[Women in Golf] Ladies in the Rough by Collett, Glenna (1903-1989); Assisted by James M. Neville, Foreword by Bobby Jones - 1928

Imprimerie de Charles Hérissey. Evreux. La Librairie Illustrée. Paris. [1888] Quarto. xii, 690pp. (1) Imprim. 8 tissue guarded coloured plates, numerous engraved full page illustrations and text engravings. Contemporary red half morocco and marbled boards. Spine in six compartments, gilt lettering, motifs and rules. Marbled endpapers. Some toning to half-title and last few pages. Slight shelfwear to edges and corners.

John Grand-Carteret (1850-1927) Art historian and collector.Due to the weight of this volume, we regret an additional postage overseas charge may apply. Please contact us for details.

Printed by W.S. for Richard and Ralph Simpson near the North Door of St Paul's. London. Third edition. 1708. Octavo. (8), 310pp. Contemporary calf, relaid to spine. Decorative and elaborate original blind tooling and speckle to upper and lower boards. Spine in six compartments with raised bands, blind rules, leather label, gilt lettering. Vestiges of floral gilt tooling to edges. Corners slightly bumped and rubbed. Edges sprinkled red. Endpapers toned. Light marginal water stain to lower gutter of title page. Wright Bookplate to fep. A pleasure to hold and to read.
Sir William Temple, 1st Baronet (1628-1699) Restoration diplomat, statesman and essayist. Jonathan Swift was his secretary from 1689; the original manuscript of this work was in Swift's hand. Swift began a sequel, but later abandoned it. Samuel Johnson stated Temple was "the first writer who gave cadence to English prose" and modelled his own style upon it. One of the earliest scholarly studies of Anglo-Saxon and Anglo-Norman culture.
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Los Angeles: Sun & Moon Press, 1986. Signed by the author on the title page. First edition / First printing. Navy cloth. As New. Very fine in very fine dust jacket. The second book in the New York Trilogy.

Boston: Houghton Mifflin, 1964. Book. Illus. by Trina Schart Hyman. Fine. Hardcover. First edition, First Printing. Hard Cover. Fine in a Near Fine, price clipped dustjacket. Dj shows light edge wear with a tiny chip missing from lower front corner. Very early illustrated book by an award winning illustrator..

Toronto: Macmillan of Canada, 1985. Inscribed by the author: Robertson Davies for Viola Sullivan. First edition / First printing. Black cloth spine, brown paper-covered boards. Fine in about fine dust jacket with edge-wear that is common to this title.

n.p.: Unpublished, 1968. First day cover honoring the Liberty Bell, SIGNED, without inscription, by U. S. Supreme Court Justice Byron "Whizzer" White. The postmark is March 26, 1968, but the signature probably came later (that is usually the case with autographed first day covers). We guarantee that the autograph is original and authentic. The autograph is bright and unfaded; the cover is clean, bright, and unwrinkled.. SIGNED. First Edition. Paper. Fine. 3.6" X 6.5". Manuscript.

n.p.: Unpublished, 1956. First day of issue postcard boldly signed by Chief Justice Rehnquist. The postmark is November 16, 1956; so the signature came later (that is usually the case with autographed first day covers). We guarantee that the autograph is authentic, and there is no time limit on the guarantee. The autograph is bright and unfaded; the postcard is clean and crisp.. SIGNED. First Edition. Paper. Fine. 3.25" X 5.5". Manuscript.

Connecticut: Weatherhill, 2002 IN NEW CONDITION, with a Dust Jacket also in New Condition, in a protective mylar cover. 163pp, printed on fine glossy paper, with color photographs throughout. STONES AS DECORATIVE ART.

n.p.: Unpublished, 1971. The letter on Artie Shaw's personal stationery is dated May 17, 1971 and reads: "Dear Tony: I could have understood Yes, No, or even Maybe--but I cannot understand one broken appointment, one broken lunch date, and one unbroken silence ever since. Don't you think a phone call is in order? I do. What can you lose? Sincerely Artie Shaw." It is boldly signed "Artie" in black ink. Shaw was a world-renowned jazz clarinetist and band leader. Galli was a news correspondent, who later worked in advertising and was largely responsible for the AT&T slogan "Reach out and touch someone." Shaw's signature is bold and bright; the letter is generally clean and bright, but there is one 1" closed tear that does not intrude upon the text. There is a hint of faint soiling and minor wrinkling.. SIGNED. First Edition. Paper. Very Good.. 10 1/4" X 7 1/8". Manuscript.

Seattle / New Haven: Henry Art Gallery / Yale, 2006. Signed on the title page by Maya Lin and dated 2006. Also signed by Henry Art Gallery Director and essayist Richard Andrews and Lawrence Weschler, who contributed the Foreword. Weschler's signature has spattered a bit. First edition / First printing. Off White cloth. Very fine in very fine dust jacket. The catalogue of Maya Lin's 2006 exhibition at the Henry Art Gallery. An attractive production. The cover is embossed with the artist's "Waterline.