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Ulysses. by  James Joyce - First Edition - 1922 - from Raptis Rare Books and Biblio.com

Ulysses.

by Joyce, James

Condition: See description


Paris: Shakespeare & Company, 1922. First edition, one of 750 numbered copies on handmade paper from a total edition of 1000 copies, this is number 992. Thick quarto, original blue and white wrappers. A near fine example, internally fresh and largely unopened, completely unrestored. Housed in a custom half morocco clamshell box. This example contains the original prospectus with the tipped-on reproduction of the 1918 photo of Joyce by C. Ruf. The front panel of the prospectus has been amended, as often, to indicate the book "is now ready," and the original buyer must have jumped at the opportunity, as the order panel of the prospectus has been neatly cut away. Sisley Huddleston's 5 March 1922 review from The Observer is also laid in (though both items are in prophylactic sleeves that have prevented any offsetting). Also laid into the slipcase is some correspondence relating to the sale of this copy in 1972 by Duschnes in New York City. An exceptional example with noted provenance. Ulysses was published in Paris by Shakespeare & Company, 1922. It was a struggle for the author to find a publisher, a comic irony considering that Ulysses is "[u]niversally hailed as the most influential work of modern times" (Grolier Joyce 69). Ulysses was an immediate success. The first printing sold out, and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" (de Grazia, 27). Even so, the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode (Ellmann, 1982). Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character (Goreman, 1939). The idea for the novel grew from a story in Dubliners in 1906, which Joyce expanded into a short book in 1907, before reconceptualizing it as the heady novel in 1914 (Ellmann, 1982). The book can initially seem unstructured and chaotic, and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" (The Observer, 2000). The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode, Gilbert explained, is connected to the Odyssey by theme, technique, and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness, a technique employing carefully structured prose, both humorous and charactering, and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe, William Faulkner, and Italo Svevo. Their style can be better characterized as an "interior monologue, rather than stream of consciousness, is the appropriate term for the style in which [subjective experience] is recorded, both in The Waves and in Woolf's writing generally" (Stevenson, 1992).

Ulysses is a modernist novel by James Joyce. It was first serialized in The Little Review from March 1918 to December 1920 and later published by Shakespeare and Company in 1922. Originally, Joyce conceived of Ulysses as a short story to be included in Dubliners, but decided instead to publish it as a long novel, situated as a sort of sequel to A Portrait of the Artist as a Young Man, picking up Stephen Dedalus’s life over a year later. Ulysses takes place on a single day, June 16, 1904, in Dublin. Within the massive text of 265,000 words (not so “short” anymore, eh?), divided in 18 episodes, Joyce radically shifts narrative style with each new episode, completely abandoning the previously accepted notions of plot, setting, and characters. The presentation of a fragmented reality through interior perception in Ulysses, often through stream-of-consciousness, is one of many reasons it is a paramount of Modernist literature.  Ulysses presents a series of parellels with Homer’s epic poem Odyssey (Ulysses is the Latinized name of Odysseus.) Not only can correspondences be drawn between the main characters of each text — Stephen Dedalus to Telemachus, Leopold Bloom to Odysseus, and Molly Bloom to Penelope, but each of the 18 episodes of Ulysses reflects an adventure from the Odyssey.  In 1998, the American publishing firm Modern Library ranked Ulysses first on its list of the 100 best English-language novels of the 20th century. Read more: Identifying first editions of Ulysses.




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Some terminology that may be used in this description includes:
clamshell box
A protective box designed for storing and preserving a bound book or loose sheets. A clamshell box is hinged on one side, with ...[more]
wrappers
The paper covering on the outside of a paperback.  Also see the entry for pictorial wraps, color illustrated coverings for ...[more]
First Edition
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fine
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New
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morocco
Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye.(see also Goatsk...[more]
quarto
The term quarto is used to describe a page or book size. A printed sheet is made with four pages of text on each side, and the p...[more]
unopened
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