It reminds him of the unconvincing voices of his teachers at Central High. He hears Satan’s undertone in it, a denying voice within an affirming voice. The Prophet meant physical fire when he preached unforgiving fire; Mohammed could not proclaim the fact of eternal fire too often.

Shaikh Rashid is not much older than Ahmad—perhaps ten years, perhaps twenty. He has few wrinkles in the white skin of his face. He is diffident though precise in his movements. In the years by which he is older, the world has weakened him. When the murmuring of the devils gnawing within him tinges the imam’s voice, Ahmad feels in his own self a desire to rise up and crush him, as God roasted that poor worm at the center of the spiral. The student’s faith exceeds the master’s; it frightens Shaikh Rashid to be riding the winged white steed of Islam, its irresistible onrushing. He seeks to soften the Prophet’s words, to make them blend with human reason, but they were not meant to blend: they invade our human softness like a sword. Allah is sublime beyond all particulars. There is no God but He, the Living, the Self-Subsistent; He is the light by which the sun looks black. He does not blend with our reason but makes our reason bow low, its forehead scraping the dust and bearing like Cain the mark of that dust. Mohammed was a mortal man but visited Paradise and consorted with the realities there. Our deeds and thoughts were written in the Prophet’s consciousness in letters of gold, like the burning words of electrons that a computer creates of pixels as we tap the keyboard.



The halls of the high school smell of perfume and bodily exhalations, of chewing gum and impure cafeteria food, and of cloth–cotton and wool and the synthetic materials of running shoes, warmed by young flesh. Between classes there is a thunder of movement; the noise is stretched thin over a violence beneath, barely restrained. Sometimes in the lull at the end of the school day, when the triumphant, jeering racket of departure has subsided and only the students doing extracurricular activities remain in the great building, Joryleen Grant comes up to Ahmad at his locker. He does track in the spring; she sings in the girls’ glee club. As students go at Central High, they are “good.” His religion keeps him from drugs and vice, though it also holds him rather aloof from his classmates and the studies on the curriculum. She is short and round and talks well in class, pleasing the teacher. There is an endearing self-confidence in how compactly her cocoa-brown roundnesses fill her clothes, which today are patched and sequinned jeans, worn pale where she sits, and a ribbed magenta shorty top both lower and higher than it should be. Blue plastic barrettes pull her glistening hair back as straight as it will go; the plump edge of her right ear holds along its crimp a row of little silver rings. She sings in assembly programs, songs of Jesus or sexual longing, both topics abhorrent to Ahmad. Yet he is pleased that she notices him, coming up to him now and then like a tongue testing a sensitive tooth.

“Cheer up, Ahmad,” she teases him. “Things can’t be so bad.” She rolls her half-bare shoulder, lifting it as if to shrug, to show she is being playful.

“They’re not bad,” he says. “I’m not sad,” he tells her. His long body tingles under his clothes—white shirt, narrow-legged black jeans—from the shower after track practice.

“You’re looking way serious,” she tells him. “You should learn to smile more.”

“Why? Why should I, Joryleen?”

“People will like you more.”

“I don’t care about that. I don’t want to be liked.”

Media reviews

Citations

  • Booklist, 03/15/2006, Page 6
  • Booklist Editors Choice/Adult, 01/01/2007, Page 10
  • Booksense '76 July 2006, 07/01/2006, Page 1
  • Christian Century, 10/31/2006, Page 34
  • Entertainment Weekly, 06/09/2006, Page 140
  • Kirkus Reviews, 04/01/2006, Page 323
  • Library Journal, 05/15/2006, Page 94
  • Library Journal Prepub Alert, 02/01/2006, Page 54
  • New York Review of Books, 07/13/2006, Page 8
  • New York Times, 06/18/2006, Page 1
  • Newsweek, 06/05/2006, Page 58
  • People Weekly, 06/19/2006, Page 52
  • Publishers Weekly, 04/10/2006, Page 44
  • Time, 06/05/2006, Page 64
  • Vanity Fair, 06/01/2006, Page 62

About the author

JOHN UPDIKE was the author of more than sixty books, eight of them collections of poetry. His novels, including The Centaur, Rabbit Is Rich, and Rabbit at Rest, won the Pulitzer Prize, the National Book Award, the National Book Critics Circle Award, and the William Dean Howells Medal of the American Academy of Arts and Letters. He died in 2009.
tracking-