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Uber Die Deutbarkeit Der Tonkunst [About the Interpretability of the Musical Art]  SIGNED BY THE AUTHOR

Uber Die Deutbarkeit Der Tonkunst [About the Interpretability of the Musical Art] SIGNED BY THE AUTHOR

Uber Die Deutbarkeit Der Tonkunst [About the Interpretability of the Musical

Uber Die Deutbarkeit Der Tonkunst [About the Interpretability of the Musical Art] SIGNED BY THE AUTHOR

by Ringbom, Nils-Eric

  • Used
  • very good
  • Paperback
  • Signed
Condition
Very Good
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Houlton, Maine, United States
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About This Item

Helsinki - Helsingfors: Edition Fazer, 1955 263pp, printed on fine glossy paper, bound in original stiff paper covers, with binding and hinges tight. INSCRIBED & SIGNED BY THE AUTHOR ON THE TITLE PAGE in blue ink. Text is in German.

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Details

Bookseller
Monroe Bridge Books US (US)
Bookseller's Inventory #
006256
Title
Uber Die Deutbarkeit Der Tonkunst [About the Interpretability of the Musical Art] SIGNED BY THE AUTHOR
Author
Ringbom, Nils-Eric
Format/Binding
Soft cover
Book Condition
Used - Very Good
Quantity Available
1
Binding
Paperback
Publisher
Edition Fazer
Place of Publication
Helsinki - Helsingfors
Date Published
1955
Keywords
Music Musical Deutbarkeit Tonkunst Musik German Text
Bookseller catalogs
FOREIGN LANGUAGE BOOKS;
Size
8vo - over 7¾" - 9¾" tall

Terms of Sale

Monroe Bridge Books

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About the Seller

Monroe Bridge Books

Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
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Houlton, Maine

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Glossary

Some terminology that may be used in this description includes:

Tight
Used to mean that the binding of a book has not been overly loosened by frequent use.
Inscribed
When a book is described as being inscribed, it indicates that a short note written by the author or a previous owner has been...
Title Page
A page at the front of a book which may contain the title of the book, any subtitles, the authors, contributors, editors, the...
Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...

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