En trente-trois morceaux by Char, René (1907-1988) - 1956

[Paris]: 1925. folio. 40 x 30 cm. pp. 4. 60 pochoirs of women’s dresses and coats. original wrs. (worn)

San Francisco:: Pettingell Book Bindery / Art Hazelwood,, 2010.. Edition of 10. 16 x 18"; 72 pages. Sixty woodcuts printed by the artist on Masa paper in editions varying in size from 25 to 50 of which numbers 11 - 20 were bound by the artist in a hand-sewn hardcover book format. Prints tipped onto Arches cover text paper. Each print numbered, titled, and signed. Art Hazelwood: "From 1986 to 1993 I traveled around the world, living in Europe and Asia and in various parts of the States. My primary interest however was traveling in Asia. The intensity of travel lured me on to see more and more. Experiences of people and places left their mark and I have tried to give back some of that feeling. The Tibetan nomads, Vietnamese 'cyclo' drivers, Japanese 'salary man,' Sikhs, Thais, and Uygurs that make up this series are the actors on an impossibly crowded world stage. It is this sometimes overwhelming encounter with the world that these prints seek to express. "Prints… Read More

Portland, Maine:: Rebecca Goodale,, 2016.. Edition of 5. 7 x 9.25"; 20 pages. Pop-ups. Flutter book construction. Monotype silkscreen prints and monotype gelatin plate prints. Handcut and handcolored with ink and colored pencil. Handwritten text. Cloth bound flat-backed case with an onlay beneath the cloth on the front cover. Rebecca Goodale: "After years of walking in the woods, studying, and eating mushrooms, this is my first book about some of the most delicious mushrooms in my town."

[Simi Valley, California]:: Pie in the Sky Press,, 2019.. Edition of 50. Standard: 7.5 x 11"; 64 pages. Letterpress printing on the Vandercook Universal III power press using Centaur and Arrighi type, cast by M & H Type Foundry and Swamp Press, wood French Clarendon, and photo polymer plates onto Zerkall Book Wove, handmade Kitakata, and Korean Hanji papers. Botanical pages (contact prints) printed on Strathmore Aquarius II watercolor paper. Longstitch binding, sewn with hand-dyed Kinglet Cottage linen thread through a white oak spine. Bound in a cover of contact printed and dyed handmade Indigo watercolor paper. Signed and numbered by the artist. Deluxe: Housed in 9.75 x 12.75 x 2.5" cloth-covered hinged box lined with Cave handmade paper. Set in a niche compartment is a Quercus lobata acorn. The acorn has been frozen for 12 months, baked for 8 hours then sealed. In a drawer with cloth pull tab is "Quercus", a suite of prints. Each print signed and dated. A standard… Read More

NY: Thomas Y. Crowell & Co, 1910. Signed first edition, limited to 525 numbered copies in England and America, #137, signed by Pogany on limitation page. Full brown morocco with gilt cover design, gilt spine titles, top edge gilting, pictorial end papers, sewn in silk bookmark. Published NY: Thomas Y. Crowell & Co., 1910. Folio, 9 1/2" x 13", printed on Japan vellum, unpaginated, Illustrated by Pogany with 20 tipped-in color plates, calligraphic text, decorative borders plus illustrations in color and line throughout the text. A stunning work. Some scuffing, wear along the edges of boards, small, previous owner bookplate on front pastedown, internally near fine, pages clean, no foxing or markings, page block crisp, all plates present, binding tight. Rare.. Signed by Illustrator. 1st. Hard. Very Good. Illus. by Pogany, Will. Folio. Numbered, Limited Edition.

London: J. M. Dent, 1893. First edition, limited to 1,500 copies. Volume One only (Includes Books 1-9 as published), in extremely rare dust jacket. Published London: J. M. Dent, 1893. 4to., 8 1/2" x 10", lxiv + 455 pages, illustrated with full page plates, vignettes, borders, in-text decorations and cover design by Aubrey Beardsley. Beardsley's first major commission and a landmark of great illustrated books. Beardsley juxtaposed various traditional and contemporary styles with his own, and laid them down, side-by-side throughout the book. From elaborate and formal William Morris design elements to shocking eroticism and striking decadence - as in the case of the frontispiece plate of Arthur. Cream linen cloth with elaborate gilt design and fancy titles. Top edge gilting, 3-color ribbon marker bound in. Slight foxing to the cloth, endpapers toned along the perimeters, some wrinkling to the tissue guard at frontis, else very good, attractive; binding square and tight in a rare dust… Read More

Title page, 20 hand-coloured engraved plates with corresponding pages of explanatory text. Twenty fine hand-coloured engraved portraits by R. Cooper of famous contemporary actors and actresses after paintings by Harlow, Sharp, Clint, De Wilde, Waldeck, and others.Actors include Sarah Siddons as Lady Macbeth, Edmund Kean as Richard III, ballerinas Mlle. Lisa Noblet and Mlle. Felicite Hullin, ballet dancer Etienne Le Blond, opera singer Giuseppe de Begnis, Samuel Simmonds as Baron Munchausen, Henry Gattie and Mme. Maria Theresa Bland in the farce Monsieur Tonson, Sarah Booth, Frances Copeland, Charles Young, etc.Daniel Terry (1780-1829) was an English actor and friend of Sir Walter Scott, many of whose novels he adapted for the stage.Condition: Half honey-coloured leather binding with five raised bands, gilt leather title label, marbled boards. Interior clean and bright with fine hand-colouring, slight discoloration to title page.

Collection of 277 hand-coloured lithographic portraits of French actors and actresses from the first 4 volumes of this rare series.No title page or prelims, mostly disbound plates loosely inserted within original bindings for Vol. 1 and 2, plate numbers from 1 to 392.Portraits of actors, actresses, dancers and opera singers by Alexandre Lacauchie and Victor Dollet, lithographed by Jules Rigo, Decan, Lebref.Considered to be the most important French artists gallery of the 19th century.Condition: Red leather bindings with fine gilt decoration on spines and boards, water damaged but holding, acting as portfolio for the loose plates. Plates with some damp-staining to lower edge, mostly outside the image, toning and spotting. Most plates disbound but all with vibrant fine hand coloring and gum arabic high lighting. Sold as a collection of plates.Alexandre Lacauchie (1814-1886) was a French painter, engraver and lithographer. Jean Francois Victor Dollet (1815-??) was a French painter, lithographer and printmaker.

Collection of 149 hand-colored copperplate engravings only from Pierre de La Mésangère's famous fashion magazine.Most women's fashion plates by the famous illustrator Louis Marie Lante, with 12 hat and bonnet plates by Victor Adam, taken from the issues February 1820 through to December 1821.Plates numbered 1878 to 2036, some missing and some out of order, total of 149 fine fashion plates. La Mésangère (1761-1831) was author, journalist and editor, and published the Journal from 1797 to 1839, covering the post-Revolutionary Directory era through the Napoleonic Empire and the Bourbon Restoration. Green leather spine, red leather labels with gilt decoration, boards with green marble paper. Condition: Binding scuffed but solid, plates clean and bright with slight spotting and usual crease down the centre (where the magazine was folded before binding).

Calvert's rarest print album
London, Hodgson & Co, 1823.
Oblong 4°
(24 x 16,5 cm.). With 24 soft ground etched plates and title. Original publisher's half morocco with printed front cover. With original tissue guards.
Very rare plate album by Irish landscape painter Frederick Calvert, complete with 24 "picturesque views" and in the original binding. Calvert moved to England in 1815 and, besides painting, produced a number of print albums and model books, a.o. The young artist's instructor (London, Hodgson and Co., 1823) and Rural scenery (London, Hodgson and Co., ca. 1825). He designed plates for Picturesque views ... in Staffordshire and Shropshire (Birmingham, William Emans, 1830-1831), and for A new and compendious history, of the county of Warwick (Birmingham, William Emans, 1830). Perhaps his most famous work was for The Isle of Wight illustrated (1846).
The present work is the rarest of Calvert's published oeuvre, with just 4 copies recorded in WorldCat and none at auction. It formed the basis… Read More