Touching North by Goldsworthy, Andy - 1989

NY: McGraw Hill, 1960. First Edition, first printing. Hard cover in dust jacket. Published NY: McGraw Hill, 1960. First American Edition. Folio. 9 1/2" x 12." 260pp., 83 tipped-in color plates and 52 b/w illustrations.A Very Good or better copy - clean, straight, tight, no markings, in a Good, heavily frayed dj with several small chips missing.. 1st. Hard. Very Good/Good. Folio. Illus.

New York: G.P.Putnam's Sons, 1909. Third edition. Hardcover. Very Good. Third edition, revised and enlarged. Previous owner's names on the front flyleaf, otherwise unmarked. Burgundy cloth covers with gilt embossed design on front cover. Minor shelf wear. Tops of pages gilded.

Stuttgart: Ernst Klett, 1964. First Edition. Hardcover. Fine/Very Good. Stout 4to. Pp. 588. Foreword by Josef Hirn. Illustrated with a generous section of photos depicting life in Stuttgart before and during the rise of the Nazi party. Bound in black cloth with gilt Star of David stamped on front cover, gilt lettering on spine. Book is in Fine condition with dust jacket showing hints of wear at edges. A particularly fresh copy. Dust jacket now protected in a clear removable, archival cover.

Osaka Osaka Municipal Museum of Fine Arts, 1970, paperback. Exhibition catalog of 170 works. Text in Japanese and English. Softcover, 10x9.5 inches. Condition: near fine.

Roma, Tip. Salviucci, 1864. Soft Cover. xiii, [3], 157 p.; 22.5 cm. Title continues: pubblicati per opera di Ernesto Ovidi. A collection of essays by a painter who was a Pre-Raphaelite before the Pre-Raphaelites. He admired Trecento and Quattrocento Italian Renaissance paintings and here studies them as a basis for art of the Romantic movement. Untrimmed, uncut in original yellow wrappers; very good. Stock#OB691.

Paris: Maeght editeur, 1985. First edition / First printing. Oversize illustrated wrappers. Fine. Features beautiful lithographs by 10 artists. A lovely production.

NY: McGraw Hill, 1960. First Edition, first printing. Hard cover in dust jacket. Published NY: McGraw Hill, 1960. First American Edition. Folio. 9 1/2" x 12." 260pp., 83 tipped-in color plates and 52 b/w illustrations.A Very Good or better copy - clean, straight, tight, no markings, in a Good, heavily frayed dj with several small chips missing.. 1st. Hard. Very Good/Good. Folio. Illus.

New York: G.P.Putnam's Sons, 1909. Third edition. Hardcover. Very Good. Third edition, revised and enlarged. Previous owner's names on the front flyleaf, otherwise unmarked. Burgundy cloth covers with gilt embossed design on front cover. Minor shelf wear. Tops of pages gilded.

Abergavenny Church. Original hand coloured aquatint etching. Drawn and Engraved by J Cullum. Ca 1840. Sheet and plate size 265mm x 205mm including blank border of 15mm and title Now known as St Marys this Priory was a Monastery of Benedictine or Black Monks, founded in the reign of Henry I between 1100 and 1135. Abergavenny Church is recorded in the poem The Worthiness of Wales written near the end of the 16th Century, by Thomas Churchyard who toured Wales in 1586. This poem, dedicated to Her Most Excellent Majesty, Queen Elizabeth, gives much information respecting the Church and the Monuments. The poem was first published in 1587 and reprinted in 1776. Extensive alterations took place in 1828 and Cathedral and Church architect Gilbert Scott was to comment in 1874 "Few Churches have suffered from decay and injudicious repair than this." Information regarding the alternations would suggest this aquatint was completed after the alternations, the leaded roof replaced by slates being the most… Read More

Stuttgart: Ernst Klett, 1964. First Edition. Hardcover. Fine/Very Good. Stout 4to. Pp. 588. Foreword by Josef Hirn. Illustrated with a generous section of photos depicting life in Stuttgart before and during the rise of the Nazi party. Bound in black cloth with gilt Star of David stamped on front cover, gilt lettering on spine. Book is in Fine condition with dust jacket showing hints of wear at edges. A particularly fresh copy. Dust jacket now protected in a clear removable, archival cover.